Japanese wooden Samurai armor case.

Age: Japan, Edo Period, 19th Century
Measurement: Height 50.5 C.M. / Width 45 C.M. / Length 87.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese wooden Samurai armor case with leather covering.

Age: Japan, Edo Period, 19th Century
Measurement: Height 53 C.M. / Width 40 C.M. / Thickness 40 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese wooden Samurai armor case.

Age: Japan, Meiji Period, Late 19th Century
Measurement: Height 53 C.M. / Width 44 C.M. / Thickness 40 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Three well painted Shunga scenes with a loving couples. Silk with ink and colors. Fitted on traditional, gold-spotted cardboard. Meiji, ca. 1880. H 17 cm, W 19 cm. Condition: One in very good condition, the other two : over-all quite good. Minor spots.

A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges...

Antique Japanese ranma, or transom, carved with two rabbits jumping over waves.

Meiji period (1868-1912)

50" L x 20.25" H

Antique Japanese framed abstract print, signed Takeshi Hara (1942-present) in pencil, number 36/60, titled "Strokes 74-1". Hara was born in Nagoya, Japan in 1942 and graduated the Oil Painting Dept. of Tokyo National University of Fine Arts in 1967. He later went on to become a professor in the Dept. of Painting at Tokyo Zokei University until he retired in 2008...

Cedar wooden ‘post-hide’ or hashira-kakushi that is used as a decoration of one of the posts in a room, or a horizontal post of the tokonoma (niche). The post-hide is the same width as the pillar posts in a Japanese house, hiding it thus almost completely in width.
Cedar wood, the front stained dark brown and decorated in mineral with a dragon. Seal on either end of the plaque. Inscription in black ink on the back...

A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs...

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition...

A framed Woodblock from the Series "SANJUROKUKASEN" by TOSHIKATA MIZUNO (1866-1908), BIJINA (Oban, date 1893, MEIJI ERA)"TEAHOUSE WITH RAINHATS" depicting a young and beautiful woman of the Kan'ei Era (1624-44) wearing a red kimono and standing at the entrance of a rural teahouse/inn with 2 playing dogs in the background; from the series 36 Elegant Selections (Amigasa chaya, Kan'ei koro fujin). 3 straw hats from guests are suspended at the entrance for drying. Signed...

Japanese woodblock print of a beautifully poised geisha, holding a paintbrush in her hand. Signed and titled in right margin.

Size: 8.25" W x 12.5" H

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche)...

Antique Japanese wood carving of Hotei, one of the Seven Lucky Gods of fortune, with beautiful remnants of old lacquer.

18th century, Edo period (1603-1868)

Size: 5.5" W x 8.5" H

Antique Japanese melon shaped hibachi, wilt gilt lacquer designs of chrysanthemums, peonies, and butterflies, gilt nashiji flakes and inlay adding depth to the nature scenes, interior with old patina. Meiji age (1868-1912)

Size: 16" L x 9.5" H

Japanese natural burl brush pot, hand-carved with various whimsical creatures coming to life from the natural burl form. Original finish with red lacquer base. Provenance: From a private Japanese collection.

Size: 9" L x 6" W x 4" H

Antique Japanese wooden temple carving of a Baku, a mythological creature very similar to an elephant. Baku is known as the dream eater. Children in Japan will sometimes attempt to summon the Baku in the middle of the night to devour their nightmares and motifs of him are commonly found in bedrooms. All hand-carved with incredible attention to detail. Mounted on a high quality custom iron stand. Edo age (1615- 1868)

Size: 19" L x 6.5" W x 10" H (15" total height on stand)