A wonderful offering of a c1758 Vauxhall porcelain coffee can, very finely potted and painted in the highly sought after and uncommon "sticky blue". The scene is of two figures on a hill with a tree and a pagoda.

The condition is excellent, looking factory fresh, with no chips, cracks, paint loss, staining, restoration, etc. Any apparent shadows, white areas, streaks, or other issues are only due to photographic flaws and are not present when viewed in person...

Antique Chinese Mandarin porcelain tea caddy and lid with polychrome decoration of figures on balconies and an applied fruit form knob. Circa 1790.
Height, 8.”

It is rare for these Export Caddies to retain their original lids.(chip to underside of lid.)

Provenance: The Cockrell Collection.

This is an original 18th century Gouyn period porcelain Chelsea fob seal. This seal features Cupid, quiver slung over his shoulder, standing by an altar sacrificing a heart and reads, Je Vous L'offre, "I offer it (my heart) to you". These seals were given as love tokens by the wealthy and known as "toys". Charles Gouyn, a French jeweler , with Nicholas Sprimont a silversmith founded the Chelsea Factory in 1743...

George III sterling silver salver. Made by Robert Rew in London in 1769. Round and ogee well with engraved armorial in floral surround. Sides tapering, and rim scrolled and gadrooned. Four leaf-capped volute scrolls. Stylish midcentury Georgian. Fully marked. Very good condition with nice patina.

Large dimensions: H 1 3/4 x D 15 in. Weight: 48 troy ounces. #BT951

A Chinese export plate from the first part of the 18th century, Yongzheng or early Qianlong. Decoration in Famille rose enamels of a large peony in bloom with an orange ribbon and some other scattered flowers, all surrounded by a thin diaper border in matte turquoise. The whole plate with a light greenish tint to the glaze. Brown-glazed rim. Diameter: / 22.8 cm. Condition: a few small spots of glaze wear to the well, otherwise fine.

English Georgian sterling silver hot water kettle, 18th century. Globular with s-scroll spout and rattan-wrapped swing handle with scroll supports and mounts. Hinged and flush cover with stained-wood finial. Chased scrollwork, diaper, and scallop shells. Marked. Short and straight foot. Very good condition. Dimensions: H (with handle) 9 1/2 x W 9 x D 6 1/4 in.

With: Sterling silver stand...

A Chinese Export coffee cup, slightly ribbed and foliated, a rather unusual shape. Enameled decoration of flower garlands in European Rococo style. Early Qianlong period (c 1740), a give-away as for the age is a little flower in iron red and gold to each side. Height "2 ¼ / 6.2 cm. Condition: little black spots and two hairlines (cf. pics).

Scarce pottery Jug, Varde in Denmark, ca. 16th.-18th. century AD.

These black-glazed pottery jugs and pots were made from medieval times to 19th. century. This particular jug is one of the finest examples we've seen from the region around Varde that produced the best pottery in Jutland. Finely made with glossy black glaze.

Size: 20-21 cm. tall, incl. the lid.

Condition: Hairline repairs and small chip to lid, as is typical for this fragile type...

A Fine Georgian English Silver Claret Jug or Wine Ewer, with a Grape Vine and Leaf Pattern on the Body and a Twig Handle. The Hallmark is London, 1788. The Maker Mark is not clear, but it is probably George Gray. It weighs 20.9 Troy ounces and the dimensions are 12" high and 6.5" spout to handle and 4" at the base. In very good condition.

This intricately woven gold necklace with enameled serpent biting its tail, known as an ouroboros, is classically Georgian and circa 1790. Woven gold necklaces like this one took weeks to make and created enormous precision and painstaking detail. Our ouroboros snake necklace, with blue and green enameling and gold paint to denote the snake's scales and amethyst paste eyes, is a treasure to behold. It is quite a miracle that this necklace has survived over 200 years.

Silesian wire jewelry is what is known as Historic jewelry. The craft originated with gunsmiths and armor workers in the medieval town of Gleiwitz, Silesia, (formerly Poland, and now part of Germany and Poland), in the late 1700's. After the business of creating ornamentation for armor was no longer, the artisams found others forms for their craft; mirror frames, purses and other ornamentation where iron was used instead of precious metal...

A rare Chaffers Liverpool porcelain hexagonal beaker, handpainted in blue and white. The design, taken from the Chinese, shows alternating panels of floral groups, with a trellised and floral diaper along the upper rim.

The condition of this piece is excellent, with no cracks or restoration. There is a tiny firing bite at the rim, and the bottom shows kiln bubbling common to this factory. The height is 3" and the diameter is 2 3/8"...

A very nicely molded Leeds creamware plate with underglaze blue decoration of an oriental man standing beside a low fence holding a parasol in one hand and pointing with his other while the birds fly in the sky beyond. Impressed mark that reads, “EDS*POTTERY.” 9 ¼ inches diameter (23.5 cm).

Condition: no chips cracks hairlines or repairs...

Antique English Pearlware Tea Caddy with blue and white chinoiserie decoration. Circa 1780-1800.

Our exceptional 18K Georgian woven mesh featherlight necklace is both light in color and weightless about the neck. Woven mesh chains like this one are rarely found, as their delicacy makes them quite fragile and few have survived over the years. We have found one which has weathered the passage of time beautifully and likely sat in someone's jewelry drawer untouched for many generations...

A Noted George III Silver Creamer and Sugar, with Gold Wash Interior, by Robert and David Hennell (Father and Son; Robert was the son of David I, the first of the dynasty) and Hallmarked in London, 1799. Dimensions; 15.1 Troy ounces; Sugar 8" x 3.5" x 4.25" high; Creamer 5" x 3" x 4.5" high. Excellent condition.

A superb and early spread base mug example of the Worcester "Walk in the Garden" pattern. Although Branyan, in his book "Worcester Blue and White Porcelain 1751 - 1790" indicates the date range for this pattern to be 1755 to 1765, the lovely pale grayish-blue color of the decoration and the presence of a scratch cross mark on the base would place manufacture of this mug (or tankard) several years earlier, making this a truly exceptional piece...

A truly stunning conical creamware mug, in pristine condition, with an applied polychrome figure of a man passed out on a keg of beer; 4" tall.