Enoch Wood historical Staffordshire dark blue transfer plate, Moulin sur la Marne a Charenton, from the French series. Circa 1825. Pearlware with grapevine border and with pottery's impressed WOOD mark and underglaze blue pattern name. Size: 9 1/8" diameter. Condition is very good apart from some light staining to reverse of plate.

Early Georgian shagreen covered slant front knife box with original brass hardware and working lock. English. Circa 1740-1760. Materials: Shagreen (shark skin) over wood with brass bail handle, hinges and lock escutcheon. Including key. The hinged cover reveals the original velvet fitted interior with divisions for 24 pieces of cutlery (slots to hold 12 knives and 12 forks)...

English Tunbridgeware work/sewing/jewelry box in walnut veneer, decorated with two bands of chevron inlay of various exotic woods and with two hexagonal mother-of-pearl escutcheons. Circa 1880-1900. The interior is lined with paper and fabric, and there is a fitted lift-out tray. Condition: age crack to rear top of lid, several older veneer patches at corners, replaced hinges, faint scratching of a name on cover. All decorative inlay is intact. Dimensions: 9.75" long x 6.75" deep x 5"high.

This porcelain perfume bottle with stopper was produced in France in the mid 19th century. It has some impressed letters and numbers but they are not legible. The style of the gilding and the lady’s dress are typical of the mid 19th century and so this would be considered “Paris Porcelain.” It is similar to porcelain produced by Sevres. The porcelain is very fine and thin. The ground color is rich cobalt blue...

This porcelain pot de crème was produced in Austria at the Royal Vienna Factory before 1820. It has an under glaze blue bee hive mark as well as impressed numbers. It is 3 1/4 inches high including the lid. The finial on the lid is in the shape of a flame. It is decorated with hand painted grape leaves that encircle the lid and the cup. The style of the handle and painting are quite similar to Meissen porcelains...

This three piece demitasse cup, saucer and plate was produced in Germany by Meissen before 1920. The plate has a diameter of 7 inches, the saucer is 4 1/4 inches, and the cup is 2 inches high. The cup has a split twig handle. All of the pieces have little pointed edges. It is decorated with tiny scattered flowers. They are brightly colored. All of the pieces are trimmed in gold. Condition: Excellent. This is first quality Meissen porcelain.

This porcelain pitcher was produced in England in the late 19th century. It is not marked but the type of porcelain and the style are indicative of Grainger Worcester. It measures 7 3/4 inches high and the diameter of the base is 3 1/2 inches. The porcelain has a high gloss glaze giving it an almost glass like finish. The ground color is salmon pink. It is decorated with a high relief frieze of classical Grecian figures. The handle is created with the face and horns of a satyr...

This porcelain serving dish was produced in France by Theodore Haviland Limoges in the late 19th century. It measures 13 inches long and 6 3/4 inches wide. The porcelain has molded decoration and handles are built into the dish. We know that it is factory decorated since there is an impressed mark as well as a printed mark. The border is turquoise blue. This color blue is used in the decoration and is overlaid with fancy gilding so only a little of the blue shows through...

This incredible antiquity is a glazed ceramic offering vessel from the Song Dynasty of ancient China (960-1279 AD). Besides being in near perfect condition, this rare piece has impeccable provenance from the collection of the famous Arthur M Sackler as sold through Christies auction house in NY in April of 2010. Auction #2301, lot #323.. It measures roughly 38 cm in height and shows no signs of repair or restoration...

This porcelain tea cup and saucer was produced in England by Cauldon around 1900. It was made especially for Ovingtons in New York. The saucer has a diameter of 5 3/8 inches and the cup is 2 inches high. The set is made of fine, white bone china. It is decorated with wide bands of heavily embossed gilding. There are borders of hand gilded scroll work with raised beading. It is the epitome of elegance. Condition: Excellent

English George III snuff box fashioned from horn and with a tortoiseshell veneer on the cover. Circa 1790-1810. The cover is also inlaid with a floral design in silver and gold. Chip to one corner of cover (see photo detail); hinge is firm and carved from the horn, with a snug fit to the lid. Size: 3" long x 1.5" deep x .75" high.

A perfect item guaranteed to annoy your butler - this is a 5-3/8" tall sterling silver handled dinner bell with a silver plated bell c1900. It is stamped STERLING on the handle, and it is in excellent original condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Surface shipping to the U.S...

A very beautiful composed faience plate in brown, blue, green, and yellow colors on a white base. In Rococo decoration around 1750 - 1770. Condition: the plat as rim frittering according to age...

This porcelain demitasse cup and saucer was produced in England by Doulton Burslem in 1893. It was presented at the 1893 Chicago World's Fair and is marked as such. The saucer has a diameter of 4 1/2 inches and the cup is 2 inches high. The porcelain is fine white bone china. It has molded decoration in the porcelain and the edges are slightly scalloped. The ground color is done in gold and ivory tones. There are colorful bouquets of flowers hand painted on both pieces. Condition: Ex...

This porcelain tea cup and saucer was produced in England by Spode around 1800. The saucer is 5 5/8 inches in diameter and it is 1 1/2 inches deep. The cup is 2 1/4 inches high. The cup has the London shape. The ground color is a soft pink. There are reserves inside the cup and around the saucer containing colorfully hand painted birds. They are reminiscent of bird decorations done by the Derby factory. They are encased in gilded cartouches. These alternate with segments of intricate gild...

This porcelain demitasse cup and saucer was produced in Hungary by the Herend Factory between 1855 and 1875. The saucer has a diameter of 4 3/8 inches and the cup is 2 1/4 inches high. The porcelain is delicate and translucent. The cup features a pedestal base and fancy scrolled handle. It is decorated in an intricate Asian style. The details are minute and you can just imagine the amount of time it took to paint. The flowers are colored with soft, muted hues. Gold is used within the desig...

An English Late Victorian Silver Plated Biscuit Barrel with a Hinged Top and with a Pierced and Relief Molded Cylindrical Panel with Handles and a Cobalt Blue Liner. Dimensions; 8.5" high x 8" to handles. Circa 1900. Very fine condition.

A Fine Early Victorian Diminutive Black Lacquer Tazza with Bird and Floral Decorations. Dimensions; 8" in diameter and 1.5" high. Circa 1850 and in very good condition.

A Victorian Brass Handled Painted and Inlaid Lacquer Basket with a Scalloped Border. Dimensions; 8" diameter x 1.5" high. Circa 1850 and in excellent condition.

Antique American Tea caddy in maple with pewter stringing and a pewter plaque with the word "tea", inside are two lidded compartments. Circa 1870.

Height: 3.75"
Length: 7.5"
Depth: 4.5"

This porcelain demitasse cup and saucer was produced in Germany by Nymphenburg in the 1890s. The saucer has a diameter of 3 3/4 inches and the cup is 2 inches high. The set is designed in the art nouveau style. The decorations are hand painted. There are bands of brightly colored flowers encircling both pieces. They are so tiny and intricately painted. The rims of the cup and saucer are hand painted. This delicate little demitasse is a treasure. Condition: Excellent

A pair of 19thC Gaudy Welsh canns or mugs 1820 1850. This matching pair of early to mid 19th century 2-3/4" tall Gaudy Welsh chinoiserie ceramic canns or small mugs feature copper luster and hand painted designs over pink transfer in blue, green, yellow and brown. Although known as Gaudy Welsh, only a small percentage of these attractive pieces were produced in Wales - most were produced in Staffordshire. They are typically unmarked and they are in excellent antique condition with no chips, cr...

A pair of Victorian vaseline opalescent glass epergne bowls. This fine pair of blown molded bowls date to the 1880s. These 5" diameter bowls stand 2-3/4" high and their bases are 3" across (under the collar of pressed leaves). They are unmarked and they have polished bases; they are in excellent original condition with no chips, cracks, losses, damage or repairs other than a barely visible 1/16" shallow flake to a rib on the base of one bowl. All items are thoroughly and conservatively grad...

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes.

Chips to lid and side, loss to gildi...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley. Fou...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

Antique English small barrel in lignum vitae with ivory stopper and later brass spout. Early-mid 19th century.

Length: 9"

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin. En...

French, 19th century, Samson. The crossed “S” marks on the interior lid of this nineteenth-century snuff box indicates that this was, in fact, a product of the Samson factory. Edmé Samson founded the House of Samson in 1845 to decorate porcelain. However, it was Edmé’s son, Emile, who expanded the firm to include the reproduction of eighteenth-century English enamels. In addition, the later attribution is confirmed by the milled metal banding, the lug on the hinge, and the inferior qu...

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes of the eighteenth century. However, this box clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Small scratch to lid.