This porcelain charger or platter was produced in Germany by Donath Dresden before 1920. It has a diameter of 12 1/4 inches. The charger is beautifully hand painted in the Meissen style. There is a bouquet of realistic flowers rendered in vivid colors. Lacy gilding trims the rim. Condition: Excellent. This is a splendid charger for use or decoration.

A Samuel Gilbody of Liverpool porcelain small mug or coffee can with a flattened round loop handle and a flat unglazed base. Painted in famille rose colors with stylized peonies and a prunus bough issuing from a jardiniere. There are sacred Chinese scrolls and a larger peony spray to the right. The interior of the rim has a diaper border with prunus blossoms...

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”...

An early magenta transfer cup and saucer from the 1830s-1850s. This nice early example of transferware is a 2-3/8" high footed cup and matching 6" saucer with a fine magenta (purple/red) colour floral transfer with handpainted highlights. It has a painted 2/441 pattern mark and a formed fluted column design. The saucer is deep for drinking from (an 18th and 19th century custom) and it is typical for the era...

An English 18th century porcelain pickle dish made at the Limehouse Manufactory, in perfect condition. This exceptionally rare piece is molded in the form of a scallop shell, and is painted in underglaze blue, based on a K'ang Hsi pattern, with a Chinese vase containing two feathers. The vase is in front of a partially unrolled scroll, with an insect to the right and three flocks of birds in the distance...

A blue and white English tea bowl, c 1750, probably by Bow. Painted in blurred blue with a version of the Rock Warbler pattern, and with slightly flaring upper rim. Diameter "3/ 7,5 cm, height "1½/ 4 cm. Condition: two small rim chips, as seen in photo.

English blue and white transfer printed plate by Clews, Staffordshire, c 1820. Clews (1818-1834) produced patterns with motifs intended for the American market. This pattern in a soft blue shade, however, is of a guide demonstrating some Italian classical ruins to a lady traveller seated on a donkey, all viewed as from inside a grotto. Flat back with impressed mark: Clews, warranted Staffordshire. Diameter "9½/ 24 cm. Condition: two chips, one to the underside of rim, as shown in photos.

Elegant English Staffordshire cache-pot / flower pot by Shorthose or Enoch Wood, in imitation of Wedgwood’s purple jasperware. Decoration of classical groups and grape vines against a dark purple lustre background, the upper rim a lighter shade over shell-shaped mock ring handles. Around 1830. Height: "3 ¾ /10 cm. Condition: some crazing and loss to the smallest reliefs as seen in photos

Tea bowl with printed decoration in brick-red in the Chinese style, and hand painted in various colours. English, possibly by Ridgway or Hicks & Meigh, c 1810-20. Height "1¾/ 5 cm, diameter "3¼/ 8 cm. Condition: chip to foot rim and an early restoration with two rivets (cf. photos).

A New Hall coffee can and saucer bowl, c 1810. Blue underglaze and gilt decoration of Persian (Paisley) flowers against a "seaweed" pattern typical of the period. Unmarked, but the pattern is registered as number 585 in the production of the New Hall factory. Height of can "2¼/ 6 cm, diameter of saucer bowl "5½/ 14 cm. Condition: a hairline and wear to the gilt, esp. of the can, otherwise fine.

Antique Galle etched cameo art glass vase acquired pre internet era. Frosted background with salmon - coral - persimmon color lush layered foliate floral Art Nouveau designs wrapped around ending in a wispy leaf above his star and the Galle mark. The five pointer is his widowed wife's "mourning mark" following this master glass maker's 1904 death...

A wonderful French first empire tole ware monteith, the sides hand painted with bouquets of colorful flowers against ivory-colored reserves flanked by gilt grapevine designs. The sides rise to handles cast in the form of swans’ heads--a feature very rarely seen. Verrieres are typically oval in shape, but this example is round. The bowl is unusually raised on four lion’s paw brass feet...

This porcelain plate was produced in Germany by Hutschenreuther before 1920. The plate has a diameter of 10 1/2 inches. It is artist signed by Greiner. The painting was originally done by Paul Reubens and is in a museum in Brussels. This is written on the back of the plate. This painting is among the finest quality produced by companies such as KPM, Royal Vienna and Meissen. Looking at the features on the faces and delicacy of the hands, the artistic ability of this painter is evident...

This pair of porcelain plates was produced in France by Delinieres & Co. Limoges in the 1890s. They measure 9 inches in diameter. The rims are scalloped. The central reserve has hand painted ladies dressed in fashionable Victorian attire. They are framed in ornate raised gold cartouches. There is an artist’s signature, G. Saguel on each plate. The border is a deep cobalt blue with fine lacy gilding over it...

6 Victorian humorous comical miniature 4-1/4" plates from 1860-80 with relief decoration. These plates have an unidentified shield impressed mark, and the set consists of the following scenes:
- "Satisfaction" (duelling scene, 2 in stock, both with staining and crazing)
- "Tad Too Late" (leaving carriage, crazing)
-attorney office scent (legend obscured, crazing)
-fishmonger scene (crazing, staining)
-"Very Deaf In Deed" (dark staining, crazing, tight crack). These items ar...

Antique Kurdish bagface, or bag front, Northwest Persia, late nineteenth--early 20th Century, 14" by 19". Single Memling gul in blue-green, brown-black, dark ivory, several shades of red, apricot, midnight blue, etc. Multicolored diagonal stripe border. Original selvedge, good condition. All dyes appear natural, including the beautiful apricot often found in this type of bag.

Very rare European neo-classical dark blue glass paste Intaglio Ring, circa. 1800 AD - 1900 AD, depicting the God Pan or a Faun challenging a Capricorn in the forest. 18k. gold

Six little fruit plates and a dish. German Majolica, c 1900, unmarked, with palmettos in light blue surrounding a relief-moulded twig of leaves and apples. The colours are lighter on the dish and three of the plates than on the rest. Diam: "6¼/ 16 cm and "9 1/2/ 24 cm. Condition: wear to the outer rim on two of the plates.