A large ceramic studio art vase by the renowned Clement Massier whose work with lustrous iridescent glazes still commands admiration today. This ceramic vase is decorated with mythological and fantasy creatures, inscribed on the surface, each of which alternates between stylized fleurs de lys. The glazes are deep red - perhaps burgundy - infused with coppery tones...

A French Faience and Bronze Twin-Handled Inkstand; Handpainted Florals on a Yellow Background. Dimensions 8.5" to handles x 5" d x 5.5" h. in excellent condition. Circa 1910

This porcelain wall pocket was made in England by Royal Worcester in 1880. The mark is in dark green, with the capital letter R indicating that year. The wall pocket measures 6 1/4 inches long and 2 1/2 inches deep. The porcelain is molded in the shape of a pouch with a fringed tassel tying it off. The ground color of the pouch is a combination of bronze and gold. The tie is gold and there is gold trim around the ruffled opening...

Early Staffordshire porcelain saucer decorated with bright polychrome enamels and pink luster arranged in a very pretty wreath pattern. The body is very slightly molded into lobes along the edges.

Origin: England, c. 1840. Condition: good; a small crow's foot on the back side and a small bite to the bottom rim. Size: 5-5/8" diam.

It has been a long while since we have offered a Massier duck for sale, due in no small part to their rarity. This duck was expertly modeled in the studio of Jerome Massier around the turn of the 20th century using the vivid and, in this case slightly iridescent glazes for which he and his cousins were justly famed. The duck is standing on what we surmise is a sandy beach, adorned with rich green, brown, and off white colors, beak slightly open...

A late 19th century lorgnette, guilloché enamel and silver handle. The enamel decoration is of a rose flower and diminutive gold buds on a light blue background. The shell-shaped end of the handle conceals the spring mechanism that opens up the two brass roundels for the lenses. No hallmark to the enameled handle, but the work is most probably French. A loop at the end of the handle allows for a chain or a string...

Antique, 19th century, Caucasian Armenian Silver filigree belt composed of an undulating lobed form buckle with four loops at the bottom. Black velvet fabric strap applied with 14 recurved panels and affix with clasp for closure. The buckle and the 14 recurved panels are handmade in delicate silver filigree work with excellent precision, the silver wire is twisted and soldered in a scrolling pattern with roseate -shaped knobs...

Pretty French faience plate exuberantly decorated with vases of carnations, sprays of bluebells and colorful insects. The plate has a deep rim and the edges are finished in a nice curved pattern. The back of the plate is marked "Jardin" in underglaze blue.

Origin: France, early 19th century. Condition: no body cracks or chips; glaze wear along rim; normal glaze crackling. Size: 10-1/4" diameter.

An earthenware transfer printed in colors plate with a floral border and the scene of a young woman riding a donkey sidesaddle while another well dressed woman stands by. The number “8” appears in a small cartouche above the scene and the title, “Promeade á âne.” The mark on the back seems unreadable, but looks just like an impressed mark for the French manufacturer Montereau and the date of around 1850 is maybe a little late but about right...

TEST ALL CAPS CONVERSION ONE

This is a long silver watch chain with alternating lengths of longer and shorter fetter links. For the better part of the nineteenth century, chains were fashioned laboriously using hand-working skills. A fetter link refers to a longer link which was used to reduce the number of links needed to fabricate a chain, thereby cutting down on the labor...

This is a silky smooth gorgeous original French watch chain. Silky smooth about the neck, it has a wonderful texture as only 18K gold has. There is a French eagle's head on the clasp showing its French provenance.

A Davenport 2614 Old Imari 2451 style pattern cup and saucer from 1870-1887. This wonderful fully hand painted English bone china 2-5/8" tall cup and matching 5-5/8" saucer has lush gold, cobalt and orange decoration. The pattern was later copied by Royal Crown Derby as "Old Imari" or "Traditional Imari" (in production from 1902-2014)...

Three faience plates, probably from the Les Islettes factory near Reims in Northern France, one with a rooster / coquerel and two with a flower basket motif. All with combed red border and 19th century. Diameter "9/ 23 cm. Condition: some rim frits, the coquerel plate with some filled-in patches to the red parts (cf. pics).

Four 19th century faience plates, probably from the Les Islettes factory near Reims in Northern France. Three with lobed and one with straight border. All decorated with sprigs of flowers in the "gaudy" style, one with a flower basket. Diameter "8 ¾ - 9 / 22 - 23 cm Condition: rim frits and wear to one plate, the flower basket plate with a charming attempt made in the factory to conceal a glaze mist at the border (cf pics).

Three 19th century faience plates, Northern France (Saint Clement?), all with vivacious floral decoration in the "gaudy" style, all with combed red border. Diameter "9/ 23 cm. Condition: wear to the decoration of two plates, all with rim frits.

A Victorian Hand Blown Amber Satin Glass Vase, with Enameled Flowers; English. c. 1870-1880. Height 8". Excellent condition.

This cloth doll has very dear oil painted face with great soft blue eyes. She has leather hands that could be original by the way they are put on. (I bet some mother was proud of herself for thinking of using old children's gloves for unique hands!) She has the body form, like so many cloth dolls, that looks like they were meant to ride a horse. The stance gives her the look of authority. She is cotton stuffed rather firmly and because she is not jointed she is pretty much a standing doll...

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Nice Bohemian glass paperweight featuring a concentric millefiori design. The outermost ring is composed of alternating pink and blue complex star canes. The canes are placed over a scrambled ground. The base is flat and is clearly defined. The glass is heavy and of quite good quality.

Origin: Bohemia, circa 1850. Condition: very good, a couple of moons at the top of the crown and a fleabites at the edge of the bottom. Size: 1-13/16” diameter; 1-5/16” high.

Elegant Napoleon III ivory letter opener and book mark with a French silver handle with repousse decoration. The piece serve as a paper cutter or letter opener, but the double blade can slip over the edge of a page to serve as a book mark. The handle is decorated in a foral pattern and has a reserve which was never monogramed. The end has a loop so that the opener/mark could have a ribbon attached or so that it could be worn from a chatelaine...

A set of 4 Victorian brass drawer pulls from the 1890s...

Wonderful tactile slinky watch chain. To be a proper watch chain, the chain must be over 50" long, as they were originally made (shorter chains are simply cut up watch chains). Snake chains are a favorite link because of the slinky smooth texture and the way the link bounces back when adjusted. The watch chain terminates in a barrel clasp, a nice feature as the clasp allows you to unhook the chain and wrap the chain around your neck several times to be worn as a collar, in addition to doubling o...

T. Mayer "Abby Ruins" Longport Staffordshire Green Transferware Plate, Ca. 1843, 9 1/4" diameter, Fluted Rim Porcelain, Cows in the ankle deep water around ruined Abbys, the condition is good.

We love the pleasing niello design of the dotted squares on these substantial cufflinks. The word "niello" is a derivation of the Latin word for "niger" meaning black. Niello was an ancient of silver decorative technique revived by a German jeweler in Paris in the early part of the nineteenth century. It is done by engraving a design on the silver, and filling the recesses with an alloy of lead, copper, sulphur, and silver. The artistry of Niello-work is such that it embodies pleasing geome...

Belle Epoque Classical 950 silver wine bottle holder. Made by Odiot in France, ca 1890. Open body comprising two rectilinear supports mounted to round bowl with straight sides. Conical neck with adjustable screws. Leaf-capped double-scroll handle. Meandering fruiting grapevine on stippled ground. Perfect for enjoying a special vintage. Note: The bowl is smallish, so the best fit is going to be one of the really old bottles down in the cellar. Fully marked with Minerva head and maker’s stamp....

Five French majolica plates from H. Boulenger & Cie in Choisy-le-Roi, 1880’s. Aesthetic Japanesque compositions and molded design in contrasting colors, ochre and turquoise with crackle glaze effects. The motifs are nightly poetic: a boy gazing at the moon (twice, in reverse coloring), a night wanderer with a lantern, the Man in the Moon fishing and an earthly fisherman just catching a fish. All with the printed monogram and impressed factory mark. Diameter "8 ½ / 21,8 cm. Condition: all fine...

A Victorian Rockingham Dessert or Cake Plate with Handles and a Gilt Rim. Dimensions 10" to handles x 9" round; circa 1850. Very minor wear.

A superbly beautiful, and unique-shaped French art pottery ewer made by Delphin Massier in Villauris, around 1895. The ewer is hand-painted with Fall scenery - I wonder if Daum Nancy cameo artists were inspired with artistry similar to this in cameo-decorating their scenic glass vases. The ewer is 10 1/2 inches (27 cm) tall and 3 inches (7,5 cm) wide. The ewer has been examined under black-light - there are NO cracks in it. It is in excellent condition (there are some fabrication/paint lines on ...

This porcelain vase was produced in England by Royal Doulton in the 1890s. It is signed by the artist Edwin Wood. He specialized in painting flowers and particularly roses. The vase is 8 inches high and 3 inches across the top. It is made of fine bone china. It has a pedestal foot and scrolled handles. The flower painting is exquisitely detailed. The colors are vibrant. A bouquet is in the center of a frame of roses. There is a different bouquet on the other side. Swags of ivy le...

This is a stoneware crock, 11 1/2" high and approximately 10 1/2" diameter, natural non-gray color, the "2" cut into the wet clay before it was fired. There are several edge chips, but there is some white paint on one side of the rim that is NOT chips, and it comes off with the fingernail. Note the glaze. I am a fine arts dealer and stoneware is not my area of expertise, so, I hope I am identifying this properly. I am aware that there are a lot of modern reproductions, but I do not believe t...

Though the hallmarks show it to be of the Victorian era, this memorial band was made in the Regency style of the earlier part of the century. It is hallmarked for Birmingham, 1863. The words IN MEMORY OF are carved to the outside of the band along with raised religious and mourning imagery including Maltese crosses and fallen leaves. The gold-work is heavily chased. This ring was probably made as an advance order but never inscribed. Possibly it sat in some goldsmith's vault for years, which c...

A small jug, an 18th century model skillfully copied after a cruet set from the faïencerie of Veuve Perrin in Marseilles (1760 – 1803). To one side a gentle couple harvesting - a mock rural scenery - and to the other floral decoration, all in 18th century Rococo style. From the Parisian factory of Edme Samson, made a hundred years later when ambitions were high to create true copies of the old and admired techniques and styles. The aim of the manufacturers was also to make an impression at th...

A lovely pair of Royal Crown Derby vases in the Old Imari pattern. In excellent condition with very little wear to the gold except on the ears and mouth rim. No chips, no hairlines, no repairs. They measure 6.5" high. Dates 1877-1890.

This porcelain demitasse cup and saucer was produced in France by Haviland & Co. Limoges in the 1890s. The saucer has a diameter of 4 1/2 inches and is 7/8 of and inch high. The cup is 2 1/8 inches high. The style of decoration is reminiscent of work done at the Sevres factory. The ground color is cobalt blue. Elaborate raised gilding in two-color gold is augmented with hand enameling. The interior rim of the cup has embossed gilding. The handle has raised gold work and there is beaded gol...

Elegant Georgian pinchbeck Pendeloque earrings with decorative floral accents along the bottom widest part and an attractive carved flower at the ear. The bottom of the earrings are finished with a hand wrought gold ball. Pinchbeck is an alloy developed by Christopher Pinchbeck in 1720 to simulate gold. His alloy of copper and zinc looks like gold and does not tarnish. The earrings are Georgian Pinchbeck Torpedo Drop Earrings with Decorative Floral Accents1 3/4 inches long and ½ inch at ...