Pair of butterfly Ningxia Squares , China, 19th century, wool on cotton, a very unusual pair of joined meditation squares cut from a temple runner. Provenance: Koos de Jong Collection. Dimensions: approx. 110 x 48 cm

A Ningxia Maze Medallion Seat Mat, 18th Century Provenance: Koos de Jong collection Dimensions: approx. 70 x 65 cm, good condition

A 19th Century Ningxia Lion Dog Seating Mat, China Dimensions: 65 x 70 cm (2ft. 2in. X 2ft. 4in.).

A Ningxia Pillar Rug, China, Early 19 C. A beautiful Ningxia Dragon Pillar rug from the early Nineteenth Century. The condition is excellent with full pile. Dimensions: 246 x 92cm Provenance: Private Australian Collection

A small (4" by 2 3/4" by 2 3/4") tin box of the style common in the circa 1840's period in the northeastern states, the green and red hand painted design on the front remaining, but most of the other paint worn away----some remains in a few spots. These boxes, most larger than this particular example, likely held important papers or other keepsakes. They were made of tin and evidently were part of many households of the period. This example was purchased in Concord, New Hampshire...

A very appealing 19th century Chinese cloisonne reclining dog decorated in green, red, white, yellow, and blue against a turquoise ground. Gold gilt on cloisens, collar, gourd shaped bell, paws, eyes, and tail. In very good antique condition, there are no chips or abrasions to the enameling. Measures 4 inches high x 4.25" long.

Rare 19th C Hamilton & Dresinger, Philadelphia, PA, American brilliant cut glass jar with hinged sterling sliver hand chased repousse lid. Beautifully monogrammed, this may have been used as a dresser box. Lid weight is substantial and seals securely when closed. In excellent condition, it measures $ inches high, 2.5" diameter.

This porcelain ewer was produced in England by Royal Worcerster in 1885. The date letter in the marking indicates this year. It is model number 1048. The artist who painted this vase was Charles Baldwyn who worked at Worcester from 1880 to 1904. The ewer measures 7 ¼ inches high and has a diameter of 6 ¾ inches. The porcelain has a creamy, ivory hue. It is hand painted with a realistic jay bird sitting on a branch. The painting is done with flat paint, raised enamels and gold leaf...

This porcelain plate was produced in Germany by Meissen in the 1880s or earlier. The plate measures 8 inches in diameter. The border has a hand cut, 1 ½ inch reticulated border. The center has 3 cherubs, painted in puce. There are 3 reserves around the border containing sprays of flowers. The reticulation is outlined in gold and there are gilded accents. Condition: Excellent

These 3 plates were produced in France at a Paris Porcelain manufacturer in the early to mid 19th century. They are unmarked. The plates measure 8 5/8 inches in diameter. The plates have stilt markings on the back, evidence of their early production. Each plate is expertly hand painted realistically with bunches of flowers. The pansies are vivid and perky looking. The lilacs are so real you can almost smell them. The rose is splendid, opening with its myriad petals...

This pair of porcelain vases was produced in England by Royal Worcester in the 1870s. They were made especially for the retailer, Richard Briggs, of Boston. They measure 8 ½ inches tall and 6 inches wide. The design is Japonesque, simulating lacquer ware, sitting on a wooden base. They are hand painted with birds and flowers that complement each other. They are painted on both sides with different designs...

This set of 8 porcelain dessert plates was produced in Germany by Rosenthal around 1900. They were produced in Rosenthal’s “Dresden Works”. The plates measure 8 ½ inches in diameter. They are intricately hand gilded with raised and beaded gilding and hand painted with vividly colored roses. The design has an art nouveau style. These plates are wonderful for display or use. Condition: Excellent

This pair of porcelain plates was produced in England by Mintons in 1879. This was the height of the Aesthetic Period when Japanese inspired design was in demand. They were made for the retailer Jones, McDuffee & Stratton of Boston, Massachusetts. The creators of these plates and their designs were E. Reuter & R. Pillsbury at Mintons. The plates measure 9 ½ inches in diameter and the decoration has slender metallic vessels contain flowering branches...

These porcelain soup cups and saucers were produced in France by Haviland & Co. Limoges between 1888 and 1896. They were produced especially for the high end retailer Davis, Collamore & Co. of New York. The saucers have a diameter of 5 ½ inches. The cups are 2 ¼ inches high, the opening diameter is 3 2/4 inches and they are 5 ½ inches from handle to handle. The cups have a scalloped pedestal base, are quatrefoil in shape and have molded texture to the porcelain...

This set of 12 porcelain plates was produced in France by William Guerin Limoges around 1900. The plates measure 11 inches in diameter. They are decorated with opulent raised and beaded gilding. There are tiny pink roses around the center of each plate. The elaborate gilding over the cobalt blue is very dramatic. They will set an elegant table. Condition: Excellent

A very fine and rare Bow porcelain chocolate cup with the "Golfer and Caddy" pattern. The cup of tall "U" Shape with a strap handle. The interior with a wavy border, the handle with a flowering plant, and the base with a "2" workman's mark.

The overall condition is excellent, with only an invisibly done museum quality repair to a small interior rim flake. This wonderful example looks much better in person than the photos show. Cup height is 2 7/8" with a 2 3/4" diameter.

The porcelain plate is marked in underglaze blue with the crossed torches of Locre which was known to have exported undecorated porcelain to England. Once in England, very often London, it was decorated with overglaze enamels and gilding...

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs. There is some wear and chipping of the glaze along the ed...

This porcelain plate was produced in England by Minton around 1850. It is marked with Minton’s “Ermine” mark. The plate is inspired by the 18th century artist, Francois Bucher, and executed in the Sevres style. It measures 9 5/8 inches in diameter. The central scene shows a young man discovering a maiden asleep in the woods. The painting is expertly done with fine detail in heavy enamels. The celeste blue border contains 3 cartouches of tiny flowers. The gilded decorations are rais...

This set of 10 porcelain cups and saucers and one covered bowl was produced in Europe by an unknown manufacturer in the 19th century. They have a mark we do not recognize. They may have been a special order for a wealthy client. The saucers are 5 ¾ inches in diameter. The cups are 3 ½ inches high at the handle, with a diameter of 3 5/8 inch diameter. The cups have empire style handles and pedestal bases. Each cup is hand painted with a topographical scene of some monumental building or la...

These 6 crystal cups and saucers were produced in Bohemia by Theresienthal around 1900. The saucers measure 5 inches long and 4 ½ inches wide. The cups are 2 inches high with a diameter of 2 ½ inches. They are made of hand blown glass with leaded content. They ring when tapped. The saucers are leaf shaped in clear green glass with gold veins painted on them. The cups are opaline glass, hand blown in the shape of a tulip with hand enameling for color. There is an applied green glass ha...

These 12 champagne tumblers were produced in Bohemia by Moser before 1890. They measure 3 ¾ inches high and have a diameter of 2 3/16 inches in diameter. The glass is hand blown with polished bottoms. They have a leaded content so that they ring. The base color of the glass is bright cranberry. Each glass is elaborately hand enameled with tiny flowers and buds you can feel. Straps of gold create cartouches containing flowers. The design has a bit of a Persian feel with the elaborate gild...

These 4 porcelain soup cups and saucers were produced in England by Doulton Burslem in the 1890s. The saucers measure 5 1/8 inches and the cups are 2 inches high. The cups are quatrefoil, blown out and puffy in shape. The ground color is known as “blush”, shading from lighter to darker beige. They are decorated with transfer designs that are hand painted and have enameled accents. Brushed on gilding accents the inside rims of the cups and there is a row of tiny gold beads trimming the r...

This glass demitasse cup and saucer was produced in Bohemia by Moser in the 1880s. The saucer is 4” in diameter and the is cup 1 ½” high. The cobalt blue glass is hand blown and has a leaded content so that it rings. It is decorated with hand painted raised enamel in pastel colors on a gilded ground. Condition Excellent

An English creamware mug probably either Yorkshire or Staffordshire elaborately decorated with a brown body on which is painted in green black and yellow a very stylized house with fences and trees all within a yellow band at the foot and the lip. The squared off handle is also yellow. The shape of the handle leads to the fairly late date. 4 ¾ inches (12 cm) tall and 5 5/8 inches across the handle (14.2 cm).

Condition: no cracks, hairlines or repairs. Some roughness around the lip and one...

A large ormolu mounted turquoise glass covered bowl with an ormolu (gilding gone) and an attached ormolu base (gilding in good condition). The flattened bowl decorated with gilt lines and white enamel jewels. The top with a gilt band around the outside, a ring of gilt leaves and berries, then two black transfer classical female figures on opposing sides separated by gilt and white enamel jeweled quatrefoils . 9 inches (23 cm) diameter. 5 7/8 inches (15 cm) tall.

Condition: the knop broke out...

Glorious Chinese antique green Ishing square tubular shaped planter with precise bamboo design and impressed calligraphy. Impressed carouche stamp on bottom. Good condition.

Age: Republic Period

Size: 5.25"H x 1.5" x 1.5"

Set of eight(8) English Royal Doulton Cobalt Blue Dinner/ Service Plates, Ca. 1902, 10 1/2" diameter with fluted edge and beautifully detailed encrusted raised gold on true Cobalt Blue rim, the condition is good, specially details in raised gold is just beautiful. Marked "Royal Doulton England" with "Lion" on top in green and retailed by "Lovingston Brothers" in purple plus Impressed mark, also black numbers are "HB9482 & 9966" all inside gold bottom rim.

8K eighteenth-century portrait ring under crystal of Sarah Churchill, Duchess of Marlborough. Miniature portraits were painted on vellum or ivory and given as tokens of love to husbands and wives or parents and children. Portrait rings with diamond bezels, such as ours, reflect the importance of the subject. The paintings would be commissioned to the leading miniature portrait artists of the day. Sarah Churchill had a close friendship with Queen Anne of England. This ring was likely a love token...

our early C1790 Georgian 18K seven stone diamond half hoop ring has seven table-cut diamonds (flat on top, faceted sides). The ring is closed back and the diamonds are foiled backed, exactly the way gemstone rings were made in the Georgian period. The diamonds are mounted in silver and set in gold, as the Georgians believed silver was better suited to set off the cool white tones of diamonds. This ring would make a lovely engagement ring or gift to oneself. The ring is a size 7.

Lovely early Victorian angel skin coral ring with 10 carved florets and one large carved coral flower at the center, set in a pleasing symmetrical pattern. This ring has a 9K gold band while the coral florets are set in a metal bed. The Victorians loved angel skin coral, which is a red-orange or light pink colored coral, and they especially loved coral cut into cameos, flowers, or fruit. This ring has a rather large head and is therefore best worn alone. This ring is a US size 7.75.

A tall Georgian ale glass with an elongated ogee bowl raised on a double series opaque twist (DSOT) stem containing a pair of heavy spiral threads outside of a loose lace twist.

The glass stands 8 1/8 inches tall, with a bowl diameter of 2 1/4 inches and a wonderful wide stance foot diameter of 2 7/8 inches. Good color, striations, and tool marks, with a conical foot with a rough snapped pontil. Wonderful condition with no flaws or restoration.

15K gold fede or love ring with two hands coming together to enclose a gold heart with a single rose-cut diamond embedded in a carved star at the center. The word "fede" means faith. The clasped hands motif has been used since Roman times. The ring is US size 8.25.

Delightful 18K hand over heart fede ring. - the word fede means faithful. The Victorians were fond of such romantic sentiments. The ring has a tiny diamond set on the ring finger of the gold hand, a lovely and surprising detail. The ring is a US size 8 1/4.

Colorful 14K American Art Nouveau ring with small diamond accent stones, and peridot, opal, garnet, amethyst, and aqua stones encircling the larger freshwater pearl at the center. The complimentary gemstones, graceful gold metal flourishes, and stylized marquis shape all contribute to this artfully designed ring. The gemstones are deftly set inside a gold border, another subtle detail that makes this ring appealing. The length of the ring has the effect of elongating one's hand. The ring is just...

Fabulous chunky 18K and diamond-studded lover's knot ring hallmarked London, 1919. Unusual knot ring with three gold diamond-shaped squares superimposed along the knot band and table-cut diamonds embedded securely within the incised stars on each square. The figural knot can be seen on the underside of the ring and is almost as beautiful as the front. The ring is a US size 8 and can be sized.

Black enameled memorial band, divided into scrolls and with raised gold lettering, for a Mrs. Martha Greswold. This is an excellent example of and 18th-century mourning ring. The inscription on the outside of the band reads, "Martha Greswold, Obit Dec 8 1755 AE 59".Memorial bands of this period were heavily influenced by French design, and marked a departure from memento mori jewelry, with its grim portrayal of one's own death, to a focus on mourning, with emphasis on eternal love and remembranc...

Late renaissance memento mori skull ring. "Memento mori" jewelry translates to "remember thou must die", a reminder to all to live life fully, as death awaits. Memento mori rings were meant to encourage the practice of reflection on one's mortality. This is a very early ring with black enamel etching along the sides and back and a perfectly shaped skull in intaglio on the front. The ring is silver gilt with black enamel carving. Circa 1620. US size 8 1/2.

Our glass earrings, in the form of a Latin crosses, are made of Vauxhall glass, popular as jewelry in the 1860's and sold along the pleasure Gardens in Chelsea, where courting couples strolled on summer evenings. Made by skilled artisans who were employed by the Vauxhall Glass Company in an effort to make use of the leftover glass shards from the mirror glass they produced, the jewelry was much loved for the skillful carving of the glass into unique and creative forms. Crosses, animal, and insec...

Rarely seen George III commemorative brooch with George III in profile at the center and decorated with a border of blue and green Vauxhall glass. This historical brooch was thought to have been made to celebrate George III's recovery from porphyria in 1789. The individual pieces of Vauxhall glass are positioned flat against the metal, as is appropriate to the genre. Other details relating to the construction of the brooch are also consistent with a genuine Georgian era brooch, such as the pin e...

Attractive bracelet with 8 nicely proportioned brilliant cut rock crystals set in individual gilt metal rope bezels attached to one another with a double set of links. The bracelet fits a medium-sized wrist and hangs attractively. The clear stones and gilt metal would make a nice addition when worn with other gold bangles as the clear rock crystal stones and gilt metal compliment gold.Fits a small to medium sized wrist.

Translated as "pierce" in French, the word pique describes a classically Victorian type of jewelry made by heating tortoiseshell and piercing it with gold and silver inlays to create beautiful geometric or floral patterns. This describes the beautiful art of pique jewelry, made from the upper shell and lower belly of the hawksbill turtle and considered the highest quality of turtle shell and used for the production of beautiful boxes, objet, hair ornaments, and in the nineteenth century, jewelry...

still need a description for this one and trocadero does not let me move on if description is not longer than title

A pair of elaborate porcelain vases with large leaves in turquoise and gilt opening from a narrow base which rests on four wide feet. The base and feet encrusted with vegetation and occasional flowers which also support a large rising stem on either side with roses on one side and blue, orange garden flowers and possibly small lilies on the other side. Hard to imagine putting flowers that wouldn’t clash into these vases. Height 7 3/8 inches (19 cm), width 6 ¼ inches (16 cm) and depth 5 inches...

This pattern on our watch chain comes from an ancient technique of decorating silver, known as niello. Niello which was revived in the 19th century and adopted by English jewelry artisans. The word niello which derives from the Latin form of niger, or black. The surprisingly modern looking designs are created by engraving geometric patterns on silver and filling the recesses with a silver, copper, lead and sulphur alloy to create a contrasting pattern. The niello links on our chain have a poli...

Lovely Georgian garnet cluster ring set in 18K gold. The garnets are a bright and lively color giving the ring great panache. The ring is a size 8 and measures 5/8" at its widest.

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our spider, approximately 1 inch square...

With a Latin inscription translated as "Under a clear sky France suffers", this 18K Carnelian fob seal depicts an African slave in profile, carved atop a family crest, all shown above a ribbon banner reading "PURUM PATIENTIA FRANCE". Notwithstanding the word "France" in the inscription, our wax seal fob is English. The seal harkens back to the British abolitionist movement in France, during which time the British people actively sought to pressure the French to abolish slavery. This fob seal sho...

C1900 18K figural dog fob depicting a greyhound, or possibly a whippet, with adorable blue collar, perched atop a bed of lapis. He or she would look wonderful as a pendant threaded through a gold split ring and attached to an antique gold chain, or dispense with the split ring all together and wear alone. We have attached an image of a dog fob suspended form an antique gold chain below, as an example (the chain not included) of how it looks. Images show what the figural whippet fob looks like fr...

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our tarantula, approximately 1 inch squ...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of paint. This rare painted butterfly is approximately 1 inch long and 1 1/4 inches wide. A perfect collection for the entomologist or botany professor in your life. A someone who just wants to start a collection who has only a small amount of...

This is a good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our pair of dachshunds, both with red c...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines, made in the late nineteenth century. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several and secretive colors of enamel paints, known as "dust" paints. This resulted in very fine and realistic studies of the different models. This adorable miniature sculpture of a husband and wife Inuit couple with ...

Sentimental sterling bangle bracelet bearing the biblical Mizpah inscription, signifying an emotional bond between two people physically separated due to acts of war or other calamities. It would typically be given by a lover about to be parted from his beloved. The word "Mizpah" is in raised lettering while the engraved inscription "The Lord When Between We are Me & Absent One Thee From Another" is inscribed beneath. The inscription is flanked by a carved shield and a single flower with attache...

Substantial silver bangle bracelet with an elliptical border of open cutwork featuring delicate daisies and swirl designs. The delicate openwork border surrounds smaller raised ellipse at center which with a delicate carved composition of a bird and a bee together in flight. An arabesque design flanks each side of the elipse to complete the symmetrical arrangement. These were Western interpretations copied from the Japanese aesthetic movement, but were made by Birmingham manufacturers for mass c...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers. Flowers were known as "messengers o...

Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time. The bracelet is assayed to Birmingham in the year 1884. Our bangle is 1.5 inches...

The sporting craze in Victorian jewelry started in the 1890's and continued into the 20th century up until WWI. Encouraged by women's more active participation in sports, such jewelry was particularly fashionable for country wear. Our bangle is a slightly more modern version of the Victorian silver bangle, with a silver ball in the center of the tennis racket as the main motif, and stylized leaves to the left. A very subtle silver rope carving detail runs along the border of the tennis racket se...

Fabulous Berlin iron ring decorated with symbols associated with faith (dove) love (heart) and loyalty (dog). The heart is surrounded by a leafy wreath and surmounted by the dog and the dove. The band has a floral motif, probably laurel leaves. The band has a floral motif. Berlin Iron jewelry was popular in the early 1800's. During the Napoleonic war German women gave their precious jewelry for the war effort and it was replaced with Berlin iron jewelry some with the inscription "Ich gab gelt fu...

Wonderfully painted enamel ring depicting the love between Cupid and Psyche, the universal symbol of everlasting love. The ancient Greeks viewed the butterfly as a symbol of the immortality of the soul. The painting on the enamel ring shows the goddess Psyche, which means "soul" or "spirit", in the form of the butterfly, being chased by Cupid. The ring is 18K, circa 1910, size 6.5 and can be sized.