Fanciful Victorian silver collar with a silver locket embellished with two-color gold. The necklace and locket are adorned with geometric arch motifs and engravings. The necklace measures 16 1/2" long and 3/4" wide and the locket measures 1 5/8" long and is hallmarked 1881.

Elegant Victorian cut steel necklace was worn in lieu of diamonds in an era where sparkling jewelry was in vogue. Cut steel was multifaceted by hand to glimmer in candlelight. This necklace measures 16 1/2" long by 3" at its widest

Victorian silver and three color gold locket with a raised floral and foliate design. Wonderful to wear on a chain, either short or long as shown here. The locket measures 1 3/4" high by 1 3/8" wide.

Papier maché and mother of pearl plaque depicting the romantic ruins of medieval Llanthony Priory in Wales. Probably part of a Victorian portrait case and made by Jennens & Bettridge around 1840. Jennens (sometimes Jennings) and Bettridge, originally based in Birmingham, were famous for their beautiful papier maché products and had stores in New York and Paris as well. Their mother of pearl inlay was covered with tinted varnish as to create an iridescent effect...

Fabulous Georgian Pinchbeck muff chain with a hand clasp set with colored paste stones. Christopher Pinchbeck developed an alloy of copper and zinc in 1720 that had the look of real gold and did not tarnish. The jewelry made with this alloy survives today giving us the enjoyment of its beauty. A muff chain is a long chain worn around the neck fastened to ladies muffs. This chain measures 49" long by 1/4" wide.

Wonderful to wear as a pendant this retractable pencil slides into an enameled gilded mummy. In the 1870s-1880s, the Egyptian Revival styles were in vogue as archaeological digs discovered ancient tombs that brought to light rare finds. Their motifs were incorporated into jewelry, objects, furniture, glass and pottery.

Victorian gilt metal collar is beautiful, flattering and wearable for any occasion

Floral rondelles, the five central ones with tassels, comprise this lovely cut steel necklace. Multi-faceted cut steel jewelry was popular during the 18th and mid 19th century. The jewelry sparkled in candlelight and was used as a substitute for diamonds. The necklace measures 15 1/2" long and 1 3/4" at its widest.

Lovely pique pansy pendant can be worn with a gold or silver chain. Pique, tortoiseshell inlaid with gold and silver, was developed in France and became popular in England in the late 19th century.

Red Vauxhall Glass floral motif necklace will mirror your gaiety when wearing it. Made at the Vauxhall Glass Works in London from the 18th century through the middle of the nineteenth, it was sold at the Vauxhall Pleasure Gardens nearby.

In this stunning suite of necklace and earrings, almandine garnets set in gilt metal are fashioned into a striking pair of earrings and choker with drop, which can be removed. The choker is tied on with a ribbon. Much of the jewelry of this period was set with pastes. These pieces are unusual in that gemstones were used. Though called "Queen Anne", jewelry of this type was actually made some 30 odd years after her reign.

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Cut steel brooch, early Victorian, c 1850 or possibly somewhat earlier, with hand cut studs riveted to a brass plate. Some of the studs with as much as 21 facets. Cut steel jewelry were often used in the evening, to create a sparkling, diamond-like effect. Width "1 ½ / 4 cm, height "2 ½/ 6,5 cm. Condition: a few studs missing (cf pics).

A beautiful Royal Doulton Lambeth ware vase with deep cobalt blue high luster glaze that changes to a sage green, then to a medium/light blue at the base. A floral band encircles the top with all the raised details still intact. Inside the vase has sage green glaze. In excellent condition, you will notice an imperfection at the base rim that appears to have happened in manufacture which is not uncommon. Impressed marks on base bottom...

This is a Shaker hand sewn needle case make by the Shaker sisters and sold in their gift shops. It is a brown and beige silk fabric with a white flannel interior to hold the pins and needles. It is 4" by 4". and is in nice condition with wear to a bit of the ribbon.