Dating to the early days of the 20th century, this brass spirit kettle was made by WMF of Germany, in the Jugendstil or Secessionist design. WMF stands for Wertembergische Metallwarefabrik, a German tableware company founded in 1853...

A fine pottery dark blue and white Staffordshire platter, transfer printed in the "Birds and Fruit" pattern. Unmarked except for an impressed "12" on the reverse, but attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage...

A superb late 19th century first standard (950/1000 pure) silver berry spoon with a shell-form gilt bowl. These spoons were originally intended for serving strawberries. The front of the handle is decorated with a twisting wreath of holly leaves and berries, and the back with a similar wreath of thistles. The bowl is beautifully worked in the shape of a scallop shell. Improvements in agriculture and railways made strawberries widely available to the wealthy classes in the 1870s...

An elegant Art Deco panel-cut crystal perfume bottle in the "Frise Verte" pattern by Baccarat. The sides are cut in an austere panel design adorned at the shoulder with a band of cameo etched floral decoration in green. The geometric cameo pattern contrasts handsomely with simplicity of the panel cutting. The bottle's lip is also overlaid in green. The bottom is cut with a 24-ray star and the stopper is lapidary cut. The pattern appears in Baccarat's 1916 catalogue.

• Origin: France, ca...

A rare and elegant boxed set of six sterling silver citrus spoons in Paye & Baker's "Orange" pattern. The handles are decorated front and back with oranges, orange blossoms and foliage. Paye & Baker primarily made souvenir spoons, and this particular pattern was usually associated with Los Angeles, considered a very exotic location at the beginning of the 20th century. These spoons are the only set we've seen made as citrus spoons...

An elegant classic-style French silver tastevin of traditional form. The bowl is decorated with raised "perles", concave "cupules" and elongated "godrons" for assessing the depth of color in both red and white wines. The curved sides help concentrate the aroma, so only a very small amount of wine has to be poured to judge quality. The looped handle allows the tastevin to be worn suspended from a chain. Tastevins with round thumbpieces are generally from the Paris region...

A very nice small-size silver plate wine taster in the classical style. The bottom features the typical convex bottom surrounded by concave "godrons" adn "cupules." intended to create high and low spots to better appreciate the color of the wine as light is reflected through it. The open shape also allows the bouquet to develop quickly so the wine can be tested easily. The snake handle is generally seen on tastevins from the region of Bourgogne...

A fine Dutch dark green glass globular wine bottle from the second half of the 17th century, with the applied seal depicting the arms of Amsterdam. Of goodly size with a height of 8 3/8" and a diameter of approximately 5 1/2". The condition is excellent, with no chips, cracks, or restoration. Normal expected wear. It is very uncommon to find an early bottle with the seal totally intact.

NOTES: 1...

A nice Chamberlain Worcester porcelain dish of gadrooned and gilded edge form, the ground color in a deep apple green, and the center featuring a bouquet of various flowers. Marked on the reverse with "Chamberlain Worcester" in red.

The overall length is 13 1/2" with a width of 9 1/2". Condition is excellent, with no chips, cracks, or restoration. As is not uncommon in this period, there is overall faint craquelure.

A scent bottle, enameled and gilded by James Giles, the most famous and important English decorator of glass and porcelain in the 18th century...

An exceedingly rare beaded purse with multicolored glass beads on a leather base, and with beaded and wood toggle closures. This early purse might be unique because of its age and that the date is actually worked into the decoration as part of the phrase "Gift of a Friend 1632". The interior of the purse is of a very soft, fine leather, probably deerskin or lambskin.

Especially considering its age the purse is in excellent and exceptional condition, with all the beadwork present...

Red clay Roman pottery vessel with handle, flanged lip over curved body, worn white design, most likely a wine ewer, display stand.

Provenance Handley Collection
Date 300 AD
Size without stand H 9.5" x W 4.5"
with stand H 11 1/2"

An unusually large and beautiful wine glass or small goblet with a deep and crisp honeycomb molded ogee bowl. The stem features an uncommon multiple spiral air twist (MSAT) corkscrew cable. Conical foot with a rough, snapped pontil.

Superb condition with no chips, cracks, restoration or other problems. 6 3/4" tall, 2 1/2" bowl diameter, 3" foot diameter.

A rare and fine multi-spiral opaque twist (MSOT) antique English wine glass or small goblet. The large round funnel bowl sits above a stem with a very tight and beautiful enamel twist. The stem is further complemented with shoulder and basal knops, a very unusual combination.

The glass is 6 11/16 inches tall, with a bowl diameter of 3 1/16 inches and a foot diameter of 3 5/16 inches. Rough, snapped pontil. No chips, repairs, or condition problems. Good color, tool marks, and striations.

A rare deceptive toastmaster's baluster form wine glass with a heavy walled conical bowl above three collars and a teared inverted baluster stem. Folded conical foot with a rough pontil.

Excellent condition with no issues, and having fine color, striations, and tooling marks. 5 1/8" in height, with a bowl diameter of 2 1/2" and a foot diameter of 2 3/4".

A Mortlake Saltglaze Tankard. With an sprigged fox hunting scene around the base below Toby figures. With silvered mounts. Mortlake C1800, Height of tankard 5 1/8" (13.0 cm). Excellent condition.

An Early Bow Prunus Teabowl applied with sprigged prunus sprays. Bow C1750/2. Diameter: 7.4 cm. Condition: very good. Ex Bernard Watney Collection

This porcelain demitasse cup and saucer was produced in England by Doulton Burslem in the 1890s...

This porcelain demitasse cup and saucer was produced in England by Doulton Burslem in the 1890s. The saucer has a diameter of 4 ½ inches and the cup is 2 ¼ inches high. The set is made of fine bone china. The cup features a puffy blown out shape and an art nouveau style handle. The type of decoration is known as “Spanish Lace”. The surfaces of both pieces are covered with fine, lacy gilding with hand painted flowers accenting the design. The borders have a kind of sepia wash tinged w...

This porcelain demitasse cup and saucer was produced in England by Doulton Burslem in the 1890s. It is made of bone china and has molded decorations and an ornate handle. The decoration is known as “Spanish Lace”. Fine gilding is accented with raised enamel beading and hand painted flowers. The pattern covers the entire surface of both pieces. The rims and handle are gilded. It has a unique shape and Victorian charm. Condition: Excellent

This porcelain chocolate cup and saucer was produced in Germany by the Richard Klemm Dresden Studio in the 1890s. The saucer measures 6 inches in diameter and the cup is 4 inches high. The cup has a pedestal base and the saucer is contoured with a raised well in the center. The saucer is a platform for the cup. The ground color is blue green. There are tiny pink rose garlands around the saucer and cup. The front of the cup has a reserve containing a portrait of Queen Louise of Prussia who ...

An Early Bow Bell Shaped Mug. Decorated in famille rose enamels with flowering plants issuing from rockwork. Bow C1752/5. Height: 3 1/2" (8.8 cm). Condition: some staining and wear

A fine and rare Chelsea porcelain figure of winter. The subject is an older man, obviously in distress, wearing only a wrap, and standing beside a brazier. This is a classical representation of "Winter", part of the Seasons group.

Beautifully modelled, painted, and glazed, the condition is excellent, with only a small invisible professional restoration to the thumb area. The height is 4 1/2".

Pale Blue / Turquoise Guilloché Enamelled, Gilt and Mother of Pearl Opera Lorgnette Binoculars complete with original fitted leather case retailed by Asprey (Bond Street)London, circa 1890-1910

There is substantial enamel loss to one side of the telescopic handle; otherwise in excellent condition.

For additional pictures please view item #1780 in our Liverpool shop website at www.69aliverpool.co.uk

扭索纹珐琅观剧望远镜 伦敦品牌爱丝普蕾 约1900年

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A stunning large natural quartz crystal oxide mineral with just a touch of smoke tonalities. Lighter tones lead to almost transparent clear mineral. A blend of smaller clusters of crystals making up the base leading single large crystal fading out at a 45 degree angle.

crystal was often mentioned in writings and used to decorate important religious objects, as it was thought that crystal manifested transcendence and the light of the heavens. For the religious, the stone symbolized...

A group of five small pottery figures, four of people and one of a very smush faced lion. All painted in what look like both overglaze and underglaze colors. This type of figure was two part molded and produced in quantity. The tallest is 5 inches tall. These figures date to the first quarter of the 19th century.

Condition: All have some chips and the man with his head leaning on one hand has had the base repaired.

A late Ming dynasty heavily potted porcelain dish made for export, probably to Sumatra. The decoration is in underglaze blue starting with a thin line around the outer edge, a double ring about a quarter of the way toward the center with grasses growing inward toward a large expressive carp. The style of painting with brush strokes not enclosed by lines is typical of the late Ming and the size and heaviness are typical of the export porcelain to South East Asia. The underside is decorated with a...

Tibetan 'Frog Foot' Sitting/Meditation Rug, Tibet, Late 19th/early 20th C. Khagangma square with deeply saturated color. Blue trade cloth covered felt attached border. This is a single meditation mat it is not a square cut from a long runner. Size: 2'5'' x 2'8'' (74 x 81 cm). Provenance: Bill Liske Collection

A hard paste porcelain cup and saucer with gilding of lyres with arrows supporting swags. Two panels on the saucer and one on the cup displaying in differently toned gilding elaborate outdoor scenes with people, buildings, trees and other details. The partially gilt handle scrolls to the top edge. Two-tone leaves ring the lower part of the cup. There are no marks on either the cup or saucer. Inscribed in the body of the saucer inside the fool is what appears to be “n6” in a bold hand. The s...

This porcelain demitasse cup and saucer was produced in England by Coalport in the 1890s. It was produced especially for the high end retailer, Ovington Brothers of New York. The saucer measures 3 ¾ inches in diameter and the cup is 1 ¾ inches high. The set is made of fine bone china. The shape of the set is fluted with scalloped edges. The ground color is deep cobalt blue. It is decorated with ornate raised and beaded gilding. The interior of the cup, well of the saucer and handle a...

This porcelain demitasse cup and saucer was produced in England by Coalport in the 1890s. The diameter of the saucer is 3 ½ inches and the cup is 1 ¾ inches high. The set has a fluted shape with scalloped edges. The ground color is sky blue enamel. It is intricately hand gilded with raised and beaded gilding. The interior of the cup, well of the saucer and handle are coated in gold. Condition: The bottom of the cup has slight crazing in the glaze. You have to use magnification to ...

Tibetan Medallion Sleeping Rug, Tibet, Early 19th C. Red field 3 medallion khaden with 'frog foot' field motifs and 'endless knot' design within the medallions. Size: 2'6'' x 4'8'' (76 x 142 cm). Provenance: Bill Liske collection

Tibetan Medallion Sleeping Rug, Tibet, 19th C. Indigo abrashed khaden in archaic design, 'frog foot' field motifs, and 3 medallions: a multi-color central one flanked by 2 simple curvilinear ones. Size: 2'7'' x 4'8'' (79 x 142 cm). Provenance: Bill Liske collection

A creamware plate with a pierced border of alternating piercing patterns and gilt sections. A gilt bird stands in the well of the plate. The decoration is out of character for English style of the period so I would guess that the plate is Continental and from around 1800. It is 7 ½ inches (19 cm) diameter. No marks on the back.

Condition: no chips, cracks, hairlines or repairs. Some scratches and wear to the gilding.

18C Chinese Export Famille Rose Cockerel Rooster Plate Qianlong Period Plate is decorated with a rooster standing on rockwork amidst large peony blooms, with another rooster below the rockwork. Size: 22 cm diam., 4.1 cm deep. Condition: Some pigment loss, two tiny chips on the back of the rim.

19C Chinese Nanking Export Blue and White Porcelain Leaf Dish Antique Chinese 19C Export Blue and White Porcelain Canton Nanking Leaf Dish. Painted in underglaze blue. Depicts a beautiful landscape scene. Size: 18.6 cm long, 13.5 cm wide Condition: Excellent

This porcelain coffee cup and saucer was produced in Austria by a Vienna Porcelain manufacturer in the1880s. It has an artist’s signature “Schuler” in the painting. The saucer is 6 inches in diameter. The cup is 2 ½” high with a diameter of 3¾”. The ground color is forest green. The front of the cup has a hand painted scene of a classical lady and a winged cherub. The scene is framed with ornate, raised gold. The saucer has matching gold trim. The interior of the cup is gilded ...

This porcelain trembleuse chocolate cup and saucer was produced in Bohemia by Carl Knoll in the 1880s. The saucer is 5 ¼” in diameter. The cup with lid is 5 ½ “ high and 5” across the handles. The set is hand painted with Watteau scenes on the lid, the cup and the saucer. The hand gilding of fish scale design, was a laborious process. There are additional accents of rich gilding and trim. The finial on the lid is a flame and the handles are Meissen style split branch handles. Th...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround. 3 5/8 inch...

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

Lovely 18K stone coral ring with 8 small diamonds. Five stone rings were classic Victorian forms. Our ring has smooth polished cabachon coral stones and ten small perfect flat cut diamonds at each corner. During Victorian times and earlier, coral was believed to have mystical properties and to ward off illness. The rose pink color was the most sought after. The ring is a size 8 and can be sized.

This elegant green shell bowl with a swan on the scalloped rim, attr Salviati early 1900s, is an excellent example of the masterful craftsmanship of the Murano glass artisans. The ribbed green shell bowl and the blown foot have flecks of gold leaf; the swan is crystal with gold leaf. There is a pontil mark on the bottom of the foot. The piece stands 5" tall, 5" long, and 2 1/2" wide. In Carol M. Osborne's "Venetian Glass of the 1890's: Salviati at Stanford University", a similar green she...

A pearlware child’s mug with the stencil inscription in blue on the front, “A Gift from the Pottery,” in a cut corner rectangle with a seaweed surround. The top and bottom of the mug with a single blue band. The ends of the oval handle spread like a leaf. 2 1/8 inches (5.4 cm) tall, 3 ¼ inches (8.3 cm) across the handle.

Condition: no chips, cracks, hairlines or repairs. Tiny rough spot on the lip and a little wear on the base. A small area of discoloration and a little of the blue w...

A Dutch delft blue and white tile painted on the diagonal showing a tulip in the center with parts of fruits around it as it grows out of ground that would form a star with three other tiles of the same pattern. 5 1/8 inches (13 cm) square. A little less than ½ inch (1 cm) wide. Tapered sides. Wire hanger attached.

Condition: damaged along the upper left edge, part of an old repair and part not repaired. Firing flaw on the right. Small losses on other edges.

A Dutch delft polychrome tile, from 1620 to 1650, with a bee resting on the petals of one flower (probably a snake’s head fritillary) with a second blossom on the same plant below it. The petals in blue and orange, also the bee. The leaves are green and the blue stem is growing out of a green bulb on the ground. Inside a blue three line octagon with gothic arches and the corners filled with a pattern of lines. The initials T G on the back. 5 inches (13 cm) square. A little less than ½ inc...

A Dutch delft polychrome hand decorated tile made between 1620 and 1650 depicting a double handled vase containing three orange flowers that fit into the space on the tile between the large painted corners. The colors are blue, orange and green. 4 ½ inches (11.5 cm) square. ½ inch (1.5 cm) wide. Tapered sides. Glued on hanger a late addition.

Condition: chips to the corners, especially the upper left one which shows part of an old repair, Old repair in the upper right corner. Some losses...

A Dutch delft tile from between 1625 and 1650 showing a blue flower in the center enclosed in an oval of three blue lines. The single blossom has blue petals and a yellow center. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge...

A hand painted Dutch delft tile from between 1625 and 1650 showing a carnation flower in the center enclosed in an oval of three blue lines. The single blossom is orange over the white ground. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick....

A Dutch delft tile from between 1625 and 1650 showing a snake’s head flower in the center enclosed in an oval of three blue lines. The single blossom is yellow and brown. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge.

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This romantic amethyst 18k necklace has a smooth and sultry snake chain that feels as good as it looks. The glittering large five amethysts fall symmetrically about the chain and always fall perfectly on the neck, with the central largest amethyst positioned exactly at the center. The clasp is hidden in the chain and remarkably easy to attach as it slides right in and holds firmly and securely. The necklace can easily be clasped by the wearer. Amethysts were very popular in Georgian times and be...

Antique 19th century Berlin Iron necklace with a Berlin Iron heart and cross. Berlin Iron jewelry is highly prized for its intricate work and rarity. During the Napoleonic Wars wealthy Germans gave their precious jewels for the war effort and substituted them with iron jewelry. Some of the pieces were inscribed, "Gold gab ich fur Eisen"; meaning "I gave gold for iron". Today these pieces are as desirable as in the early 1800's. The chain measures 22"long and the drop with the cross measures 6 1/...

A silver form porcelain teapot with the vented knop on the lid and the pattern number, “N 195” in red enamel on the base. This pattern is known as the “knitting wool” pattern. 5 ¾ (14.6 cm) inches tall, 9 3/8 inches (23.8 cm) across the handle and spout.

Condition: excellent. A tiny rough spot on the lip of the spout might be a tiny glaze chip or it could be a very small firing loss.

I think this form is one of the most pleasing for late 18th century teapots.

A porcelain (hard paste) baluster form coffee pot decorated with a small bouquet of flowers and a few sprigs on one side and a few sprigs on the other with reddish purple ribbon with flowers around the top of the pot and the outside of the lid. Also on the pot a double band with entwined roses. The lid with a vented knop, which is a feature of silver form New Hall teapots. No marks. 10 ¼ inches tall (26 cm) and 8 ¼ inches (21 cm) across the handle and spout. The form is fairly common for lat...

An incredible monumental Japanese solid cast bronze Peace Bell custom iron stand with clapper. Inscription with dated, location and donor of bell. Bell is in excellent original condition with no repairs or damage. The sound is absolutely stunning lasts for a very long time 世話人 Sponsors (or Caretakers)
[7 names]
高岡市 鋳物師 老子次右 Takaoka City Caster: Oigo Ji[emon] context seems likely to refer to 衛門, as part of the name Oigo Jiemon, a famous caste...

Exquisite Georgian rock crystal riviere set in silver with a 15k gold mount and an open back. Rock Crystal is transparent quartz often seen in fine antique jewelry. It is extremely hard and was thought to transmit positive energy and to have healing properties. This rare necklace is wonderful for evening wear. With its mass of crystals gems mounted perfectly next to its neighbor, with little to no metal clasps visible in between, this necklace creates a lovely composition on one's neck. The neck...

A 11 ½ inch (29 cm) diameter deep blue and white delft charger depicting a hanging flower basket with an elaborate border of plants, flowers and radio wave blossoms. 18th century probably right around the middle.

Condition: Some wear in the center and numerous small losses around the edges.

These 8 porcelain chocolate cups and saucer were produced in France at Sevres around 1810. The saucers have a diameter of 4 7/8 “ and are 1 ½” deep. The cup are 2 7/8” high,without the handle, and have a diameter of 3 1/8”. Each cup has a hand painted portrait of a famous French woman, named on the bottom. They have tooled gold frames and lacy gold accents around the edges. The center of the saucers have lacy gold medallions in the wells.There are 4 blue and 4 beige cups and saucer...

A William Ridgway “Oriental” green transfer printed platter with a vaguely Middle Eastern fantasy scene in the well surrounded by a border of alternating floral bouquets and Middle Eastern buildings against a sprigged green ground. On the back the Ridgway mark of an urn and beehive over the subject name, “ORIENTAL.” and the initials, “WR.” printed in green. The initials for William Ridgway were used from 1830 to 1834. The platter is 14 ¾ inches (37.5 cm) long and 12 inches (30.5 cm)...

These 6 porcelain tea cups and saucers were produced in Germany by Meissen around 1890. The saucers are 5 ¼” in diameter and ¾” deep. The cups are 1 ¾” high and 3 ¼” In diameter. The porcelain is molded in high relief. Intricate gilding highlights the raised designs. There are reserves with hand painted flowers of vivid colors and fine detail. Tiny insects can be found among the flowers. The handle and rims are trimmed with gold. The quality of these cups and saucers is incom...

Rare Georgian "Dear-Regard" ring set in 15K gold. The center motif of a flower is set with a "R"uby, "E"merald, "G"arnet, "A"methyst", "R"uby, and "D"iamond, the first letters of the stones spelling "Regard". The groups of stones on the cusps of the band are set with a "D"iamond, "E"merald, "Amethyst", and "R"uby, the first letters of the stones spelling "Dear". Historically the rings given as a token of love were either "Dearest" or "Regard". This ring is a combination of both sentiments.