Terrific enameled sherry bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

Terrific Battersea-style enameled gin bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

Rare four-lobed copper bowl decorated in painted enamel. The decoration pictures three ancient Chinese warriors in a landscape. Like nearly all enamelware, this piece has suffered from the ravages of time, but the fine detail of the decoration and the rarity of the form more than compensate for the condition.

Origin: China, late 18th century. Condition: numerous chips and cracks, particularly along edges. Size: 4-1/2" diam., 2-1/8" high.

This is not your typical cloisonne. The beautiful Chinese vase is one of the best quality that I have personaly owned in many years. Notice the 8 graceful cranes,chrysanthemums and other flowers. The colors are bright. I have been told that this vase is pre 1900. THERE IS NO DAMAGE ON THIS ITEM. IT IS IN EXCELLENT CONDITION and sits on a wooden rosewood base.

Sterling Enamel Box with gold wreath on a guilloche cobalt blue enamel ground with gilt interior. Marked .925 on cover and on base. Circa 1890.

Exquisite Dresser Set with yellow guilloche enamel beautifully set off by tortoiseshell. Both the mirror and clothing brush are hallmarked: Birmingham, England 1928. Size: mirror - 9.5" L x 6" W; brush - 7" L x 2" W.

From our Japanese Collection, a very good, large, and older pair of Japanese cloisonne vases, late Edo to early Meiji Period, probably 1850-1875, executed with floral motifs including wisteria, peony, and chrysanthemum, along with small birds and butterflies, all set against a turquoise blue ground upon a lobed, melon-shaped form...

A Continental Champleve Enamel and Parcel Gilt on Silver Tea Strainer, circa 1900. Possibly by the Norwegian, David Andersen. Dimensions; 5" long x 3" wide. Excellent condition.

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes of the eighteenth century. However, this box clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Small scratch to lid.

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

French, 19th century, Samson. The crossed “S” marks on the interior lid of this nineteenth-century snuff box indicates that this was, in fact, a product of the Samson factory. Edmé Samson founded the House of Samson in 1845 to decorate porcelain. However, it was Edmé’s son, Emile, who expanded the firm to include the reproduction of eighteenth-century English enamels...

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin...

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century...

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes...

This pair of bronze candlesticks was produced in France in the late 19th century. They measure 6 3/4 inches high and the base has a diameter of 4 1/2 inches. There are 3 areas on the candlesticks that have the champlevé enamel decorations, the cup that holds the candle, the bobeche and the base. The enamel decoration is elaborate and very colorful. There are girl and boy cherub figures creating the shaft of both pieces. They are in excellent, antique condition.

An Enameled Teapot or Coffee Pot, with a Hinged Pewter Lid. Depicts a Scene of a Mill in winter on Both Sides. French, circa 1900-1910. Dimensions; 9.5" high x 5" wide. Excellent condition.

An Enameled Teapot or Coffee Pot, with a hinged Pewter Lid. Depicts a Different Hand Painted Scene of a Heron on Each Side. French, circa 1900-1910. Dimensions; 10.5" high x 5" wide. Excellent condition.

A rare Bilston enamel cow patchbox with floral 1770-1790. This antique English Georgian period Bilston enamel patchbox or patch box features an enamelled lying cow on the top and a painted porcelain floral on the bottom circa. This 1-7/8" x 1-5/8" copper/brass mounted box was used to hold patches, the applied facial beauty marks popular at this time. It stands 1-1/4" high, and the hand painted cow has a well-painted face, with green, pink, white, yellow and black enamel...

A late 18thC Qing Dynasty Canton enamel bowl. This high quality bowl has original gilding and it dates to circa 1770 - 1800. This lobed quatrefoil shaped bowl measures 7-3/4" x 6-1/4" and it is 3-1/8" in height. The enamelling is particularly fine, done to the Chinese taste. The rim of the bowl retains much of its original gilding. The interior is a pale blue enamel, the bottom is speckled white. The upper rim has a Greek key design border. While it doesn't appear to have been much used other t...

Italian Renaissance-Revival 3-piece gilt brass and enamel serving set, ca. 1860. This set comprises spoon, fork, and knife.

The handles are straight and tapering with knops and enameled Grotesque ornament on white ground. The spoon has shaped bowl. The fork has shaped shank and four tines. The knife has curvilinear blade. The spoon and knife have figural mounts. A beautiful set that reflects the Victorian interest in Renaissance Italy. In fitted case. Unmarked. Excellent condition with ...

An enamel and gilt clasp, French, cloisonné decoration in the Empire revival style of the 1880’s. Width "2/ 5,5 cm. Condition: a few hardly visible chips to the enamel.

French enamel vase, artist signed, excellent antique condition. Measurements as follows, height of 10.75 inches. (27 cm). Diameter of 4.5 inches. (11 cm). Condition Report; Condition consistent with age.

Finely crafted French Enamel over brass Vase. Depicting a couple in the countryside. Signed "Gamet, France" along the lower edge, late 19th century period. Size; Height of vase is 7 inches tall, no condition issues noted.

Miniature Limoges vase features hand painted enamel over brass. The vase is decorated with a vibrant forest green ground color decorated with floral designs along the body and a portrait of a maiden in the center. CIRCA: Early 20th Ct. ORIGIN: France DIMENSIONS: H: 4.75" L: 3.5"

Delightful Bilston bonbonniere in the shape of a lion. These enamel on copper boxes were used to hold small hard sugar candies. This adorable lion measures approximately 2" in diameter and 1 1/4" high.

Tall sterling silver, pink guilloche enamel, and cut crystal vase by The Thomae Company of Attleboro, Massachusetts. Base is weighted and the crystal is finely “wheel cut” in a floral design. This stunning vase measures 10 7/8 inches high x 3 1/2" diameter across top. Dates circa 1915.

Wonderful to wear as a pendant this retractable pencil slides into an enameled gilded mummy. In the 1870s-1880s, the Egyptian Revival styles were in vogue as archaeological digs discovered ancient tombs that brought to light rare finds. Their motifs were incorporated into jewelry, objects, furniture, glass and pottery.

A Canton enamel squash blossom jewel or trinket box from the 1880s 1890s. This lovely and large Chinese enamel on metal box measures 4-1/2 x 3-1/2" and it stands 2-3/4" high on its foot rim. It is nicely worked with a fine life-like appearance and the hand applied enamel is in yellow, green and blue. The interior is light blue as is the underside. It is (obscurely) marked CHINA on the bottom and it is in excellent condition with no chips, dents, bends, corrosion, damage or repairs however it...

A small cloisonné enamel dish, unusual colors: rusty brown and turquoise green peony, the back with bamboo leafs and grapes in dark blue and black. Japanese, late 19th century. Diameter "3 ½/ 9.2 cm. Condition: enamel loss, esp. to the back (cf. pics).

A small Bilston patch box, enamel on copper, mid-18th century, in a design somewhere between Rococo and Louis XVI: the outer shape softly rounded, the pattern more strict, of diaper type, textile-like. Patches, often in black silk, were used to conceal scars or blemishes from smallpox or other diseases. At the time Bilston, a town in West Midlands was famous for their enamel boxes. Width "1 ¾ / 4.8 cm. Condition: enamel flakes to lid and base (cf. pics).