Creamware plate, lobed and moulded, with pierced border of flower heads. Probably made in Staffordshire around 1780. Diameter "8 1/3 / 21 cm. Condition: a few glaze flaws, caused in the fabrication process.

This is a very fine example of a simple, yet elegant First Period Dr. Wall Worcester coffee cup. The painting is very nicely executed, and features a large, loose bouquet of flowers, and other scattered blooms, including a purple tulip. The handle is grooved and there is a gilded rim.

The cup is 2 1/2" tall and has a diameter of 2 3/8". The condition is superb, with no chips, cracks, restoration, or scratches. The enamels are vibrant, and the gilding is 99.9% intact.

This porcelain coffee cup and saucer was produced in England by Worcester around 1790. The set is unmarked but the pattern is unmistakably from the Chamberlain Period. The saucer has a diameter of 5 inches and is 11/4 inches deep. The cup is 2 1/2 inches high and the opening has a diameter of 2 1/8 inches. The set is decorated in a chinoiserie style. The simplistic landscape is dotted with pagodas and figures hunting game. The design is delightful...

A French faience pot de crème / custard pot, c 1760, ribbed and decorated with flowers in petit feu enamels. The style of the decoration as well as the shape resembles that of Veuve Perrin, Marseille, but the signature, a monogrammed JR, indicates that the little pot originates from the manufacture of Joseph Robert, also in Marseille. Height including lid "3 ¼ / 8 cm. Condition: some roughness to rims (cf. pics).

An 18th century coffee cup painted in blue and white. Nicely potted, the decoration features an oriental scene of a garden structure on a promontory, and trees, flowers, and foliage. Excellent condition, with no issues, and a height and diameter of 2 3/8".

Antique English Polychrome Porcelain Tea Caddy with ribbed body and decoration with floral motif. Circa 1790. Provenance: From the Estate of Baroness Rengers, Alexandria, VA.

A very early Bow porcelain coffee cup with the "Cross-Legged Chinaman" pattern. Adding to the rarity of this cup, in addition to its age, is the crabstock handle.

he condition of the cup is excellent, with no cracks, chips, staining, or restoration. The height is 2 1/4" and the diameter is 2 1/8".

A beautiful Longton Hall bowl, decorated with polychrome flowers, most likely done by the Trembly Rose painter. Very fine condition with fresh colors, no cracks, paint loss, or restoration. The diameter is 4 3/8" and the height is 2".

These wonderful painted (some outlining is printed) plaques were done in the Staffordshire area of England in the late 18th century. They are 6 1/2" long and 4 1/2" wide. Each depicts a classical head in profile. It is uncommon to find a pair, especially in such wonderful condition. There are no chips, cracks or repairs of any kind, and the painting is vibrant and unscratched.

A rare 18th Century Liverpool porcelain teapot finely painted with Chinese style "Famille Rose" polychrome enamels...

A lobed dinner plate 9 ½ inches (24 cm) diameter decorated with a sprig of cornflowers (?) in the center of the well surrounded with numerous single red or gilt flowers. The lip is decorated with richly gilt and enamel swags surrounding floral cartouches. The rubbed overglaze “VV” on the back is the mark for the Verneuilh factory. It dates from the 1780’s; possibly 1787 when Vanier entered a contract with the Verneuilhs.

Condition, no hairlines or repairs...

A porcelain dinner plate decorated with a gilt rim, a gilt rope with flowers on the lip and floral sprays in the well. Marked in overglaze red enamel on the back “B/Potter/1” The mark is probably from around 1794 for the short lived partnership of Potter and Blancheron.

Condition: Two hairlines and some stacking wear

This is a Worcester soft paste porcelain tea bowl and saucer, in the the well known Worcester pattern "sworl" or "Queen Charlotte", named for Queen Charlotte, wife of George 111 who bought a service for royal use. Ours is marked with the "scratch B" mark of the Flight and Barr period, c 1795. Priced at $ 1200.

Condition: excellent.

An authentic and vintage Dutch Delft blue and white 9-1/4" plate. This plate has a floriate design and it has the expected blue-tinged underglaze. This unsigned plate is in fair condition with the loss of the glaze around the rim, some minor rim chips, a glued bisected break and a y-shaped crack meeting at the bisected break. The glue is old-style yellow, and this plate is certainly worthy of restoration...

This porcelain tea cup and saucer was produced in Germany by the Royal Berlin Porcelain Maunfactory around 1770. The factory used only the under glaze blue scepter marking at that time. The saucer measures 5 1/2 inches in diameter and is 1 1/2 inches deep. The cup is 2 inches tall and 3 1/8 inches in diameter. Colorful, hand painted Watteau scenes decorate both pieces. 18th century lovers are spending time in the countryside engrossed in conversation...

A spectacular First Period Worcester porcelain dish decorated by James Giles. The dish is quite large, at 9 1/4" in diameter, and is molded with an undulating border, wide fluting running from the edges to the recessed central scalloped area. The overall form is that of a soup dish, but it appears to be overly large for that. That area is decorated with three beautiful butterflies around a central flower sprig...

A superb example of a Dr. Wall First Period mustard pot printed with the "Fence" pattern. The cover has a flower finial with molded leaves. The height of the pot is 3 7/8" (plus the lid) and the diameter is 2 1/2".

Not much needs to be said about this piece, other than the condition is truly excellent, with no chips, cracks, paint loss, or restoration. The type mustard spoon that would be used in this pot is shown as item p1124 in this category...

A charming and early Derby diminutive basket form sweetmeat, with delightful floral painting by the Cotton Stem Painter. This form, which is uncommon in blue and white, is almost unheard of in polychrome, with virtually no examples having been offered at auction in the last 10 years. An example is shown as illustration 44 in Gillespy's book on Derby Porcelain.

In overall very good condition, with a very old repair to one of the handles...