Gothic sterling silver porringer. Made by Tiffany & Co. in New York. Concave sides on short foot. Rim reeded with applied leaves. Solid handle with carved figure of medieval horn-blowing huntsman. An impressive example of the breadth of historic resources and techniques that Tiffany mined during the 19th century. Hallmark includes pattern no. 9680 and director’s letter T (1892-1902).

Dimensions: H 3 x W 9 7/8 x D 5 in. Gross weight: 8.6 troy ounces. #BN233

Pair of Edwardian Georgian sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1915. Each: Tapering shaft with base knop on stepped and raised foot. Socket has straight sides bellied bottom. Faceted. Fully marked including maker’s stamp, pattern no. 18910 (first produced in 1915), and director’s letter m. Very good condition.

Dimensions: H 9 x W 4 3/4 x D 4 1/4 in. Total weight: 21.5 troy ounces. #BY589

This pair of porcelain vases was produced in England by Royal Worcester in the 1870s. They were made especially for the retailer, Richard Briggs, of Boston. They measure 8 ½ inches tall and 6 inches wide. The design is Japonesque, simulating lacquer ware, sitting on a wooden base. They are hand painted with birds and flowers that complement each other. They are painted on both sides with different designs...

18K pendant of rock crystal with a reverse intaglio of the head of an adorable Pekingese, with an inscription on the reverse side, Ed. Van den Hove & Fils, Bruxelles, C. 1880. This pendant is stylistically characteristic of the work of the Pradier family, whose speciality was painting miniature works of domestic animals. These miniature works of art were widely popular in the United States as well as on the Continent. They are often erroneously referred to as Essex Crystals.

Rare Bird's Nest sterling silver baby cup. Made by Tiffany & Co. in New York, ca 1870. Ovoid bowl on stepped foot. Scroll handle with squiggle tail. Bowl has shaped pointille ornament and wire scrollwork applied with cast fluttering and flapping birds. Beading. Oval frame engraved with 3-letter monogram. Fully marked including Tiffany and Moore stamps, and pattern no. 1063. Very good condition.

Dimensions: H 3 1/2 x W 4 1/2 x D 3 1/4 in. Weight: 5.7 troy ounces. #BZ160

Pair of George V sterling silver candlesticks. Made by Lionel Alfred Crichton in London in 1917. Each: Tapering and fluted pillar supporting urn socket. Raised and stepped square foot. Beading, acanthus leaves, and swags and paterae. Neoclassical form and ornament. Fully marked. Very good condition with a few pings, principally on foot rim.

Dimensions: H 11 3/8 x W 4 5/8 x D 4 5/8 in. Weighted. #BV645

French Belle Epoque Classical 950 silver tea urn, ca 1900. Ovoid with turned stained-wood handles with silver scroll and leaf mounts. Scaly fish spout with tail mount and gaping mouth spout and turned stained wood and silver scroll tap. Double-domed cover with berry finial. Three double-scroll supports with leaf mounts and feet mounted to stepped and stained-wood drum-form blocks. Heating element set in scroll-mounted ring. Twisted fluting and lobing. Vitruvian scroll and leaf borders...

A Chelsea ecuelle and cover, fulsomely painted with fancy and aquatic birds. Applied flowers and leaves decorate the bases of the twig handles, while the uncommon (but original) knop on the lid is a beautiful flower painted in three colors. The ecuelle's interior features a large convolvulus spray.

The condition of this gem is superb, with bright colors and no missing paint...

A George II Sterling Silver Coffee Pot by Thomas Whipham, London, 1751. Features Reed Borders, a Wooden Handle, Engraved Coat of Arms and a Swan's Head Spout. Dimensions; 9" high x 8" wide; weight; 27.3 Standard and 24.9 Troy ounces. Excellent condition.

A wonderful example of a pastel painting on sandpaper. The scene shows a man in 18th century garb, holding a fawn that his daughter is feeding. They stand on a dirt path lined with a wooden fence. Other deer are in the foreground and near the lake that occupies the mid-ground of this work. In the immediate background is a fantasy type building on a hill, with mountains in the background...

Substantial 18K antique Victorian snake ring with clever open cutwork on the gold band as shown in the bottom layer, an interesting detail on this handsome snake ring. Snakes were a symbol of eternal love and friendship and were popularized by Queen Victoria during her reign in the 19th century. Set with 3 diamonds, each larger than the next, in a pointed carved etching at the top of the snake's head, our ring is hallmarked London and dates to 1895. The ring is a size 8 ½.

Georgian almandine garnet ring circa 1770, in an 18K gold basket setting flanked by two cushion cut diamonds. Almandine garnets are purply red and were flat cut as seen here. This lovely early ring is a size 6 1/4 and the stone measures 5/8" wide by 1/4" high

An essential for every wardrobe, our C1900 9K handcrafted Albert curb link chain has it all; a chain includes with 2 dog clips, an inch of extra chain with a ring attached (from which to hang a pendant) and a T Bar. Each link is stamped 395 9 (9 carat) and with the anchor symbol for the Birmingham. Each element of the chain (links, dog clips, and T Bar) is stamped 9 for 9 karat...

Early Victorian or late Georgian half hoop 7 stone ring with 7 well matched turquoise stones set in cabochon, with the largest turquoise in the center and each stone graduated in size, as is typical of a hand carved Georgian ring. The borders of each stone are crimped, an attractive detail. The shoulders of the ring are chased in a lovely hand carved pattern. The back of the stones reveal lovely hand carved gold work. The ring can be sized up or down within reason.

Our Victorian long guard watch chain is composed of an unusual and attractive love knot link. Such chains were called "long guards", and shortened to "guard chains". Watch guard link chains were generally light in weight and always over 50 inches in length. They were designed to hold watches with a dog clips and were originally worn with the chain tucked into a woman's belt with the watch attached to the chain...

Rare Georgian coque de perle and pyrite earrings set in low carat gold. The style of the earrings is called "Queen Anne", a misnomer as this jewelry was made in the mid-eighteenth century. The coque de perle comes from the oval section of the pearly mollusk or nautilus. Traditionally, as In this pair of earrings, coque de pearl is embellished with pyrites. The earrings measure 1" high by 7/8" wide.

An extremely fine and beautiful Worcester mug or tankard of Scratch Cross type. The tankard, which has a grooved strap handle, flares, or spreads, toward the bottom, a shape which evolved from the silver form popular at the beginning of the 18th century.

Painted in a variety of colors with a standing Long Eliza figure, another figure seated at a table to her left, and a third figure and garden seat to her right. A tall gilded stand is behind the table...

RARE and in perfect condition! Designed by Frederick C. Carder for Steuben Glass this rare aurene etched perfume bottle is complete with an engraved sterling silver and turquoise enamel guilloche stopper. A collectors dream, it measures 5.25" high. Price includes shipping, no discounts. Circa 1915

This set of 12 porcelain luncheon plates was produced in England by Cauldon in the late 19th century. They were made especially for Tiffany in New York. The plates measure 8 3/4 inches in diameter and 3/4 of an inch deep. The rim of the plate is thicker and raised in order to accentuate the decoration. The Centers of the plates are slightly indented. There are cobalt blue oval indentations outlined with beaded gold alternating with tiny hand painted roses and forget-me-nots on the rims...

These 6 crystal cups and saucers were produced in Bohemia by Theresienthal around 1900. The saucers measure 5 inches long and 4 ½ inches wide. The cups are 2 inches high with a diameter of 2 ½ inches. They are made of hand blown glass with leaded content. They ring when tapped. The saucers are leaf shaped in clear green glass with gold veins painted on them. The cups are opaline glass, hand blown in the shape of a tulip with hand enameling for color. There is an applied green glass ha...

Floral rondelles, the five central ones with tassels, comprise this lovely cut steel necklace. Multi-faceted cut steel jewelry was popular during the 18th and mid 19th century. The jewelry sparkled in candlelight and was used as a substitute for diamonds. The necklace measures 15 1/2" long and 1 3/4" at its widest.

Victorian glass decanter with sterling silver mounts. Made by William & George Sissons in Sheffield in 1876. Cylindrical with spread base; etched fruiting grapevines. Sterling silver collar with branch-form scroll-handle mounted at base to beaded gridle. Cover domed and hinged with cast finial in figure of reclining nude ephebe holding a jug. Cover and collar have chased and applied flowers in irregularly curved frames on stippled ground. Shell-form spout with horned and hirsute satyr’s head. ...

Large turn-of-the-century Art Nouveau glass vase with silver overlay. Made by Alvin in Providence. Ovoid with short inset neck and flared rim; foot round and gently raised. Rim to foot overlay with cutout scrolled reveals heightened with engraving. Glass is green. Fully marked and numbered V668/4. Very good condition.

Dimensions: H 14 1/4 x D 4 3/4 in. #BT562

Edwardian Classical gilt sterling silver jewelry box. Made by Ahrendt & Kautzman in Newark, ca 1910. Rectangular with straight sides. Cover hinged with tapering tab and gently curved top. Acid-etched leafing scroll borders. Velvet-lined interior. Fully marked including maker’s and retailer’s (Theodore B. Starr) stamps and no. 671. Very good condition with nice toning.

Dimensions: H 3 1/8 x W 8 3/8 x D 5 1/2 in. Gross weight: 25.3 troy ounces. #BX772

German sterling silver lady’s shoe. Imported to England by Theodor Hartman in 1902. Shoe has pointy upturned elf toe and open bands. Exterior decorated with scrolls, flowers, and tassel in low relief. Heel plain. German hallmark and English import marks with London city stamp and date letter. Very good condition.

Dimensions: H 4 1/8 x W 2 7/8 x D 9 in. Weight: 8.3 troy ounces. #BH552

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Tall and tapering neck with turned-in mouth rim in silver collar. Wide and bellied bowl. Overlay in form of windswept flowers and entwined and whiplash stems and tendrils. Ribbon cartouche (vacant) Glass is red. Worn marks including no. 38. Very good condition.

Dimensions: H 12 1/8 x D 5 1/8 in. #BZ217

Japanese silver box, ca 1890. Rectangular with straight sides and hinged cover. On cover top and box sides are chased and engraved iris flowers and tendrils in eddying water. Stippled ground. Box and cover interior lined with stained wood. Open bottom. Meiji-era Art Nouveau for the cosmopolitan West. Appears to be unmarked. Very good condition with deep patina.

Dimensions: H 3 x W 6 3/4 x D 3 5/8 in. Gross weight: 15 troy ounces. #BX248

An extremely folky and graphically strong hooked rug with vibrant colors, initialled KP and dated 1898;some minor and invisible museum quality restoration was done, and the rug was then mounted on acid free cloth and frame; a nice large size of 56" by 27"

These 11 porcelain plates were produced in Germany by Meissen in the late 19th century. They have first quality crossed swords markings under glaze. The plates measure 9 3/4 inches in diameter. The plates are deep with scalloped rims. Each plate is hand painted with sprays of colorful flowers and bugs. No two plates are alike. There is delicate gilding trimming the rims. Only one plate is pictured, but the set includes 11 plates. Condition: There is some very light surface wear the ...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1901 to 1902. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Two each in two coats of arms. In leather-bound case with silk lining and fitted velvet. All fully marked including date letters 1901 (2) and 1902 (2). Design no. 454426 and retailer’s stamp (“Rowell / Oxford”). Excellent condition with strong and intact color.

Dimensions: H 1 1/2 x W 1 ...

English Georgian sterling silver salver, 1726. Square with lobed corners and same corner supports. Beautiful early Georgian. Fully marked including London assay stamp; maker’s mark worn. Good condition with nice period wear.

Dimensions: H 1 x W 5 3/4 x D 5 3/4 in. Weight: 6.4 troy ounces. #BT656

Swiss Biedermeier silver chafing dish, 19 C. Round with gently curved sides and molded rim. Handle faceted stained wood. Beading. Cover gently raised with naïve-style flower head finial. Marked. Very good condition. Handle has minor chip.

Overall dimensions: H 6 1/2 x W 14 x D 8 in. Gross weight: 40 troy ounces. #BT943

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199