Two Rare Rörstrand plates in English flint ware. Has been a part of Rörstrand museum collection and Gustaf Löfbergs collection. A one time opportunity. Condition: Normal condition. The plates has glaze cracks and wearings (see pictures). Measurement: 24.6 cm = 9.7 in each.

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Gustafsberg, Swedish design flint ware jugend egg. Very nice composition, white egg and gild jugend flowers growing around it. 1895 in the material. Condition: Normal condition. The egg has wearings ens several small chips at the flowers and feet's. Measurement: Hight 21.5 cm = 8.5 in Width 18 cm = 7.1 in

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A new year letter weight from Göteborgs Porcelain factory. Showing a lion laying holding the Swedish three crown state symbol. And a new year celebration in Swedish. Condition: Two small glaze ships at the mane Measurement: Length 17.5 cm = 6.9 in Width 8.4 cm = 3.3 in

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A 19th century 8-3/4" majolica begonia leaf plate. This decorative pottery plate has yellow, brown, pink and green colouration and it is marked with only a glazed 20; it is in very good original condition with no chips, cracks, losses, damage or repairs other than some minor wear spots, overall crazing and light staining (see pictures)...

Swedish cream jug in new classic style from around 1800. Condition: Good condition. Measurement: Hight 14 cm = 5.5 in Width: 7.4 cm = 2.9 in

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This Zeh Scherzer & Co. vase bears the portrait of Louise, Queen of Prussia ( March 10, 1776- July 19, 1810) She is admired for unflinching courage in which she bore the sufferings on her and her family during the war between Prussia and France. This vase is chocolate brown with a gold rim. It is 8" x 4". This vase is not hallmarked. This vase is circa 1880. There is what appears to be a hairline on the inside of the lip of the vase...

This Zeh Scherzer & Co. vase depicts strawberries falling out of a basket. It is 8" tall. It is hallmarked Z.S. & Co / Bavaria. It is circa 1880.

This Zeh Scherzer & Co vase depicts figs falling out of a basket. It is 8" tall. It is hallmarked Z.S. & Co / Bavaria. It is circa 1880.

A pair of blue and white, transfer printed tea bowls, c 1820. The exterior with putti and lions playing, the interior with a stylized leaf and flower border. Height "2¼/ 5,5 cm, diameter "3¼/ 8,5 cm. Condition: minimal nicks to foot rims, one bowl with a nick to upper rim.

A wonderful American folk art portrait of a Methodist minister painted by Ammi Phillips (1788–1865). The distinguished gentleman is sitting at a table, with his hand holding a pair of spectacles and resting on a Methodist hymnal. The finely rendered depiction of the large dominating figure with dark clothing emphasizes the gravitas of the sitter.

The painting is 32 5/8 inches by 27 1/4 inches sight size, and 37 7/8 inches by 32 3/4 inches framed size...

From our European Porcelain Collection, a fine Meissen globular vessel with underplate and lid, late 19th century or possibly turn of the century circa 1910, well-painted in puce with gilt highlights. The large central rose depicted in the first image is so life-like and realistic that it is almost three dimensional: we hope our photos have done this justice. Adding to the marvelous charm of this piece are the dragonflies and other insects, all very well-rendered in gilt...

From our European Porcelain Collection, an exceptionally well-painted 18th century Meissen coffee pot from the so-called "Dot Period" (1732-1773), probably 1740-1760, depicting a serenade or courtship scene with what is either two musicians or perhaps two suitors, attempting to curry the favor of a Lady, all executed in puce with gilt highlights upon a very white, hard paste porcelain body...

From our European Porcelain Collection, a truly magnificent Vienna-style, iridescent-green ground, two-handled amphora-shaped vase, late 19th or possibly very early 20th century circa 1910, titled "Marguerite," depicting a very well-painted portrait of a beautiful woman holding a spray of marguerite daisies, the sides and reverse lavishly decorated in a brocade of gilt and adorned with enamel cabachons representing jewels...

Green flambé glazed miniature stoneware vase or perfume bottle, Art Nouveau design with engraved silver overlay, c 1900. Unmarked, probably German. Height "3½/ 9 cm. Condition: the end of one sprig replaced with silver colour, as shown on photo.

Four serving dishes from the Poppelsdorf factory. Of segmented shape with gilt borders and hand painted decoration of fruit in lovely colours. The factory was working from 1888 to 1929, and the green printed mark of these dishes was in use 1875 to 1900. Width "7½/ 19,5 cm. Condition: some wear to one dish.

From our Japanese Collection, a very good, large, and older pair of Japanese cloisonne vases, late Edo to early Meiji Period, probably 1850-1875, executed with floral motifs including wisteria, peony, and chrysanthemum, along with small birds and butterflies, all set against a turquoise blue ground upon a lobed, melon-shaped form...

A very good late 19th - early 20th century Tibetan ewer, crafted of thin, hand-worked sheets of what is probably some type of brass/bronze amalgam that has acquired a rich chocolate patina over time, with deep repousse and chasing techniques forming the decorative bands along the shoulder, neck, and lid of vessel, a well-formed makara shaped spout and handle, all atop a splayed footed base...

This porcelain tray was produced in France by Haviland Limoges around 1900. We believe that the porcelain blank was sold white ware to a decorator who hand painted it. The tray measures 11 1/8 inches long and 8 3/4 inches wide. The porcelain blank has a scalloped edge. The ground color blends from deep green, to teal green to yellow. There are raspberry vines trailing across the tray. The flowers, berries and foliage are professionally painted. The colors are bright and vivid. The rim ...

A Victorian Mahogany Glove Box; Inlaid Medallion on Top, with Mother of Pearl Insets and an inside lining. Dimensions; 12" long x 4.25" deep x 3.25" high; normal wear and some chips (see pictures).

A Blue and White Christening Mug, with Gilt by Whittingham, Ford & Co. Burlsem, 1868-1873. Irving Pattern; dimensions 3.5" high x 3.75" wide. Some age wear.

A George III Regency Period Satinwood Inlaid Mahogany Tea Caddy. Sarcophagus Form with Brass Rings on the Side and Top; the Top Ring with a Brass Fruit Basket design. It Stands on Four Brass Bun Feet, with dimensions of 11.5" wide x 5.25" deep x 6.5" high. There are Two Lidded Inserts Over the Inside Tea Compartments and a Mixing Bowl that is not believed to be original. Circa 1815, with Some Minor Inlay Missing (see pictures), otherwise in excellent condition.

A Green and White Nailsea Victorian Baluster shaped Glass Vase with a Ruffled Top. There is a White Swirl Overall Design on the Green Background, which is Characteristic of Nailsea. Late 19th century. Dimensions 9.25" high x 4.5" wide. Excellent condition.

From our Fine Arts and Americana Collection, a very fine example of late 19th - early 20th century intaglio cut crystal, depicting a floral wreath on one side with floating flowers on the other side, “jeweled beveling” to the rim and foot, and all very well-cut and elegantly made. A nice addition for fin de siecle crystal and glassworks collectors. This piece is actually a lot prettier than our pictures seem to capture: We find crystal pieces like this very difficult to photograph well.

From our Fine Arts and Americana Collection, an elegant Haviland porcelain soup tureen, late 19th century circa 1888-1896, decorated with floating flowers in “Indian purple,” with molded floral applique and a generous use of gilding.

The history of Haviland porcelain is a very interesting story of American entrepreneurship, sibling rivalry, and French protest....We encourage our clientele to read about this fascinating history on the web. Many people mistakenly assume that Haviland w...

A beautiful pair of scissor shaped sugar nips or tongs, with shell bowls. Silver, probably Irish, Rococo style, late 18th century. Unmarked, like many early sugar nips. Width "6¼/ 16 cm, weight 67 grams. Condition: the joint is somewhat unsteady and apparently these sugar nips have never been restored.

English lozenge-shaped porcelain serving dish from a dessert service, embellished with a wide, elaborate gilded scroll border surrounding a central hand painted bouquet of summer flowers. Unmarked. Circa 1815-1820. Possibly Spode or Coalport. Condition: some minor wear to the gilding on the rim; no cracks or lines. Size: 10 3/4" x 7 3/8". Other pieces available from this service.

Lozenge shaped porcelain serving dish from an English dessert service, decorated with an ornate gilded scroll border and with a central hand-painted reserve of summer flowers. Unmarked. Circa 1815-1820. Size: 11" x 7.5" Condition is excellent; no chips or lines; hardly any wear to the gilding or flower painting. Possibly Spode or Coalport. See other pieces from this service in our on-line gallery.

This crystal and silver overlay vase was produced in the USA by Mathews Company of Newark, New Jersey, around 1907. There is a hallmark from this company and the silver content, 999/1000 is stamped on the foot. The vase is 14 inches tall and the opening has a diameter of 3 5/8 inches. The hand blown crystal is emerald green. It is decorated with elaborate silver overlay. There are large poppies on four sides, surrounded by flowing foliage in the loveliest art nouveau fashion. This decorati...

This pair of crystal compotes was made in England by Stevens & Williams around 1900. They measure 6 inches tall and the openings have a diameter of 5 3/4 inches. They are hand blown from clear crystal that varies from thicker areas to very thin. This type of crystal is often referred to as “rock crystal.” It imitated the mineral stone used by the Chinese. The bowls are expertly hand engraved and polished with ribbons and wreaths. There is a feather-like pattern at the bottom of the bow...

Earthenware relief-moulded dish by Söholm on the isle of Bornholm, Denmark. Late 19th century, typical of this factory’s early production. Moulded decoration of laurel leaves and an old couple in classical style, the design inspired by Danish sculptor Thorvaldsen. Diameter "10/ 26 cm. Condition: slight wear to parts of the figures in the centre.

Two Georgian bucket bowl port or small wine glasses with panel-cut cups and stems, English, c 1800. One a little heavier than the other and with the pontil mark deep into the glass and partly visible, whereas to the other glass the pontil mark is polished flat. Height "4/ 10 cm. Condition: fine.

A Georgian bucket bowl wine glass with panel-cut cup and stem, English, c 1800. Polished pontil. Height: "4½/ 11 cm. Condition: a minimal nick to the base as shown in photo.

A Staffordshire figurine of a goatherd girl on a goat circa 1930 1850. This antique English figure dates to the early to mid quarter of the 19thC. She is hand painted painted fully on front, sides and back. 1830s -1860. It is a fine looking and well painted example reflecting the 19th century Victorian romanticism about farm and rural life with the advancing age of industrialism. People who lived on farms at the time would have found the concept of a girl riding a goat after gathering a basket o...

A 19th century Staffordshire flat back china cottage 1850-60s. It is the flat back type, and measures 4 1/4" high and 3 7/16" across. The colouration is simple - yellow ochre and rust-brown. It is overall in excellent condition for its age except for a small chip on the chimney and wear to the painted decoration. The bocage around the roof eaves is in excellent shape (very minor loss, not noticeable) and no cracks, crazing, staining or repairs. Cottages are hard to find, and this is a nice examp...

These 4 porcelain figurines were produced in Germany by Nymphenburg in the late 19th century. They have the impressed shield of Nymphenburg in the base of each piece. The tallest of the figures is 7 1/4 inches high to the shortest one which measures 6 1/2 inches high. They are made of fine white hard paste porcelain with a high gloss glaze. The cherubs are executed in blanc de chine and are very similar to figures produced by Meissen. Each cherub is modeled in fine detail, with attention gi...

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...