Rare Margaretta Early American Pattern Glass ale glass with round bowl foot, diamond crosses, and a fantastic 3 dimensional portrait of Margaretta of Mephistopheles fame, of whom there is a matching glass...

Majolica wares were all about representing nature, and this gurgle fish pitcher is no exception. These fish pitchers came in a number of variations, most of which dealt with color schemes and minor design differences. This pitcher, we believe, represents the cream of the crop in a number of respects, the first of which is the gorgeou color, the primary one being the rich nearly forest green glaze which scales to mint green. The belly is white while the tale and bib are brown...

A very fine and scarce flint glass water goblet in the Magnet & Grape pattern produced probably 4th quarter of the 19th C., the scarcity owing to the frosted leaf, most of which were unfrosted. The glass is clear but watery...

A fine double series opaque twist (DSOT) wine glass with a widely flaring waisted bucket bowl, the bowl atop a stem containing a pair of spiral threads outside of a central gauze. Conical foot with rough snapped pontil. Lead glass with good color, striations, and tooling marks.

Condition is excellent, with no chips, cracks, scratches, or restoration. Height 6", bowl diameter 2 3/8", foot diameter 2 5/8".

This set of 6 porcelain plates was produced in Germany by the Carl Thieme Dresden Factory in the 1890s. The plates measure 8 1/4 inches in diameter. They have a reticulated border measuring about 1 1/4 inches with tiny blue and gold raised rosettes. Vividly colored floral sprays and a ring of flowers decorated the centers of each plate. There are gilded accents and trim around the borders. The little rosettes around the border make these plates special...

It has been a long while since we have offered a Massier duck for sale, due in no small part to their rarity. This duck was expertly modeled in the studio of Jerome Massier around the turn of the 20th century using the vivid and, in this case slightly iridescent glazes for which he and his cousins were justly famed. The duck is standing on what we surmise is a sandy beach, adorned with rich green, brown, and off white colors, beak slightly open...

A nice A M doll with composition body. Original wig, no repairs or cracks, sleep eyes and flapper dress and bonnet. She is 14" tall. Her arms need to be tightened or restrung and she is missing one shoe.

A finely crafted bust of woman with delicate, feminine features, executed in white Italian marble, resting upon plinth. Condition is good though some accumulated soiling, a broken corner of rear of plinth, and slight superficial break in surface around the neck. Probably early 20th C. Dimension: 7 1/2" h

Circa 1860 superb French bronze jewelry casket with velvet lining on 4 lion paw feet. With excellent detailing throughout, the lid features a foliate head known as Greenman and is bordered with roses and acanthus leaves. It has a lock on the front but the key is no longer with it. Measures 9.75" long by 5" high and 5.25 inches front to back. Weight about 9 lbs.

This porcelain demitasse cup and saucer was produced in Vienna, Austria by the Franz Dorfl decorating studio around 1900. The saucer has a diameter of 3 1/4 inches and the cup is 1 3/4 inches high. The ground color is burgundy. The cup has a hand painted scene of Venus in a chariot accompanied by a cherub and doves. The painting has fine detail, vivid coloring and is artist signed. The gilded accents are raised and beaded. The quality of this cup and saucer will delight you...

This porcelain chocolate cup and saucer was produced in Vienna, Austria in 1804. Impressed numbers on the bottom of the saucer indicate this year. It has an underglaze cobalt blue bee hive marking on both pieces. The saucer has a diameter of 5 1/2 inches and is 1 3/4 inches high. The cup is 4 1/4 inches high, including the lid. The set is considered to be a “trembleuse” with the attached gallery holding the cup on the saucer. The borders on each piece have a molded basket weave pattern...

This porcelain charger was produced in France by Lazeyras, Rosenfeld & Lehman Limoges in the 1890s. It is titled on the back “Dictant Une Lettreâ€, Dictating a Letter, “after Harry Roseland". Harry Herman Roseland (c.1867-1950) was one of the most notable painters of the genre painting school around the turn of the 20th century. An American, Roseland was primarily known for paintings centered on poor African Americans. The charger measures 13 1/2 inches in diameter...

Sterling silver bust spoon by Bailey Banks and Biddle of Philadelphia. In excellent condition it measures 4.75" long.

An exceptionally fine frosted goblet on an unusual conical base supporting a fluted bowl, all decorated with frosted devices including a gorgeous anthemion leaf pattern banded by egg and dart. The base has finely etched fern. This flint glass goblet is mid to late 19th C.

This glass belonged to Lenna Gertrude Clarke Judd (1865 - 1939) who was a prominent philanthropist living in Dalton, GA where she built and landscaped her home which she named Oneonta...

A wonderful hexagonal shaped ironstone flow mulberry covered dish with handles, often times called a vegetable dish, in the Jeddo pattern by William Adams and Sons, c. 1850. The dish and lid are structurally sound but there are a few condition defects to note...

This glorious flow mulberry coffee pot is a treat on several counts, not the least of which is the fine ironstone construction and design of the pot with the Peruvian pattern by J Wedge Wood - not be confused with Josiah. The body flairs outward, cutting an impressive figure. Although there is regular crazing throughout, the condition of the pot is excellent. The underside is backstamped as noted, and also has a British Registry mark for the year 1875. However, Wedge Wood is known to have oper...

Flint glass open sugar on round foot, glass sliced octagonally. Glass is tinted grey/purple. Condition better than average for age, but still age appropriate wear. Limited but interesting provenance for serious buyer. Glass belonged to well to do and well connected Georgia philanthropist Lenna Judd who died in 1939. Dimension: 4" h; 4 1/4" d

An exceptional and elegant tea set consisting of a teapot, sugar, and creamer, hand painted with grey ground, and colorful floral sprays. Generous scrolling and foliate gilding complete the treatment. The condition of this ensemble is well above average for its age which we assign to the 2d quarter of the 19th century - c. 1830-40, suffering occasional soling. The pieces are unmarked other than with a hand painted pattern number. The generally superb state of preservation and unusual pattern war...

A rare and lovely English porcelain compote with a canary yellow ground on the bowl and pedestal, the center of the bowl hand painted with a bouquet of flowers. Edges are and handle accents are enameled in aubergine. Underside is hand painted 3. Overall condition is excellent, with some soiling below average for age which we attribute to c. 1820-30. This compote is an excellent specimen. Dimension: 13" w

This porcelain serving dish was produced in France by Klingenberg Limoges. The white blank was sold for decoration to a studio artist. It is signed and dated 1906. The dish measures 16 inches across the handles. it is 8 3/4 inches wide and 1 1/2 inches deep. The porcelain has scrolled, molded handles and scalloped edges. Colorful hand painted roses spill across the interior of the dish. There is gold trim on the handles and edges. This is an attractive piece with an impressive size for u...

This porcelain dresser tray was produced in France by Jean Pouyat Limoges around 1914. It has an underglaze mark and an overglaze mark indicating that the porcelain and decoration are from that factory. The tray measures 12 1/2 inches long and 10 1/2 inches wide. The border has an irregular shape so that the length and width are calculated to the best of our ability. The tray was created in the art nouveau style with flowing lines in decoration and shape. The flower decoration is a factory ...

Impressive Early American Pattern Glass water goblet with frosted foot and stem concluding in 3 lion's heads. The base of the goblet bowl is formed with six panels and the sides are clear, flaring slightly as the sides rise to the rim. Condition of the glasses is excellent with no chips or cracks.

Most likely made by Gillinder & Sons c. 1877, after introducing this type of glass at the Centennial Exposition in 1876.

Dimension: 6 7/8" h

As an aside, this...

A finely cast iron lion en passant with modeling in the animalier style screw mounted on rectangular base. Very good condition with slight oxidation and minor blemishes to patina, mostly on base. We date this sculpture to mid 19th C., unmarked. Length: 11 1/4"

American Brilliant Cut Glass Pitcher richly cut with deep vessicas, stars, and other embellishments. The bulbous body tapers to wide neck with scalloped rim. The attached heavily faceted handle has a flat top. The underside has 32 point star. The blank is very clear. Condition is superb. Marked Libbey on the handle top. This pitcher is a superior example of brilliant cut glass in general but of hollow ware in particular. Height: 7 1/2"

Engraved Southern coin silver baby cup or child's mug by Brown and Anderson of Wilmington, North Carolina. Fully hallmarked on bottom, it measures 3 inches high, 2.75" cup diameter, and 3.75" across to include handle. A very rare piece and an excellent acquisition for the serious collector of American Southern coin silver. Circa 1850.

This porcelain serving dish was produced in France by Tressemann & Vogt Limoges between 1892 and 1907. The blank porcelain was sold white ware to the renowned painter Ester Miler for decoration in New York City. The artist’s signature is in the decoration. The dish measures 9 1/2 inches in diameter. It is 2 1/2 inches high with the second tier having a diameter of 4 3/4 inches. The ground color shades from light blue-green to light yellow. It is a perfect backdrop for the white and peach ...

A monumental vase in the Art Nouveau style by the well known Turn-Teplitz factory which produced some of the most innovative and stylish vases of the Art Nouveau period from which this vase descends. Its complicated design is matched by its enduring beauty, with four upturned arms - reminiscent of an octopus - providing support for the controlled widening conical body. The luscious green ground waxes strong and faint, muting in a mellow yellow. The red cherries add zing to the vibrant verdant ...

A luscious bud vase in the Onion Bulb shape 645, enameled in mulberry and blue. The vase was designed in 1907 by Emma Kinkead. The underside is incised with the logo and name of Van Briggle and Colo Spgs for Colorado Springs. Very good condition with 3 very small glaze specks at the base which are noted in a picture. The vase dates to early 20th C. Dimensions: 3.5" w, 3.25" d, 4.25" h. The vase has very small glaze flakes near the base. Otherwise it is in very good condition.

A fine set of four wine glasses in the desirable emerald green color, of cup bowl form, each with a collar knop and a basal knop above a flattened knop. Lead glass, polished pontil.

No condition issues or restoration. 5 1/8" tall, with bowl diameters of 2 9/16" and foot diameters of 2 9/16".

Tall sterling silver, pink guilloche enamel, and cut crystal vase by The Thomae Company of Attleboro, Massachusetts. Base is weighted and the crystal is finely “wheel cut” in a floral design. This stunning vase measures 10 7/8 inches high x 3 1/2" diameter across top. Dates circa 1915.

An uncommon and striking bowl in a deep Bristol blue color. The top rim is scalloped, the sides are step and panel cut, and the underside of the foot is radial cut. Excellent condition with a 5" bowl diameter and a 4" foot diameter.

This ceramic tile was produced in the United States in the 1880s or 1890s. It is unmarked but it may have been produced at the Trent Tile Company of Trenton, New Jersey. It measures 18 inches long and is 6 1/2 inches wide. The tile is decorated in high relief with a classic Greek maiden. It is light green in color with a high gloss glaze. The figural rendering is fine, exemplifying expert artistic ability. Tiles of this size are uncommon and the subject matter is quite desirable. It is re...

Pair of early 19th century Staffordshire mirror image figurines of a girl riding a goat. The coloring is excellent featuring vibrant cobalt blue coats. There is with some crazing which is good. There is a section of the "spaghetti" on one goat's tail that is missing and it appears to be a manufacturing flaw, see 2nd photo. There is also a very small chip or flaw to the hem of one skirt. Considered to be in in excellent antique condition, all the afore mentioned lends to the authenticity of t...

A hand painted Limoges large roses centerpiece or fruit bowl dated 1903. This wonderfully handpainted 10-3/8" across bowl stands 4" high and 8-1/2" deep, it has a handle on one side, and the painting is of very high quality for a painted blank. Typical in this era, china painting was very popular and some very talented pieces were produced by home amateurs. This example has lovely red roses and green foliage, a pink interior ground with a pair of roses, and gold trim (which required a refirin...

A Victorian silver plate rolltop butter dish or server in the Aesthetic style from the 1880s. This antique beauty was made by Meriden and it has all of the hallmarks of quality and Victorian style and mechanical complexity. It has a pedestal base, a handle with floral decoration, high relief borders and a roll top with a pressed floral design. The rolling lid rests on two pins secured with a chained pinion and there are mounts on each side for a pair of butter knives. This steampunk item rema...

This cloth doll has very dear oil painted face with great soft blue eyes. She has leather hands that could be original by the way they are put on. (I bet some mother was proud of herself for thinking of using old children's gloves for unique hands!) She has the body form, like so many cloth dolls, that looks like they were meant to ride a horse. The stance gives her the look of authority. She is cotton stuffed rather firmly and because she is not jointed she is pretty much a standing doll. She h...