Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

Round ivory kôgô box with shibayama technique, inlaid with gold and pewter or silver lacquer. Lake decoration in two cartouches on the side and the top of the kôgô, surrounded by rinceaux.

It could be the representation of views of Ômi, around Lake Biwa (present Shiga prefecture). The temple on the rocky mountain is probably the Ishiyama-dera, built around 762 A.D. in Ôtsu. It is part of the Kansai Kannon pilgrimage circuit...

Ivory okimono of a toad carrying an orchestra of five monkeys.
Four monkeys is playing instruments such as the shamisen (long-necked lute with three strings), the shime-daiko (small drum) and the flute. The fifth monkey is larger and is singing while holding a book in his left hand and plugging his ear with the other...

Early 20th century Japanese ivory carving of a bearded sage. Signed Hidemasa. Good condition. H: 7 ½ inches, W: 2 inches

1930s Japanese carving of an ivory bird floating on a wooden pond. Wonderful crisp realistic carving, excellent painted highlights, very nice stand with wave patterns. Old stable crack along its side, otherwise in great condition. Bird length 2 inches, stand length 3 inches, total height 1.6 inches.

A large Japanese Meiji Period carved articulated bone/ivory model of a crayfish, with movable claws, feet, antenna and tail, the whole naturalistic-ally rendered, approx. 20 inches long with main antenna & 8in wide.

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

This large Japanese late Meiji (1867~1911) ivory carving is 14 ¼” high, 4” wide and 2 ¾” in depth. It depicts a smiling sage carrying a fan in his left hand and holding a long staff in his right hand. A rolled up scroll is tied to the top of the staff. Aside from a few hair line cracks due to age and size, it is in good condition. More detailed photos are available.

From our Japanese Collection, a very fine ivory carving, Meiji Period (1868-1912), probably Tokyo School but we cannot confirm the artist, depicting an elder carrying a rabbit in a basket along with a young boy who excitedly holds up a frog...

This very well carved late Meiji Period (1868~1911) ivory tusk is 14” high (with wood base is 15” high), 4 ½” wide and 4” thick. The carving on one side depicts a castle located in front of a snowy mountain surrounded by rockery and trees. A water fall serves as an entry into a quite village. Two straw roof houses are placed along a busy pass...

It was carved by a late Meiji period (1868~1911) artist Tozan (東山). It depicts a smiling wood cutter taking a break and tying his straw sandal lace. A sparrow is resting on his straw hat. It is 6 1/5" high, 3 7/16" wide (from the bottom) and 3" thick (from the bottom). Aside from two hair line cracks; one on his back head and one on the bottom, it is in great condition.

Beautiful Meiji Era ivory napkin ring with 2 scrimshawed monkey, one of which is chasing a fly. This piece would also make an excellent stand. Dates 3rd quarter 19th century and measures 1 7/8 inches across by 1 inch high. Guaranteed ivory.

The figures are expertly carved and depict members of the Buddhist pantheon, unidentified by the writer. The material used has a marine origin and is most likely walrus tusk. They are darkened from age and have achieved a pleasing colour. The lotus stands are separately constructed and as they have been produced from a cross-section of the tusk they exhibit the dentine found within...

This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom)...

Early 20th century Japanese ivory carving of a farmer carrying a child. Signed Hoshu. Good condition. H: 6 1/8 inches, W: 1 ¾ inches

This very well carved and colored Japanese polychrome ivory carving of a Chinese style lady is a mid or late 19th century product. It depicts a lady who wears a simple but elegant elaborate silk robe. She holds a peony blossom in her left hand and a fan in her right hand. It is 8 ½” high and 2” wide from the round base. It has very nice patina. Aside from two slight crack lines on her face and upper left arm, it is in very good condition...

This nice Japanese carved ivory Okimono group is an early 20th century piece. The base is 9” long and 6 ½“ wide. The sitting merchant is 4 ¾” tall, 3” wide and 2 ½“ in depth. It depicts a smiling old man holding a tobacco pipe and displaying his merchandise in the market. The signature is placed on a small red rectangular hard stone which is inlayed on an oval ivory piece. It reads “SHOZAN”. It is in excellent condition.

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...