A Japanese boxwood okimono of a rat-catcher preparing the miso on a big bowl before catching the rat. Black horn eyes. Excellent quality and great patina. Jigaku signature under the base. During the Edo period, blind people were recruited to hunt rats. With their sensitivity and hearing, they were able to hunt small rodents. Meiji period late 19th century Sizes: 9 x 8,5 x 8,5 cm. Condition report: Good condition

Late Meiji (1890s to 1910s) netsuke of a standing fat baby boy wearing just a bib and holding a thick rope that serves as a collar for a puppy standing next to him. Excellent carving, great chubby face, superb depiction of his fat body and fingers. Nice flow to the rope with its twisted texture, expert use of black, orange and golden ink, beautiful wear and patina. Signed HOZAN on the bottom - the artist is listed in NETSUKE by Neil Davey (p. 470, number 741). Height 1 13/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved as a smooth clam shell. Good design, shunga connotation as almost inevitable with clam in Japanese art, nice patina on the surface, natural imperfections in staghorn, overall in very good condition. Length 13/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a form of a skull. Very nice work, pleasant patina, light staining, in great condition. Height 1/2 inches.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in barrel form with transparent bottle green body and off-white to pink design of cresting waves. Beautiful surface, very pleasant patina, large central hole. Height 3/4 inches.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with black body and numerous multicolored flower shaped inlays . Beautiful surface, very pleasant patina. Diameter 5/8 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of abalone shell. Good design, natural imperfections in staghorn, stained green (actually resembling the color of large abalone shell from the Sea of Japan that contain edible animal), overall in very good condition. Length 13/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a gourd with leaf. Good design, green staining, natural imperfections in staghorn, overall in very good condition. Height 11/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved as geta (a wooden sandal) with gold, red and black lacquer decoration of flowers and leaves. Very nice carving, excellent detailing, pleasant patina. Length 11/16 inches.

A superb and near lifesize Thai head of Buddha, Ayutthaya, Thailand. c. 15th century

The head of longish oval shape, with clearly delineated eyes and lids lowered in meditation, a smiling mouth and tiny curls covering head and ushnisha.

Sandstone was a highly coveted material during the early part of the Ayutthaya period, and the use of curved lines and petite bumps for hair reflect the influence of Indian Gupta stylization.

Size: 29 cm. tall and 17 cm...

Japanese Zenga scroll painting of a staff by the Zen master Nakahara Nantenbō (Toju Zenchu) (1839–1925). Born into the Shioda samurai clan in Saga Prefecture, Nantenbō lost his mother when he was 7 years old and was sent to Yukoji monastery to study as a novice when he was 11 where he became a monk of the the Rinzai sect of Zen Buddhism...

Japanese lacquered gold and silver hira maki-e biwa shape box (kobako).

Japan, Edo period

Length 7,67 in – Width 3,14 in – Heigth 0,7 in

The biwa is a japanese short-necked fretted luth, often used in narrative storrytelling. The biwa is chosen instrument of Benten, goddess of music, eloquence and poetry.

Antique Japanese small Gigaku performance mask. Gigaku (literally meaning "skill music") is an earlier form of Japanese theatre that was brought over from Korea and China in 612. Gigaku reached a high point during the Nara Period and continued it's popularity until it was eventually replaced by Bugaku theatre. Traditionally performed outdoors at a temple, Gigaku masks were carved with exaggerated features in order for them to be seen by an audience seated at a distance...

An important laquered and gilt seated bronze figure of Buddha, Thailand, ca. 15th. century AD.

Lovely buddha in an exceptional quality and condition. He is crowned and seated in the deepest of concentration, in the "Samadhi" - meditation mudra.

Made by very skilled artisans with a fantastic expression; highly arched brows, downcast eyes and the distinctive extra line around the mouth. Three stepped throne with sharp lifted corners.

Size: 23,5 cm...

A very important and lovely larger Thai bronze buddha, 13th.-15th. century AD.

Beautiful archaic features of his crowned head, seated in Dhyana mudra wearing jewellery; On a U-shaped pointy throne.

Just a wonderful archaeological bronze figure of the finest early style, really a gem. It's mounted in a slightly elavated manor on a square plint, professionally made with a metal rod in the center.

Size: ca 22 cm. tall (24 cm. incl. the base) and 15 cm. wide...

An interesting and impressive large Thai bronze sculpture with silver and glass decoration, early-mid 18th. century.

Surely made for a wealthy temple or person. The Buddha is made in the finest later Ayutthaya style, likely 1750 or so. Crowned Buddha with an exceptionally rich decoration in silver and bronze beads and thick thread of Jewellery and floral design on the entire figure. Many of the leafs looks like solid silver and much of the decor too...

A large and beautiful pottery dish from Le Dynasty Vietnam dating to 13th-14th cent.

Finely decorated with blue floral motifs on a white underglaze. Also concentric rings in the interior.

Size: 23,5 x4,8 cm.

Condition: Near mint, with signs of age and wear.

Ex. Danish collection of South East Asian pottery.

An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original natural Urushi lacquer with hand forged iron hardware including the lock plates featuring Peonies and a door lock plate featuring a large radish...