Antique Japanese single section mizuya (kitchen tansu). Made with sugi (cryptomeria) wood and hinoki (Japanese cypress) wood refinished to reveal the beauty of the natural wood grain. Iron hardware with round lock plates and warabite shaped drawer pulls. The tansu has three large drawers on the right and a compartment with sliding panels over two smaller drawers on the left.

Age: Meiji Period (1868-1912)

Dimensions: 33 1/4" high x 65" long x 18 1/2" deep

Antique Japanese storage tansu opened by two large sliding panels with horizontal slats. The doors open to a compartment with a shelf and two drawers on the right. One of the drawers has a hidden compartment. The left side opens to a single shelf. The tansu is made of hinoki (Japanese cypress) and sugi (cryptomeria) wood. Hardware is made of iron and includes lock plates and two warabite shaped drawer pulls...

This is a very finely cast Tibetan bronze fragment dating to the 17th century or possibly earlier. It depicts a wrathful deity, possibly Vajrabhairava, complete with finely modeled skull crown/tiara to the wrathful head. Please have a look at the photos and feel free to ask any questions. the piece measures 2.5" in height (6.25cm), not including the custom base. Exceptionally well cast with very fine detail. Not easy to find these days

A striking Peacock feather colored flambe glazed vase by Leading Kyoto Potter Uno Ninmatsu enclosed in a signed wooden box dated the 10th month of Showa 5 (October 1930). It is 28 cm tall and in excellent condition.
Uno Ninmatsu (1864-1937) was born in Kyoto son of potter Wada Sohei and studied under his father as well as from a young age Seifu Yohei II then future Imperial Art Academy artist Seifu Yohei III until setting up his own studio at the age of 21...

Silver square-shaped inrô representing a peony. It is considered as the queen of flowers in Japan. It symbolizes the feminine ideal and the protective force.

Shakudô (alloy of copper and gold, with a lacquered appearance) square-shaped manju netsuke with a golden border. On the front side, a delicately engraved plant, around which a moth flies under the silver moon...

Dark brown natural wood suzuribako (writing set) with polychrome takamaki-e lacquer decoration of toys, with a rabbit on its cushion and a horse head to ride with its cover.

Interior in negoro-nuri lacquer. This is an ancient technique, developed in the Kamakura period (1185-1333) at the Negoro temple in the ancient province of Kii (now Wakayama prefecture). It is characterized by its vermilion color, made from cinnabar and showing natural brush marks...

A rare iron hanging censer in the shape of a Mongolian Saddle Stirrup (Abumi) with silver mesh lid covering half the top. It comes in an age-darkened and worm-eaten kiri-wood box titled simply Tsuri Koro. The receptacle is 13.5 x 7 x 15 cm (5-1/2 x 3 x 6 inches) and is in excellent condition, dating from the Edo period.

A large antique Japanese Kotansu made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. Two sliding doors open to a spacious storage area with two small drawers to the side and two full width drawers below. Unusual size that would make the perfect night stand or side cabinet in any room decor.

Age: Taisho Era (1912-1920)

Dimensions: 35 5/8" Wide by 24 5/8" High by 15 1/2" Deep

A large and profusely engraved blackstone cylinder seal, Western Mesopotamia / Cappadocia, 2000-1600 BC.

Very interesting with a bird-headed deity seated in front of a fierce winged demon standing on the back of an animal; with multiple creatures, insect-like and other animals on the entire surface.

Size: 26 mm. tall and 17 mm. wide so an impressive seal in hand.

Condition: Extremely fine with some mild corrsoion in parts and fine patina with redish deposits...

A Korean, celadon, brush washer of foliate form; Goryeo dynasty. Delicately potted as a flower, with petals rising from the wide base; a nice piece for the scholar's desk. Moulded decoration to the interior. Diameter; 9.2 cm Condition; finely crackled throughout, a small chip to one of the petals. See photo.

A quintessential Iga vase dating from the Edo period, the rough clay covered in thick ash glaze. It is viciously charred, testament to the tempest in the kiln, with molten ash flowing freely over the surface. This is a perfect complement to a Japanese chashitsu tea room or traditional flower display. It is 24.5 cm (9-1/2 inches) tall and in excellent condition. In a Japanese tea ceremony room, historically vases were made to match the ambiance of the humble setting...

An early Edo period Ki-Seto sake cup repurposed with a silver lid pierced with a chrysanthemum to function as an incense burner enclosed in a custom made silk pouch and bamboo case dating the transformation to New Years of Kae-7 (1854). Without the lid it is 5.5 cm (roughly 2 inches) diameter and in excellent condition.

A lovely and unusually large scaraboid seal, Middle-Neo-Assyrian, c. 12th.-9th. century BC.

Winged Deity, probably Ashur tending the Tree of Life, all within an oval frame. Stylized scarab carved in an attractive greenish brown stone.

Size: 32 mm. long and 27 mm...

A rare stacking Bento (picnic) box in the shape of a tea leaf storage jar decorated in a realistic fashion with black, silver and gold maki-e lacquer. It consists of four pieces, stacked they are 28 cm (11 inches) tall, and all are in excellent condition.

This is a fine Japanese vase from the Meiji era with impeccable workmanship. The silver wire work and thick enamel are flawless much like a Namikawa Yasayuki piece. It is also has the weight of a Namikawa piece, but could have been created by Honda or Shibata. The high quality of this vase is more apparent when in hand. It is adorned with 30 butterflies. The vase stands 6 inches tall and is in excellent condition.

A bronze crane in dark almond colored patina of superb craftsmanship dating from the late 19th to early 20th century (Meiji period). It is quite large at 48.5 cm tall (19 inches) and is in excellent condition.

Offered is a lovely and rare Chinese porcelain octagonal saucer, dating to the Kangxi period, circa 1720. It measures about 4 3/8 inches or 11 cm across. While octagonal saucers with this general pattern of panels and blooms are sometimes seen, they are typically in white with the pattern in blue. This appears to be a variant (perhaps for the Islamic market) wherein cobalt blue is the dominant color, reinforced by the comprehensive gilding...