A Thomas G. Hawkes Amber Cut Crystal Center Bowl or Compote. Dimensions; 9.5" in diameter x 4.25" high. Marked Hawkes and with the Trefoil (highlighted with magic marker in photo). Circa 1910 and in excellent condition.

A nice balustroid wine glass with a flared bell bowl having a plain stem with enclosed tear and a basal knop; conical folded foot.

6 1/8" tall, 2 1/2" diameter bowl, 2 3/4" diameter foot

Made by the Haviland & Co in Limoges, France, this five well oyster plate dates 1887. In excellent condition, it measures 7.75" diameter.

A lovely Chinese export porcelain plate, the center decorated with a court scene depicting nobles welcoming a visitor bearing a staff and basket of fruit. The scene is very nicely enameled in the famille rose palette. The border is decorated in a trellis pattern in green enamels—a most unusual treatment for a Mandarin plate. The inner and outer borders are highlighted with gilding.

Origin: China, ca. 1850...

A large deep dish with hand painted blue lines and blue hand applied stencil flowers, roses in the center and flowers (possibly peony) and foliage around the rim. Early Doccia (circa 1750) had stenciled blue flowers on both maiolica and porcelain. I suspect that those pieces or similarly decorated mid-18th century ceramics were the inspiration for this piece...

Lithograph page titled "Entrance To A Temple At Hakotadi" taken from the expedition of Commodore Matthew C. Perry's expeidition of Japan and Ryukyu, published between 1880-1890 by Sarony & Co NY. Commodore Perry (1794-1858) played a huge role in creating connections between Japan and the West. This lithograph depicts three monks, one kneeling before the other two, and one holding a spear in front of a beautiful two-story temple. A ship can be seen floating in the water beyond the temple's fence...

This porcelain tea cup and saucer was produced in France by a Paris decorator around 1870 or earlier. The saucer has a diameter of 5 ½ inches and the cup is 1 ¾ inches high. The ground color of this set is deep cobalt blue. The cup has a reserve on the front with a Watteau scene of lovers in a garden. There are two scenes of landscapes on the saucer. Ornate gilded cartouches frame these scenes. It is very similar to work done at the Sevres factory and even the handle is the same style...

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot...

A nicely decorated flaring oval fruit or chestnut basket with openwork sides and handles at either end. The red stencil mark on the base of an “A” with a crown is that of the factory at the Rue Thiroux under Marie Antoinette’s protection. It is decorated with sprigs on the bottom of the inside, dots at the intersection of the open weave sides, stripes of red and blue alternating with white on the base, a blue line around the handle and a gilt rim with dentil gilding on the outside edge...

Set of 6 turn-of-the-century Art Nouveau sterling silver demitasse spoons. Made by R. Wallace & Sons. Mfg Co. (later Wallace Silversmiths) in Wallingford, Connecticut. Each: Handle has dense and dynamic ornament including scrolls, tendrils, and beading with fan terminal. Back plain. Oval bowl with double-sided gilding. Fully marked. Excellent condition with deep patina.

Height: 4 1/4 in. Total weight: 2 troy ounces. #BV256

This pair of crystal compotes was made in England by Stevens & Williams around 1900. They measure 6 inches tall and the openings have a diameter of 5 3/4 inches. They are hand blown from clear crystal that varies from thicker areas to very thin. This type of crystal is often referred to as “rock crystal.” It imitated the mineral stone used by the Chinese. The bowls are expertly hand engraved and polished with ribbons and wreaths...

This glass demitasse cup and saucer was produced in Bohemia by Moser in the 1880s. The saucer is 4” in diameter and the is cup 1 ½” high. The cobalt blue glass is hand blown and has a leaded content so that it rings. It is decorated with hand painted raised enamel in pastel colors on a gilded ground. Condition Excellent

This porcelain chocolate cup and saucer was produced in France by Jean Pouyat Limoges in the 1890s. The porcelain was produced and decorated at the factory. The saucer is 4 7/8 inches in diameter. The cup is 3 inches tall with a diameter of 2 1/4 inches. The ground color is powder blue. Art Nouveau style dandelions are hand painted and hand gilded on each piece. It is richly gilded on the rims and handle...

A large sauce or warming pan decorated in the French taste with blue lines enclosing gilt flowers and further gilding on the knop, handle and the three feet. The rim of both the top and the pan are decorated with dental gilding. On the underside the underglaze blue shield, the impressed numbers “822” (giving the date of 1822) and the impressed number “18.” Overall length with handle 10 ¼ inches (26 cm), diameter of the top 7 inches (17.5 cm), Height without the top 4 ½ inches (11.5 cm)...

Gorgeous 19th C Bohemian purple cut-to-clear crystal vase with an intricately carved scene featuring a deer. In excellent condition, this vase dates late 1800's and measures about 7.5" high. This vase is much more beautiful than the photos depict. You will not be disappointed. Late 19th C

Early 1900's solid brass horse hoof door stop. Marked Pat Applied For. Very heavy

This ceramic box with brass mounts was produced in France by Gien around 1875. It is 6 1/2 inches high and has a diameter of 4 1/4 inches. The ceramic is soft paste with a tin glaze similar to majolica. If you run your fingers around the piece, you can actually feel the enamel painting. It is richly decorated with cherubs, fountains, and ornate scrolls, all on a cobalt blue background. The designs are all hand painted. There is a piece of fruit for the finial on the top of the lid. The bo...

Majolica wares were all about representing nature, and this gurgle fish pitcher is no exception. These fish pitchers came in a number of variations, most of which dealt with color schemes and minor design differences. This pitcher, we believe, represents the cream of the crop in a number of respects, the first of which is the gorgeou color, the primary one being the rich nearly forest green glaze which scales to mint green. The belly is white while the tale and bib are brown. The fish is poise...