A pair of so-called Whimsey glass vases c1900. Glass whimseys, or end-of-day glass, were made at the end of the day's glass production by glassmakers using leftover glass; these items were usually taken home and given as gifts. Many forms were produced, including glass canes, figurines and artistic objects. This pair is made of amber and citrene coloured glass with white highlights and ribbon decoration...

Fine Bohemian green-to-clear cut glass Biedermeier footed spa beaker ("spaglas") featuring five panels, each beautifully engraved with Classical symbols. Beakers of this sort originated in the great spa towns of Bohemia, where they were used to take the waters. Wealthy visitors often brought back a goblet as a souvenir of their restorative stay at the spa...

This crystal vase was produced in Bohemia by Moser in the 1880s. It is 12 inches long and 9 inches high. The glass has a lead content and rings when tapped. It is hand blown and has applied glass features. It is formed in the shape of a cornucopia. The glass is dark, sea green. The entire body of the vase is covered with intricate enameled decoration. The flowers and ornamental swags in vivid raised enamels are completely done by hand. The vase is accented with profuse gilding...

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it...

This crystal goblet was produced in Bohemia by an unknown company. We believe it was made sometime in the early 20th century. The goblet is 9 3/4 inches high and the diameter is 3 1/2 inches. The decoration is beautifully hand enameled, depicting brightly colored parrots on both sides of the glass. There are also flowers and gilded leaves. CONDITION: There is a bit of wear to the gilded stems of the flowers.

This pair of crystal candle holders was produced in the early 20th century. We believe that they were made by an American glass company such as Libbey, Sinclaire or Pairpoint. There is no signature and the pattern does not lend itself to identification. They are 11 3/4 inches high and the diameter of the base is 4 1/4 inches. They are hand blown with a wide polished pontil on the base. The shape is elegant with six panels to the shaft...

This crystal cordial glass was produced in Bohemia in the late 19th century. There are no marks to identify the maker. The glass is 9 1/4 Inches high and the diameter of the opening is 2 1/4 inches. The crystal is hand blown. The stem has an elongated air twist stem. There is hand painted enamel decoration on the top. It is accented with blue beading and gold trim. Condition: Excellent

This crystal decanter was produced in the United States in the late 19th century. It is not marked, therefore we are unable to precisely identify the manufacturer. It is evident in the fine quality that it was produced by a respected company. The decanter is 8 1/2 inches high. The diameter of the base is 4 1/4 inches. The decanter has an interesting shape in that it bulges out and pulls in below the handle. The cutting is very fine with intricate designs...

This set of 6 crystal wine glasses was produced in the United States by one of the fine manufacturers in the 1890s. They are not signed; therefore we are unable to identify them precisely. They are 5 inches tall and 3 inches wide. The crystal is hand blown with bright clarity. The stems are hollow with a teardrop. The cutting is very intricate with hob stars and cross hatching...

A fine pair of 19th century clambroth glass candle holders. Stout but elegant baluster turned sticks with broad, stable feet. Fine and practical decorative accents. The reference to clambroth says it all - the milky glass almost translucent (more so toward the foot - see second illustration) with opaque bubbles throughout. Good condition. These are probably pretty early and likely not common to fetch a pair. Would be a refreshing "stand in" for brass in period interior. They are tall at height 1...

A set of five Victorian cranberry glass fingerbowls of compressed form with waisted rim. Raised on a tapered foot with polished pontil. Condition is good - varying slightly from bowl to bowl. No cracks or abrasions. Rim diameter 4 7/8 in. About 5 1/2 diameter at the broadest point. Foot diameter about 2 3/4 in.

This glass covered jar was produced in Europe. It has the style of the 1870s period but we are not certain of the manufacturer. The jar is 5 3/4 inches in diameter and 3 1/4 inches high. The glass is hand blown with a swirl of opalescent color entwined with powder blue. You can feel the ribs in the glass with your fingers. There is a hand painted scene in silhouette of children watching a bird on the lid. It is quite charming, with good detail. The lower half of the jar is trimmed with a ...

This crystal dresser jar was produced in Belgium in the early 20th century. It is not signed but we believe it was made by Val St. Lambert. We have seen this pattern before. The jar measures 3 3/8 inches in diameter and 2 1/8 inches high. The crystal is hand blown and cut with panels and star bursts. The lid has floral decorations that are acid etched from green to clear. The workmanship is very fine and detailed. Condition: Excellent

Handsome Bohemian hand blown amber glass Pinch Bottle Decanter, cut with engraved woodland scene including deer and birds. Height to top of stopper: 11". Condition is excellent.

A Blue Threaded Pattern Hand Blown Glass Ewer with Unfinished Pontil. Venetian, circa 1910-1920. Dimensions 15" high x 5.5" wide. Excellent condition.

This glass decanter was produced in Europe in the late 19th century in the area then known as Bohemia. It has no signature or marking. It is 10 inches high, including the stopper, and 5 3/4 inches wide. The glass is hand blown crystal. Inside the cut stopper is a teardrop bubble. The handle is applied. The decoration is hand enameled cherries, leaves and branches. There is gold trim on the rim and handle. Condition: Excellent

A Loetz Three Handled (Tyg) Loving Cup or Vase. Dimensions; 6" high x 6.5" wide. Circa 1910-1920 and in excellent condition.

This crystal glass was produced in Bohemia in the late 19th century. We are not certain of the manufacturer but it is in the style of Lobmyer and Moser. The glass is 5 3/4 inches high and the diameter of the opening is 3 1/8 inches. The crystal is hand blown. It is decorated with brightly colored enamels. There is a beautiful lady in a ball gown on the front. Flowers and swirling ornaments decorate the sides and back. There are gilded accents within the decoration. The rims are trimmed w...

A fine 19th century 6-1/2" Stourbridge-style milk glass vase with amber glass applied leaves and feet plus red cherries. The milk glass has nice orange fire when held to the light, and the leaves, feet and cherries are well formed. It is unsigned, and it in excellent original condition with no chips, cracks, damage or repairs other than the loss of part of the amber glass stem on one cherry (see picture). All items are thoroughly and conservatively graded and all condition issues are noted; ...

A pair of Victorian vaseline opalescent glass epergne bowls. This fine pair of blown molded bowls date to the 1880s. These 5" diameter bowls stand 2-3/4" high and their bases are 3" across (under the collar of pressed leaves). They are unmarked and they have polished bases; they are in excellent original condition with no chips, cracks, losses, damage or repairs other than a barely visible 1/16" shallow flake to a rib on the base of one bowl. All items are thoroughly and conservatively grad...

A Dorflinger decanter with a blown stopper and label circa 1900. This 12-3/8" tall wine decanter (including stopper) is simple and undecorated and made by Dorflinger Glass Co. (1862-1921). This decanter measures 6" across the body, and this decanter retains its original (slightly worn) Dorflinger small sticker or label on the bottom. This item is in excellent original condition with no chips, cracks, losses, damage or repairs; it has the expected minor straw marks and imperfections found on ...

Save 15% today... This fabulous find is a delicate blown lead crystal cruet with a large bubble Stopper. Both the body and the stopper share the broad leaves and vines cut and etched motif. It is numbered on the bottom, 43. I don't know if someone etched this number on later or if it was part of numbering system from its maker... who knows. The handle is over-sized, applied and cut to easily manipulate this dear cruet. It is 6" high to the top of the etched stopper.

A Mary Gregory Hand Painted Decorated Green Glass Pitcher or Decanter. Picture of Young Girl Holding a Flower. Late 19th century. Unfinished Pontil and Applied Handle. Dimensions; 9.5" high x 5.5" wide. Typical minor gilt loss but in excellent overall condition.

Save 10% today... This fabulous antique Hawkes American Brilliant Cut glass crystal "Gravic Wild Rose" bowl is in near perfect condition. This beautifully cut bowl features two wild roses, buds and deeply cut leaves. Each is finely detailed - to think this was all hand done! It is marked with the Hawkes name and logo (a trefoil containing a fluer-de-lis and two lions.) The teeth are scalloped alternating with triangle peaks. One tooth has a bit of a chip on its backside, otherwise the bowl...

A Galloway or Mirror Plate or Virginia EAPG vinegar Cruet. This 8-1/2" tall (including stopper) early American pattern or pressed glass vinegar cruet was made by US Glass and Jefferson Glass Co. (Toronto) from c1900-25. This item is in excellent original condition with no cracks, losses, damage or repairs other than a tiny 1/16" flake to one rib near the neck (barely noticeable) and the loss of most of the original gold wash to the handle and upper rim. The stopper fits tightly although we ar...

A very good Classic Period glass paperweight with a pinchbeck design. The scene depicts the "Descent from the Cross" and shows two centurions, Joseph of Arimathea and Nicodemus taking the body from the cross while Mary weeps at Jesus' feet. The pinchbeck insert is finished in a silver tone rather than the more common gold. The crystal dome is of very good quality, with excellent clarity and good optical magnification to highlight the detail of the scene. The bottom of the weight retains its ...

An attractive antique early American pattern or pressed glass water pitcher in the Loganberry & Grape pattern, produced in the 1880s by Dalzell, Gilmore and Leighton. It measures jug measures 8-3/8" tall; the pattern is very thick, and this pitcher is in excellent original condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle us...

A vintage Arts and Crafts 4-3/8" high small pitcher in genuine pigeon blood glass c1910. This pitcher features a clear applied handle, a rough pontil, and textured surfaces. The colour is a deep red/orange, and this unsigned serving piece is in excellent original condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Surface s...

A Georgian bucket bowl wine glass with panel-cut cup and stem, English, c 1800. Polished pontil. Height: "4½/ 11 cm. Condition: a minimal nick to the base as shown in photo.

Two Georgian bucket bowl port or small wine glasses with panel-cut cups and stems, English, c 1800. One a little heavier than the other and with the pontil mark deep into the glass and partly visible, whereas to the other glass the pontil mark is polished flat. Height "4/ 10 cm. Condition: fine.

This pair of crystal compotes was made in England by Stevens & Williams around 1900. They measure 6 inches tall and the openings have a diameter of 5 3/4 inches. They are hand blown from clear crystal that varies from thicker areas to very thin. This type of crystal is often referred to as “rock crystal.” It imitated the mineral stone used by the Chinese. The bowls are expertly hand engraved and polished with ribbons and wreaths. There is a feather-like pattern at the bottom of the bow...

This crystal and silver overlay vase was produced in the USA by Mathews Company of Newark, New Jersey, around 1907. There is a hallmark from this company and the silver content, 999/1000 is stamped on the foot. The vase is 14 inches tall and the opening has a diameter of 3 5/8 inches. The hand blown crystal is emerald green. It is decorated with elaborate silver overlay. There are large poppies on four sides, surrounded by flowing foliage in the loveliest art nouveau fashion. This decorati...

From our Fine Arts and Americana Collection, a very fine example of late 19th - early 20th century intaglio cut crystal, depicting a floral wreath on one side with floating flowers on the other side, “jeweled beveling” to the rim and foot, and all very well-cut and elegantly made. A nice addition for fin de siecle crystal and glassworks collectors. This piece is actually a lot prettier than our pictures seem to capture: We find crystal pieces like this very difficult to photograph well.

A Green and White Nailsea Victorian Baluster shaped Glass Vase with a Ruffled Top. There is a White Swirl Overall Design on the Green Background, which is Characteristic of Nailsea. Late 19th century. Dimensions 9.25" high x 4.5" wide. Excellent condition.

Swedish cream jug in new classic style from around 1800. Condition: Good condition. Measurement: Hight 14 cm = 5.5 in Width: 7.4 cm = 2.9 in

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An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with a complex, lacy pattern of gilding. The upper rim of the vase is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but almost certainly the product of Mont Joye (also known as Ver...

A fine glass cocktail shaker by Hawkes. The glass blank is blown in an optic paneled style and highlighted with gilding at the neck. The body is beautifully enameled with a colorful rooster and the reverse side is engraved with the recipe for a "Bronx" cocktail. The stopper is finished with floral intaglio engraving. The The double-lip form of the shaker is very similar to the shape Hawkes used for oil & vinegar cruets. The base and stopper are signed with Hawkes' acid-etched trefoil mark....

Set of three remarkably preserved antique stylized swans by Fratelli Toso. I have seen these attributed to Salviati however, on a recent trip to Venice I showed these to an antique dealer specializing in antique Venetian Glass and he showed me some documentation with images that confirms these to indeed be Fratelli Toso, made in 1890. This dealer had a few of these in his display and he said that they are hard to find without chips to the beaks and tails. The swans demonstrate a variety of te...

Produced in the late 1800's, this historical Venetian glass vase is constructed with filigrana reticello and filigrana retortoli (zanfrico)with aventurine. Similar design can be found in Rossella Juncks' "the Colors of Murano in the XIX Century", page 136. Diminutive in size at 3"h x 2.5"w, this historical vase is in excellent condition, unmarked.

Unusual metal mounted black glass dresser box with enameled decoration of flowers and a figure with bee. American, 1870-90.

Length: 4”
Width: 3”
Height: 5”

A Bohemian cased and parcel gilt glass beaker, c 1870. Of octagonal shape, the sides facet-cut leaving eight oval reserves in ruby red surrounded by gilt ornaments in the style typical of this period. Height "5 ¼/ 13,5 cm. Condition: wear to the gilt decoration.

Antique Galle etched cameo art glass vase acquired pre internet era. Frosted background with salmon - coral - persimmon color lush layered foliate floral Art Nouveau designs wrapped around ending in a wispy leaf above his star and the Galle mark. The five pointer is his widowed wife's "mourning mark" following this master glass maker's 1904 death. His name can not be mentioned without thinking Art Nouveau era.
Note: The star was discontinued ~1914, therefore when not present, it does Not ...

This glass vase was produced in France in the mid 19th century. We do not know the maker since the vase is not signed. The glass has a lead content and rings when pinged. The vase is hand blown and has a polished pontil. The vase is 13 3/4 inches tall. The diameter of the opening is 6 1/4 inches. The vase is wonderfully hand painted. There is a life-like parrot perched on a branch with his wings out-spread. The tropical greenery around him is painted with fine detail and surrounds the who...

A scarce early American pressed or pattern glass 8-3/8" tall covered footed sugar bowl in the Daisy and Button with Thumbprint Panel pattern, issued by Adams and U.S. Glass of Pittsburgh c1890. This is the collectable Vaseline colour, and this item is in very good original condition with no cracks, losses, major damage or repairs other than some minor chipping to the finial and column ends and edges on the lid and on one column and inside rim of the base (all chips minor). All items are thorou...

A nice English double series opaque twist (DSOT) wine glass, c 1765. This glass features a flared bucket bowl over a stem containing a 12 ply spiral band ouside of a pair of spiral tapes. The conical foot has a rough, snapped pontil.

The height is 6 1/2 inches, the bowl diameter is 2 3/4 inches, and the foot diameter is 3 1/16 inches. No repairs or condition problems.

This is an elegant SSOT, or single series opaque twist English antique drinking, or wine, glass. It has a drawn trumpet bowl and the stem has a beautifully fashioned enamel spiral gauze. Single series opaque twists are considerably rarer than double series twists. The conical foot has a rough, snapped pontil.

The glass has good height at 7 1/8 inches, a bowl diameter of 2 5/8 inches, and a foot diameter of 2 7/8 inches. There are no repairs or condition problems.

Provenance: Harry and ...

A lovely cut glass perfume bottle cut from cranberry to clear. The design incorporates wide miters separated by combinations of fans, strawberry diamond and star motifs. The shoulders of the bottle are panel cut, and the base is finished with a 24-point star. The lapidary-cut stopper is original to the bottle and is engraved with the same number as the inside of the bottle's neck.

Origin: Europe, possibly Val St. Lambert, ca. 1900. Condition: excellent, no chips or cracks. Size: 5-3/4" ta...

This crystal beaker or cup with silver lid was produced in Eastern Europe in 1810. There is a date engraved on the glass. We do not know who the maker was. It is 5 1/2 inches high and the diameter of the opening is 3 1/4 inches. The beaker is hand blown and cut from fine crystal. There are panels which are cut out and polished like cabochon jewels, each having engraved subject matter. These engravings are symbolic. There is a pair of doves, a cornucopia with grapes, clasped hands and other ...

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "To My Son." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1217, identical except for the floral arrangement on top of the cartouche surrounding the saying.

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "Remember Me." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1218, identical except for the floral arrangement on top of the cartouche surrounding the saying.

An impressive and well-designed antique Bohemian glass paperweight. The bullet-shaped weight encloses a large central red, white and blue lily surrounded by three smaller lilies, all emanating from a speckled glass pot at the base. The area just above the pot has a thin film of green glass to suggest foliage. The weight is ornately faceted into a bullet-shape. The glass is quite heavy and clear. The coloring tends toward grayish-yellow, as is typical of Bohemian weights of the period.

Ori...

A very nice scrambled glass paperweight by the New England Glass Company. The weight is well-packed with a colorful assortment of canes and twists. Visually, the set-up extends all the way to the periphery when viewed directly from the top. The glass is very clear.

Origin: America, ca. 1870. Condition: excellent, no wear to crown, some small flakes all along the edges of the basal ring. Size: 2-1/2" diameter; 1-7/8" high.

A very well-cut low bowl in an unidentified pattern. The cutting is deep, sharp and precise. The pattern comprises three panels of star- and diamond-cut cane, divided by elongated loops enclosing flashed fans and strawberry diamond, alternating with hobstars. The blank is heavy and very clear.

Origin: America, ca. 1890. Condition: excellent, a 1/32" fleabite on the inside edge of one tooth. Size: 7-1/4" diameter; 2" high.

This is a wonderful early glass sugar bowl, in a deep cobalt blue color, from Scotland or Northern England. It is delightfully gilded with the saying "Be Canny with the Sugar". The rim is also gilded.

The bowl is on a stem with two flattened knops, above a folded foot with a rough, snapped pontil. It stands 4 1/8" tall and is 4 5/8" in diameter. The condition is excellent, with no chips or restoration. The gilding itself is in very good condition, with less rubbing than the majority of gi...

This glass powder jar was produced in Bohemia by Moser in the late 19th century. It is 4 inches in diameter and 3 inches high. The hand blown glass is colored light blue. It is hand enameled with a lacy floral pattern on the lid. There are gilded panels on the top edge and bottom with colored enamel decoration. They are mounted with a gilded metal hinged frame. Condition: Excellent

An ornate and huge Bohemian antique glass goblet of baluster form. The round funnel bowl is cut all over with hexagons, the top row of which forms round arches. The elaborately worked stem contains two flattened knops, each cut with roundels, and a truncated inverted baluster knop cut with hexagons mirroring the bowl. A total of about 12 merises surround the knops.

This rare glass is in perfect condition, and stands an extremely tall 9 5/8 inches high, with a bowl diameter of 3 5/8 inches, and...

A beautiful and uncommon sugar bowl, probably S. Jersey (South Jersey) glass. The bowl has a galleried top and embedded white enamel striping. The bowl rim and foot have an applied green edge.

This fine piece is in superb condition, with no chips, cracks, or problems of any kind. It is 5 inches tall and 5 inches in diameter, with a rough, snapped pontil.

This glass vase was produced in Kamenicky Senov, Bohemia by Josef Ahne in the late 19th century. The glass studio was in production from 1830 until 1909. This is one of the earlier pieces. The vase is 10 1/4 inches high and 8 inches wide. The opaline glass is hand blown with a polished bottom. The vase is signed Ahne and there is the number 5 on the bottom. There is a charming hand painted scene of a little girl looking at a clock. Ahne copied paintings by Italian and German artists. Ahn...

A 14" x 7-1/2" American brilliant cut crystal ice cream dish or boat c1900-10. This unsigned glass serving dish is possibly by Roden, and it is in very good original condition with no cracks, losses, damage or repairs other than six small chips to the upper edge (largest shown). All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use. Tracked expedited shipping to the U.S. starts at $28 (other sp...

A pair of elegant Art Nouveau enameled Bohemian glass bowls with floriform decoration. The petals of a vivid pink flower curl up the sides and are interspersed with green tendrils. The flowers are echoed in the undulating rim decorated with a thin line of gilding. The overall workmanship is superb. This sort of decoration was produced by Theresienthal, Meyr’s Neffe, Lobmeyr or Fritz Heckert, and the quality of these pieces is consistent with any of those makers. Typically, this style is s...