A very nicely molded Leeds creamware plate with underglaze blue decoration of an oriental man standing beside a low fence holding a parasol in one hand and pointing with his other while the birds fly in the sky beyond. Impressed mark that reads, “EDS*POTTERY.” 9 ¼ inches diameter (23.5 cm).

Condition: no chips cracks hairlines or repairs...

This stunning Victorian tomato glass basket by Boston & Sandwich Glass Company is made from two layers of cased glass, a tomato or orange-red color over yellow with an applied clear single twist thorn handle and 4 applied clear feet. An unusual feature is that top rim of the bowl folds over and is studded with large tomato hobnail bumps ending with a crimped edge which finishes with a narrow clear band. Pontil on bottom was sanded smooth...

Although Adderley is often credited by sellers as the maker of all Blue Chelsea series of table wares, the truth is that it was produced by many makers. This coffee pot is unmarked but clearly a fine Staffordshire example.

Our coffee pot sits on a hexagonal foot whose shaping continues in the body of the pot. It is sparsely decorated in the much beloved Blue Chelsea Sprig motif on a cream body...

I have always really liked the black bottle doll doorstops. They are something I keep more than I sell. I am offering of few of mine for sale so here is the first one. She is 13" tall, has button eyes, tear drop shaped nose with two little dots for nostril, and oval mouth that is open a little and maybe the red is for her tongue. To me she looks like she is singing her heart out while she looks to the heavens. She has embroidered ears that are priceless...

Antique 19th century Russian Orthodox Christian brass traveling triptych folded icon" Deesis with Selected Saints."

Opened, the central leaf shows Christ enthroned in the attitude of blessing with Gospels, flanked by John the Baptist and the Virgin. The left leaves display St. John the Theologian, the saints' prelates Nicholas the Wonderworker and Metropolitan Philip.

On the left fold are Angel the Guardian, saints Zossima, and Sabbatius of Solovetskii Monastery...

This porcelain vase on stand was produced in England by Royal Worcester in 1878. The date letter indicates this year. It vase stands 5 7/8” high and is 5 ¾” across the handles. The piece appears to be in two pieces, the bowl on the top and a stand on the bottom but is it made in one piece. The Asian inspired shape and design evolved from the Aesthetic movement. Friezes of gilded peonies and a gilded bird in flight, surrounded by flowering branches decorate each side of the bowl...

A Delft blue and white pottery vase in the form of a leaping carp, a model known in 17th century Japan. Base with "AK" mark. Please refer to a similar vase in the Sunory Museum in Tokyo (https://www.suntory.com/sma/collection/data/detail?lang=en&id=389). Dimension: c. 18 cm high. Condition: 3 chips.

A rare solid jasperware child's teapot, the reliefs designed by Lady Templetown. Around 1790, unmarked, by Wedgwood, Adams or Turner. To one side a scene of a young mother reading a book, slippers on her feet, her little daughter playing with a doll. The other side shows Poor Maria with her dog, Maria being a character from a popular novel of the period. The teapot might also have been produced as a solitaire, for one person only. Height including lid "3 ½/ 9 cm, width "6/ 15 cm...

This porcelain demitasse cup and saucer was produced in Germany by Nymphenburg in the 1890s. The saucer has a diameter of 4 ½ inches and is 1 inch deep. The cup is 2 ¼ inches high. The porcelain is fine, white, hard paste. There is a hand painted scene on the front of the cup with colorful exotic birds. The saucer has little insects scattered about. There is lacy gold trim around the rims of each piece. CONDITION: Excellent, first quality

A stunning hand painted porcelain bowl with a gold trimmed scalloped rim was made by the Tressemann & Vogt company in Limoges, France between 1892-1907. Artist signed, the design, use of gold throughout, and selection of colors from the rich royal blue band with contrasting orange flowers to the band of blush along the rim is just fabulous. Measures 9.5" diameter x 4.5" high.

A Pair of Large Bohemian Cased and Cut to Emerald Green Glass Overlay Covered Urns, with Gilt and Hand Painted Flowers. Dimensions 12.25" high x 4.75" wide at the base. Circa 1870-1900 and in excellent condition.

A Spanish Brass Candlestick, circa 1700. Dimensions; 8.5" high x 5" square base. Weight, approximately 1 pound 14 ounces. Very fine condition. Note, although not a pair, it may be used in conjunction with item 1848.

A Spanish Brass Candlestick, circa 1700. Dimensions; 8.0" high x 5" square base. Weight, approximately 2 pounds. Very fine condition. Note, although not a pair, it may be used in conjunction with item 1849.

Antique 17th-century large Russian Orthodox brass pectoral Cross Telnik (Крест-тельник). This cross features an intricate and ornate design that combines various ancient symbols, including the Suppedaneum (three-bar) and Saint Andrew's (X-shaped or "Saltire") Crosses, as well as the Crescent (half-moon) symbol known as Tsata...

A very rare Crucifics of the Freemasons, dating to the 18th. century!

A terrific Crucifics complete with cobber-nails through the hands of Jesus. Made for the ceremonial activities in the order.

Masonic items older than 19th. century are very rare and high demand. Size: 38 cm.

Condition: Old repair to the cross and reattaching, fine smooth wear and patina

Offered is this beautiful cameo glass covered jar, made by Val St Lambert. The jar is 4 1/4 inches (10,5 cm) tall and 2 1/2 inches (6,5 cm) wide. It is in excellent condition (there are a couple of fabrication flaws: smooth, tiny dimples on the rim of the jar - see last picture). Properly signed (see picture).

Antique 18th century, circa 1750 AD, Hungarian Anabaptist faience jug from Stupava (German: Stampfen; Hungarian: Stomfa), a town in western Slovakia.

The jug is of a baluster shape with a flared rim and shaped spout, raised on a small foot, and an applied handle. It is raised on a small foot and painted using the grand feu enameling technique in blue, ochre, and turquoise floral patterns...

Offered is this beautiful, hand-painted, cut, cased glass (three-layer casing: white on the outside, cobalt on the inside and clear in-between) vase. It is 5 1/2 inches (14 cm) wide and 3 1/2 inches (9 cm) high. It is in excellent condition. The clear-glass pontil was left partly polished, since it is recessed (see last picture). unsigned - could have been made by either Moser, Pfohl or another Bohemian maker.