This is a miniature censer with Taotie pattern. It comes with its original box. Size: 3.5 inches (9cm) tall.

The mahjong set is in a perfect condition. Provenance: Bonhams, San Francisco

Antique Japanese copper censer with handles. The pierced copper lid has a repousse design of a dragon in swirling storm clouds with lightening. The body of the censer is hammered copper and has two warabite shaped handles on either side.

Age: Meiji Period (1868-1912)

Dimensions: 7" high x 11" wide (including handles)

Agarwood is also known as aloeswood, eaglewood, gharuwood or the Wood of Gods, most commonly referred to as oud or oudh. Agarwood is sought-after by collectors and often cited as one of the most expensive woods in the world. The necklace is consisted of eighty-six finely carved wood beads, four giant blue Peking glass beads, and a Peking pendant in the form of two bats. Size: 26 inches (65cm) long

The sword is inscribed with flower and bird. It is signed on the case and the sword itself.

Genuine turquoise stone. The overall condition is good, except for an unnoticeable chip on the left side of the boy’s robe. In Chinese Fengshui, “Drum” symbolizes good reputation and social status. Size: 2.5 inches (65mm) tall.

This figure is with downcast eyes and slightly smiling serene expression flanked by long pendulous ears. It comes with an original wood stand. In normal antique condition, including but not limited to gilding wear, flaking, normal chips and scratches. Please send an invoice for more pictures. Thank you. Size: 13 inches (33cm) tall.

A Chinese cloisonne enamel vase, late Qianlong, circa 1780-1800, with gilt bronze dragon head and tongue handles. Height 20.2 cms. With wood stand.

Tatou-gami made of recycled old washi (Japanese handmade paper) with kakishibu (persimmon tannin) for waterproof. Tatougami is used for wrapping kimono, precious items and so on. This was used for wrapping old books. It has four cords made of washi too. The second half of the 19th century. In good condition. 62cm x 67.5cm when it is flat.

A Set of 6 Chinese Blue and White Sweet Pea Pattern Jars. Circa, 1644-1911, Qing Dynasty. These set of pots feature an underglaze sweet pea pattern decoration with matching covers that have a mythical beast figure on top. One of the jars is topped with an antique Narra cover...

A Chinese Zhangzhou Blue and White Porcelain Plate, Circa, 1572-1620, Wanli, Ming Dynasty. Found in the Philippines. This plate features an underglaze decoration of an animal and foliate motif with patterns that run along its exterior rim. The back of the plate is shaped with a rounded cavetto that flares out to its mouth with kiln grit adhering to its foot rim...

A Chinese Longquan Celadon Bowl. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Featuring deep walls rising from a tall foot and is decorated with slender chrysanthemum-like petals encircling the exterior and its interior with a carved decoration. It is covered overall in a green celadon glaze except for the unglazed firing ring on the base. Measurements: height (8cm), diameter (11cm) across. Condition: in perfect condition. No cracks, no chips, no restorations...

A Chinese Blue and White High-Footed Cup. Circa, 1464-1487, Chenghua, Ming Dynasty. Found in the Philippines. Featuring a vegetal motif on its exterior and the interior is decorated with a bordered central flower head and patterns around the rim. Its base is fully glazed, except for its foot-ring. Measurements: diameter (9.4cm) across. Condition: there is a small rim frit but is overall in very good condition...

Chinese Ming Dynasty scroll painting attributed to Qiu Ying (1494-1552). Qiu Ying's courtesy name was Shifu (实父), and his art name was Shizhou (十洲). He is regarded as one of the Four Masters of the Ming dynasty. Ink and color on silk, hanging scroll. The painting represents a beauty in her back yard of bamboos and rock garden. Signed “Shi-zhou, Mei Ren (beauty)”, with one gourd-shape seal of the artist. One collector’s seal on the bottom left. Re-mounted by the previous owner...

The calligraphy was attributed to Wen Zheng-ming (1470-1559). Wen Zheng-ming, born Wen Bi, was a Chinese painter, calligrapher, and poet during the Ming dynasty. He was regarded as one of the Four Masters of Ming painting. He was born in Changzhou County (now part of Suzhou) in the Jiangsu province. He was also known as Heng-shan Jushi and Ting-yun-sheng. Ink on paper. Signed “Wen Zheng-ming”, with two signature seals of the artist...

The painting was attributed to Shao Mi (1592-1642). Shao Mi was a Chinese landscape painter, calligrapher, and poet during the Ming Dynasty. Shao was born in Changzhou County (now part of Suzhou) in the Jiangsu province. His style name was “Seng-mi” and his sobriquets were “Gua-chou” and “Fen-tuo jushi”...

The bowl is decorated inside with ducks and enamel plants in the style of the "Famille Verte" we find the colors fired at low temperature aubergine, green, some very rare touches of blue and the fragile iron red, detail in gold. The outlines of the subjects are either black or red. The circles are in underglaze cobalt blue fired higth fire...

A Chinese Zhangzhou Triple Chrysanthemum Blue and White Plate. Circa, 16th-17th Century, Ming Dynasty. Found in the Philippines. Plate decorated with encircled triple chrysanthemums at the center and its inner rim with a bordering pattern. The exterior is decorated with encircling lines. A similar example can be seen in the book 'Zhangzhou Ware found in the Philippines "Swatow" Export Ceramics from Fujian 16th-17th Century' by: Rita C. Tan, on page: 56;16...