Offered is this beautiful iridescent Favrile / Aurene type glass vase, made by Quezal around 1910. The signed vase is 6 1/4 inches tall and 3 1/2 inches wide at the shoulders. Polished pontil. In good condition (couple of scratches - see last picture).

Offered is this signed Quezal 'Pulled-feather' shade. The shade is 4 1/2 inches tall, 4 inches wide (at the flared end) and has the standard fitter diameter of 2 1/4 inches. It is in good condition (couple of circular marks where the shade rubbed against the holder - see last picture).

Offered is this early Handel reverse-painted, 'chipped-ice'-shade lamp. The shade is signed, 'HANDEL 3157' with the artist's initials, 'R. g' (painted by either of Handel artists: R. Gillern or Robert Goodwin) - see pictures. The base is marked, 'B & H' (not to be confused with Bradley & Hubbard), which is an exceptionally rare early Handel mark (please refer to the 'handellamps.com' website) - see second-last picture. Initially, it used to be an oil lamp that was converted to electricity...

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865...

A fine pair of American brilliant cut glass candlesticks signed “Libbey.” The stems and candle sockets are cut in Libbey’s “Plain Flute” pattern. The foot is decorated in an unequal radiant star pattern. The stems are spectacular! Each has not one, but four air bubbles that are twisted about each other in a spiral pattern extending the full length of the stem...

Beautiful Peachblow glass Pair - these were souvenirs sold at the Chicago World's Fair in 1893. The glass pear is 5 inches high and 2 1/2 inches wide. The glass is in fine condition.

A beautiful Rosaline and ivory glass compote and creamer made by either Steuben or Stevens & Williams. The compote is 7 inches wide and 4 inches high. The creamer is 5 inches wide (to handle-tip) and 2 1/2 inches high. Both are in fine condition without chips, cracks or repairs. Broad polished pontil on creamer.

Beautiful, signed, iridescent glass plate made by Quezal around 1910. The 16-ribbed plate is 7 1/4 inches wide and 1/2 inch in height. In great condition without chips, cracks or repairs. Outstanding colors. Signed on the polished pontil.

A beautiful, iridescent, signed Favrile-type glass compote made by Quezal around 1910. The compote is 5 1/4 inches wide and 5 inches high. It is in fine condition. Signed on the polished pontil.

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils...

Offered is this large Steuben Ivory / Ivorene glass vase, made around 1915. The vase is 10 3/4 inches tall and has a top width of 6 inches. It is in very good condition, without chips, cracks or repairs. It is signed in script, 'Steuben' (see last picture). Polished pontil.

Offered is this rare, large Gustav Stickley slag-glass lamp, made around 1906. The lamp is 30 inches tall. The shade is 15 1/4 inches wide (diagonal width: 22 inches) while the base is 9 inches wide. The burner is marked, 'B.H' (for Bradley and Hubbard). Overall, the lamp is in good condition for its age - there is a small heat-check in one of the slag-glass panels and a split to one of the wooden panels (see pictures)...

This satin glass basket was produced in the United States in the late 19th century. The exact manufacturer is unknown. It was probably made by a New England glass company. It is 10 1/2 inches high and 7 3/4 inches in width. It is made of cased satin glass, white on the outside and striped with shades of rose coloring inside. There is an applied foot and applied thorn handle. The stripes inside the basket are reminiscent of candy, the coloring is so appealing...

A cranberry thumbprint pattern glass pickle cruet on a silver plated stand from the 1890 era. The ornate stand is 11-3/4" tall and it has a nice decorative design as does the original silver plated lid; it is stamped with the Standard Silver Co. mark, which was in business in Toronto before 1893 (they later merged with International in 1913). The cranberry glass liner/jar has a thumbprint pattern and it fits snugly in the rim on the base...

A scarce covered jar in the early American pressed or pattern glass Festoon pattern, issued by Beatty Brady Glass Co...

A vintage, crisply patterned early Canadian pressed or pattern glass 8-1/2" pitcher in the Nova Scotia Starflower pattern (Trenton Glass). Also known as Dewdrop and Flowers (Sandwich 1870s-80s) in the United States, this pitcher is in excellent condition with no cracks, losses, damage or repairs other than a tiny fleabite chip at the bottom of the handle (see image). All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may...

This a rare set made by Heisey Glass Company. All pieces are etched with two polo player designs. Includes 12" decanter and 6 cordials and 6 lowball glasses. Excellent condition. Decanter has 2-part stopper with strainer and pouring lip. Circa 1920's. Feel free to call or email with any questions or for more pictures. Thanks.

This unusual glass paperweight is filled with a devil’s fire motif worked in vibrant opaque shades of red, white and green. The glass of the design has a chalky texture similar to sulphides, but is randomly swirled and peaked in the typical devil’s fire style. The glass of the dome is particularly clear and bright for South Jersey paperweight. There is an incised ring around the periphery, just above the base, that is often found in Jersey weights. The base is concave and has a nice basa...