Exquisite Victorian silver bangle bracelet enhanced with a raised floral motif in two color gold. This unusual and striking cuff can be worn alone or joined with other gold or silver bangles. The bracelet measures 1 1/2" wide and its interior measurements are 1 15/16 by 2 1/4. It has hallmarks for Birmingham 1885.

Extended pin stem and tube hinge. Totally English Victorian with Art Nouveau lines circa 1900 or earlier. Open cut chased bench work sterling pin brooch with extended pin stem, tube hinge and "C" catch.
Marks in back include Anchor, Lion and small "b" with maker's mark of "W A" all of which are in depressed cartouches, also numbers 5 & 2 superimposed and an 8 as model or style number.
2" north to south and 2.5" across.
Nicely engraved, chased and in very good condition...

Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

Exceptional mourning band of the Regency period, with stripes of black enamel bordered with gold trim sandwiched between chased floral borders. The inscription reads "Mrs. Anne Smith Cunninghame of Caprington died 1st of March 1830." on the inside. The Scottish origin of the name Cunningham of Caprington along with the prefix "Mrs." tells us this ring was made in loving memory of a beloved Scottish wife...

Our muff chain is known as "pinchbeck" and has a wonderful hand clasp with a diminutive emerald paste ring on the hand and a charming carved ruffled sleeve at the end of the hand clasp. We love “jewelry wearing jewelry” and the hand clasp with its fingernails and green paste ring can only be described as quintessentially Georgian. The links of the chain are embossed with textural dots...

A stylish antique Edwardian swag and drop festooned necklace in 14Kt. yellow gold, set with two round amber colored citrines, each accented with a freshwater pearl, that suspend from three swags a large central cushion-cut oval citrine center pendant, from which dangle an array of five individual freshwater pearls. Circa 1910. Length: 17 inches. Total weight: 7.4 grams/4.7 pennyweight. Unmarked but tests 14Kt.

Marquis shaped memorialized ring of plaited hair set in 18K yellow gold with the initials LC in gold. The underside of the ring is engraved B.L.C. ob Nov 10 1789 aet 37;. The ring is a size 5 1/2 and due to its small size it was likely worn by the wife of the deceased as a memento while he traveled. The ring measures 1 1/4 at its widest. A wonderful piece honoring love.

Georgian almandine garnet ring circa 1770, in an 18K gold basket setting flanked by two cushion cut diamonds. Almandine garnets are purply red and were flat cut as seen here. This lovely early ring is a size 6 1/4 and the stone measures 5/8" wide by 1/4" high

Classic Victorian era pleasing large size round monogramed signet ring with an old english monogram carved in a carnelian hard stone with carved scrolls set into the 15K band. The ring is shown with an assortment of other signet rings in a similar shape. We think it looks terrific with others, or alone. The ring is .6 of an inch wide and .5 inches tall (15 mm wide and 12+ mm tall) and is a US size 10 and size-able.

Antique marquise shaped 18K gold and chrysoberyl ring is an excellent example of Portuguese jewelry of the late 18th century. The Portuguese mined these gemstones from their colony in Brazil and created jewelry that was typically pave-set as seen here. The ring is size 10 and can be sized to fit.

An essential chain for one's jewelry collection, this 18 inch long 9k Albert curb link chain has 2 dog clips attached for use as a clasp or to hang a pendant from. Each individual link and dog clip is individually stamped 9 and 375 (for 9K). "Albert" chains are a style of watch chain named after Prince Albert and were worn by both men and women in the 19th and early 20th century...

C1860 sterling silver pendeloque earrings, over three inches long, make a statement no matter the occasion. The silver earrings have a thin fluted silver band wrapped round and round culminating in a small finial at the bottom. The thin silver fluted band is repeated on the top of the earring in 3 offset curves. These earrings are surprisingly light. The butterfly backs help the earrings fit securely on the ear (hopefully) never to be lost!

Our glass earrings, in the form of a Latin crosses, are made of Vauxhall glass, popular as jewelry in the 1860's and sold along the pleasure Gardens in Chelsea, where courting couples strolled on summer evenings. Made by skilled artisans who were employed by the Vauxhall Glass Company in an effort to make use of the leftover glass shards from the mirror glass they produced, the jewelry was much loved for the skillful carving of the glass into unique and creative forms...

Early Victorian or late Georgian half hoop 7 stone ring with 7 well matched turquoise stones set in cabochon, with the largest turquoise in the center and each stone graduated in size, as is typical of a hand carved Georgian ring. The borders of each stone are crimped, an attractive detail. The shoulders of the ring are chased in a lovely hand carved pattern. The back of the stones reveal lovely hand carved gold work. The ring can be sized up or down within reason.

This amethyst ring is a striking example of gold-work decoration that became popular in the second decade of the 19th century. A type of filigree work known as "cannetile" and named for the gold embroideries of the Napoleonic years, cannetile work made the most of a small amount of gold and required highly skilled goldsmiths. The amethyst stone is particularly eye-catching. The combination of the cannetile work next to the amethyst makes this an extraordinary ring. The ring is a US size 6.

We love these royal blue mirror glass earrings which shine a brighter Bristol blue with the slightest head movement. the beveled hand carved edge is a lovely detail which was clearly time consuming for the maker. The plate glass factory at Vauxhall was known for its production of mirror glass, but in addition, the company employed skillful artisans to produce jewelry out of the remaining shards. Thus was created Vauxhall glass jewelry, much loved then and by collectors today...

Double portrait cameo ring in sardonyx, a variety of onyx and from the chalcedony family of stones, with the profiles of Venus and Mars overlaid in a pleasing contrast and further set on a carved rectangular stone in a 9K cigar band. Mars is shown in black at the foreground with his warrior attributes (helmet and armour) while Venus is portrayed in the background in white. We love the way each is carved from the same piece of stone then further mounted on another piece of stone...

his is an original nineteenth century sterling watch chain with a substantial square shaped link called a Venetian or box link. Closeup photos reveal the interesting interlocking pattern of the links. A great deal of ingenuity went into making chains, and there is nothing like an original long Victorian watch chain that has never been chopped up into shorter chains, but retains its original length. If you favor chains that are fabricated by hand, this chain is a real find...