An armorer's (katshushi) tsuba by Miochin Munekane (signed.) Of smaller size associated with wakizashi. Engraved katakiri-bori flowers and vine decoration (six petals on vine, possibly clematis.) Artist line active between 1818 and 1887. Ex Robert Haynes collection. Good condition. A larger, sukashi tsuba at least by the same line, also signed Miochin Munekane, is in the Brooklyn Museum. 2 9/16 inches (6.5 cm) X 2 3/8 inches (6.1 cm) and 1/8 inch (.4 cm) thick.

Mokkogate samurai sword guard (tsuba) made of shibuishi with gold inserts, with katakiri decor representing on one side a monk sitting and holding a brush and surrounded by clouds and on the other side a dragon emerging from clouds. The tsuba is signed. Japan, Edo Period, 18th/19th century. Diameter: 6.7 cm. the tsuba is offered in its original box. Very good condition. Provenance: Old Canadian collection. Auction sale Tajan, in Paris, December 14th 2015.

Small tsuba (probably meant for a wakizashi), with a decoration in rief of a bird flying over waves. Eroded and oxidized iron. Japan, mid Edo period. Height: 2 11/16" (6,7 cm). Very good condition.

A Japanese iron war fan, or 'Gunbai'. These were accessories used on the battlefield to fan in heat but also as lethal, close quarter defensive accessories. A rare item not commonly encountered on the market. Black lacquered and with gold lacquer kanji quoting Sun Tzu (fifth century Chinese political and war strategist)...

A simple, small but stout iron tsuba. The Myochin line of metal workers were armor makers who also produced tsuba. The simple decoration upper-right here could be a flower head or a snowflake. Udenuki-ana appear lower left. Good condition. Height 2 3/4 inches (69 cm), Width 2 9/16 inches (65 cm), and 6/32 of an inche (5 mm) thick.

Japanese Edo Tsuba Maru Gata iron w GOLD

Description & Size: 7.3 x 7.6 x 0.3 cm (2.87" x 2.99" x .11")

Age: Edo Period, Material: Iron & Gold, Production: Handcrafted, etched & inlaid, Original: Antique

This is a superb handcrafted Japanese Edo Maru Gata Iron Tsuba with gold inlaid. It's designed handcrafted with the theme "wind & thunder" inlaid with gold & surrounding borders on both side of the tsuba. The tsuba size would fit a katana sword...

A strong mokogata iron tsuba of tight mokume. I favor mokume work and this is a virtuous example worthy of any collection. Boar's eye sukashi decoration in the four corners. Uchikaeshi mimi. Tekkotsu evident along the mimi. Good condition with light rubbing of the patina. Edo period. 3 (7.6 cm) inches x 2 11/16 (6.8 cm) inches

An original 18th century Japanese Namban armor with momonari type kabuto. The wisteria meadate and other occurrences of variations of the Fuji mon belongs to the Fujiwara Clans. The meadate matches that of the family crest seen on the armor. The black lacquered dou is textured with crushed oyster shell in fine detail. The armor is presented with the original hitsu (armor box) with gold beautiful gold calligraphy on the sides...

A fine, Mishina school tanto, forged and signed collaboratively, Omi no Kami Minamoto Hisamichi and Chakushi Minamoto Rai Hisatsugu with edakiku (branched chrysanthemum) above the two signatures. Dated on the verso 'a day in August of Genroku 15' (1702). In full polish, in shirasaya, accompanied with original koshirae with fine fittings including floral and snow on persimmons motifs. Included are kozuka, kogai, tsuba, fuchi-gashira, menuki...

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches...

A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion...

This is an awesome Gunto Imperial Japan Military Katana Sword in Black Koshirae fitting, made during the Showa period (1926-1989), by the Gunto swordsmith KANEHARU 兼玄: (Index of Japanese Swordsmiths by Markus Sesko), from the Seki School (Modern Japanese Swords and Swordsmiths, by Leon and Hiropo Kapp). The sword's nakago has been marked as shown in the photos. The blade has a bright and clean polish, and it is in excellent condition...

This is an awesome Eisho Era Signed and Date Long Wakisashi (Almost Katana length) Sword in Shirasaya fitting, made by SADAHIRO 貞弘 (1505 -1521) Eisho, Muromachi Period, Iwami Province, Japan. SADAHIRO 貞弘, as listed in page 99 of the Index of Japanese Swordsmiths by Markus Sesko, and shown as SA 23 in "Japanese Swordsmiths by W. M. Hawley...

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels...

Four Japanese Tsuba dating from 16th/17th century with display stand.
-iron circular tsuba with gold incised patterns on edge with interior incised groves.
-iron clover shaped tsuba with interior heart shaped openings, applied gold groves of trees.
-iron persimmon shaped tsuba with moon showing through a cherry blossoms and leaves. Back side has bamboo with gold leaves. Overlay uses silver, gold over raised iron bamboo and cherry tree.
-iron clover shaped tsuba with arrow ...

An iron mokogata form iron tsuba with surface and patina indicating significant age. Some folds apparent in the iron, tekkotsu ("iron bones" describing irregularities in surface resulting from gradual wearing away of softer iron, leaving more refined, harder iron), rim slightly raised around the hammered plate. The raised decoration of the hare and vine in quintessentially Japanese taste - thick gold overlaid details. This would work nicely on a Yamashiro or other slender, old blade. Good condit...