Two soup plates and a dinner plate from Boch in Luxemburg, late 18th century. Under-glaze blue decoration of a posy with a trefoil /trèfle surronded by sprigs, the molded rim with a dented blue border. The molding and sprig pattern seen on these plates is now being produced by Villeroy & Boch under the name of Old Luxembourg...
La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.
Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.
Very collectible Country French yellow and green glazed terra cotta pot with 2 ear handles. From the Southwest of France, these more unusual pieces are getting harder to find and the glaze on this pot is exceptional. Inside is glazed and will hold water. Measures 10ʺW × 9ʺD × 9ʺH
Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.
French walnut oil jug from France. A large brown-glazed terracotta storage vessel with pouring spout. It is a rare piece and unusual to find one without handles. Chips to spout. Expected for age. Measures 10" diameter, 14" high
An earthenware transfer printed in colors plate with a floral border and the scene of a young woman riding a donkey sidesaddle while another well dressed woman stands by. The number “8” appears in a small cartouche above the scene and the title, “Promeade á âne.” The mark on the back seems unreadable, but looks just like an impressed mark for the French manufacturer Montereau and the date of around 1850 is maybe a little late but about right...
A small jug, an 18th century model skillfully copied after a cruet set from the faïencerie of Veuve Perrin in Marseilles (1760 – 1803). To one side a gentle couple harvesting - a mock rural scenery - and to the other floral decoration, all in 18th century Rococo style. From the Parisian factory of Edme Samson, made a hundred years later when ambitions were high to create true copies of the old and admired techniques and styles...
A French faience pot de crème / custard pot, c 1760, ribbed and decorated with flowers in petit feu enamels. The style of the decoration as well as the shape resembles that of Veuve Perrin, Marseille, but the signature, a monogrammed JR, indicates that the little pot originates from the manufacture of Joseph Robert, also in Marseille. Height including lid "3 ¼ / 8 cm. Condition: some roughness to rims (cf. pics).
Five French majolica plates from H. Boulenger & Cie in Choisy-le-Roi, 1880’s. Aesthetic Japanesque compositions and molded design in contrasting colors, ochre and turquoise with crackle glaze effects. The motifs are nightly poetic: a boy gazing at the moon (twice, in reverse coloring), a night wanderer with a lantern, the Man in the Moon fishing and an earthly fisherman just catching a fish. All with the printed monogram and impressed factory mark. Diameter "8 ½ / 21,8 cm. Condition: all fine...
A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.
Condition: No chips, cracks, hairlines or repairs...
An 18th century faience desk set or inkwell for a lady, decoration of flower sprigs, mainly Forget me nots. French, possibly Rouen around 1780, Width "6 ¼ / 15.8 cm and height " / 5.7 cm. The base with four little feet and mark W in black, maybe for William Sturgeon who owned one of the Rouen factories from 1776. Condition: later restorations having been removed, now left with cracks and hairlines (cf. pics) but still charming.
A large ceramic studio art vase by the renowned Clement Massier whose work with lustrous iridescent glazes still commands admiration today. This ceramic vase is decorated with mythological and fantasy creatures, inscribed on the surface, each of which alternates between stylized fleurs de lys. The glazes are deep red - perhaps burgundy - infused with coppery tones...
Three faience plates, probably from the Les Islettes factory near Reims in Northern France, one with a rooster / coquerel and two with a flower basket motif. All with combed red border and 19th century. Diameter "9/ 23 cm. Condition: some rim frits, the coquerel plate with some filled-in patches to the red parts (cf. pics).
Three 19th century faience plates, Northern France (Saint Clement?), all with vivacious floral decoration in the "gaudy" style, all with combed red border. Diameter "9/ 23 cm. Condition: wear to the decoration of two plates, all with rim frits.
Four 19th century faience plates, probably from the Les Islettes factory near Reims in Northern France. Three with lobed and one with straight border. All decorated with sprigs of flowers in the "gaudy" style, one with a flower basket. Diameter "8 ¾ - 9 / 22 - 23 cm Condition: rim frits and wear to one plate, the flower basket plate with a charming attempt made in the factory to conceal a glaze mist at the border (cf pics).
A sturdy little earthenware salt, French, c 1760-80. Octagonal and decorated with a diaper pattern and cornflowers in a rustic variation of the Louis XVI style. Width "3/ 7.5 cm, height "1 ½ / 3.5 cm. Condition: a small area rough and unglazed, a mishap caused during fabrication (cf. pic 2).
It has been a long while since we have offered a Massier duck for sale, due in no small part to their rarity. This duck was expertly modeled in the studio of Jerome Massier around the turn of the 20th century using the vivid and, in this case slightly iridescent glazes for which he and his cousins were justly famed. The duck is standing on what we surmise is a sandy beach, adorned with rich green, brown, and off white colors, beak slightly open...