Fifteen(15) English Porcelain Gold Band Tea Cups(2 1/4" high) and Saucers(5 3/4" diameter)faceted with gold leafy design in the center. Produced and retailed by "C. A. Selzer, Cleveland" in green and pink, some have impressed mark. Gold rim is somewhat used scratch marks.
English Staffordshire Porcelain Cottage, 5" high, 4 1/2" wide on the base, with bay windows and roof above the door, attic has room with windows, very charming piece, no marks on the bottom. There are two(2) chips 1/8" to 1/4" wide around the chimney .
A 19th century Staffordshire flat back china cottage 1850-60s. It is the flat back type, and measures 4 1/4" high and 3 7/16" across. The colouration is simple - yellow ochre and rust-brown. It is overall in excellent condition for its age except for a small chip on the chimney and wear to the painted decoration. The bocage around the roof eaves is in excellent shape (very minor loss, not noticeable) and no cracks, crazing, staining or repairs...
An Early Victorian Ironstone English Flow Blue Plate, with a shaped Edge; circa pre-1850. Imprinted mark "Semi China" by either Clementson Bros. or J & R Riley. Dimensions; 9.5" in diameter. Very good condition.
An exceptionally nice English porcelain cup and saucer decorated with pink luster. The body is molded in a net pattern with reserves that are highlighted in overglaze blue, green, yellow and iron red enamels. The center of the saucer is decorated with a strawberry motif that is repeated in the bottom of the cup. The cup is raised on a slight foot. The saucer has very deep and steeply sloped sides so the hot tea could be drunk directly from the saucer, as was the custom.
Origin: England, ca...
Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.
Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.
Dinner plate in Sevres pattern but probably Minton c. 1850
A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.
Condition: no chips, cracks, hairlines or repairs...
A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).
A very well molded pitcher with floral decoration on each side, molded foot, lip and handle. Across the front of the pitcher and on either side of the neck are hand painted flowers, very much in the Adam’s Rose” style. This form of molded pitcher closely resembles those in porcelain of J. and R. Riley of Burslem. The body is very white, but isn’t porcelain. 8 3/8 inches (21.5 cm) to the top of the handle and approx. 6 ½ inches (16.5 cm) across the handle...
Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain...
A pair of molded edge porcelain dessert serving bowls, Spode circa 1814 with bat transferred fruit in the center. Pattern number 1686. Neither is marked, but the distinctive border of twined dolphins alternating with a large plant (?) is a Spode design. The pattern of fruits is currently made by Spode and called “Chatham.” The border is set off with a band of gilding at the rim and the inside edge. The bat transfer is an unusual color, almost brown at some angles and gold at others...
2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840
A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...
Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage.
Dimension: 6 1/2" h
A Doulton Burslem Hand Painted Cabinet Plate with a Bird in the Center Reserve. Registration number 97183 for 1888. Excellent condition. See also 591A
A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief...
1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.
Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine. A small teapot with very similar decoration is offered in a...
A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.