This beautiful processional Satsuma Jar or koro is a treasure from he Meiji era. It is signed by both Sozan and Kinkozan. This stoutly made jar is 4 1/2 inches tall and 5 inches wide. The mixed metal lid is a replacement from the Meiji era, that fits perfect and is possibly more attractive than the original. We also have the original lid. It was broken in half and glued back together. The replacement lid has a gold wash in between the raised flowers. The piece has virtually no wear to the gold...

Bag made of taima or choma (hemp or ramie) whose warp and weft are hand-plied. It has the business mark and the year, Meiji 40 (1908) and the owner's name. Also, it has the place, Kusu-machi in Oita prefecture in Kyushu. In excellent condition. W:33.5cm, L:106cm

Very Rare and with rich provenance Red Raku Cylinder tea bowl named "Slender Horse" made by the first generation of Matsuo Ryu tea ceremony school Matsuo Rakushisai (1677-1752).
Supplied with two boxes signed by the 6th and 8th heads of Matsuo school, Gyosai (1820-1856) and Kyukosai (1872-1918).

The body has impressive curved lines from the mouth to the foot...

A Rare Tour-de-Force Masterpiece Ten-Panel Painting by the Renowned 19th Century Korean Royal Court Artist Yang Ki Hun aka Sukyeon (1843-1898). This is the first Yang Ki Hun screen painting offered for sale outside of Korea in many years, and it is arguably the best of them. We have here the most renowned of the 19th Century Korean royal court painters demonstrating his mastery and artistry in all of the most revered scholar's motifs...

We have been trying since we opened 18 years ago to acquire a Kim Gyu Jin painting, but they are all either stored in museums or firmly entrenched in private collections. His works are in the collections of the world's biggest museums, including the Metropolitan Museum and the British Museum. There is just one other one on the market, as shown in the last photo here...

This is a a japanese antique edo Period Tsutsugaki Children's Silk Kimono of a large herd of frolicking horses. A children's kimono made in the Edo period to celebrate the men's festival of wealthy merchant families. A herd of horses with various patterns is strongly expressed in ink with Tsutsugaki for children's wear, Movement is brisk.There is a light stain, but it is not noticeable. No damage, very good condition. 　Size ::length 79cm (31.1inch) /sleeve to sleeve width 78cm(30.7inch)

This is another rare offering as we have never seen anything like this piece before. The piece has a beautiful mix of butterflies and flowers with a gradation of tones throughout the body. It is not signed and likely could have be made by one of these artists, Hattori, Sosuke, or Kumeno. With the lid on, the jar stands 20 1/2 inches. Condition is very good but there are some slight firing flaws in the enamel, damage to an area near one of the feet and a side blemish to the enamel...

A Chinese bronze tapering lozenge-shaped vase and cover finely cast in relief with two guei dragons above taotieh masks, Qing dynasty, Qianlong, 18th century. Height 28 cms. Weight 1750g.

Tiny repairs of gold glint along the rim of this misshapen wan-gata bowl from the Utsutsukawa tradition of Nagasaki. The bowl comes with a silk pouch enclosed in an old wooden box. There is a kutsuki on one side, where it adhered to something else in the kiln. The bowl is 12 x 10.5 x 6.5 cm (4-3/4 x 4-1/8 x 2-1/2 inches) and is in overall fine condition, dating from the 19th century.
Utsutsukawa-yaki originated in Nagasaki in the late 17th century...

Dark brown wooden netsuke of a rat on a radish, horn eyes, holding a seed between its paws.

In Japan, the term "nezumi" refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of trade and wealth...

Wooden sculpture of a hare with coral eyes. In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare has an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years. Japan – Meiji era (1868-1912) Height: 7.28 in. (18.5 cm) - width: 6.5 in. (16.5 cm) - depth: 13.58 in. (34.5 cm)

A fine example of an early 20th century Chinese enamel cloisonné baluster form vase decorated with intricate foliate and vine patterns in an arabesque style design. The pattern, in shades of blue, is displayed over a pale turquoise ground accented by gold gilt base and neck. In excellent condition, it measures 12.5" high

Japanese dated Edo period rectangular form wood "senryo-bako" hinged coin box on two geta feet with cast iron hardware including edge brackets, hinges, handle, and front lockplate. A barely readable black ink inscription on the bottom dates the box to the first year of the Bunkiu era (1861). Excluding protruding hardware, the wood measures about 15 1/4" long x 5 7/8"deep x 5 1/2" high. Good, solid overall condition with typical wear from age and use...

A long verse is incised into the side of this tea bowl by Otagaki Rengetsu. The poem reads:
Yorozuyo mo 10,000 ages
tae nu nagare to enduring the surge
shimetsu ran so well
sono kame no o no From Turtle Tail Mountain
yama no shitamizu. The water flows
The bowl is 12.2 cm (5 inches) diameter and in perfect condition. It comes wrapped in a silk cloth pouch, enclosed in an old box with original lid inside of which is a long verse...

Very rare lacquered wooden box, inlay of the "hundred precious items" type. The decoration represents sages and animals in a landscape, antiquity and friezes of stylized dragons. The inlays are mainly in mother-of-pearl, but also in stone, steatite and above all a superb lapis lazuli of a rare blue stained with green, details are in sculpted cinnabar lacquer and also inlaid, others are in tinted bone and horn, and finally details are painted with gold powder. Chinese work from the Ming period...

Large monochrome blue mazarin porcelain bowl. 18th century Chinese work. The white hard porcelain is coated with a beautiful deep cobalt blue glaze. It is presented on its wooden base, also Chinese, which is either original or made during the 19th century. The base is left unglazed. No mark. A chip on the edge followed by a crack. (view the photo). The wooden base is to be glued. Diameter: 39.5cm Bowl height: 17cm Total height: 29cm

Late Edo period (19c) Ko Sanda ware Celadon Mizusashi (water container) made in the Chinese Bagua (eight trigrams) Cong style.
Formerly in the collection of Ikeda family.

Sanda ware refers to celadon porcelain produced near Sanda City in Hyogo Prefecture.
The Sanda kiln was opened around the middle of the Edo period and was completed during the Kansei era by Uchida Chube (1789–1840). During the Bunka-Bunsei era ( 1804-1830), Kinkodo Kisuke ( 1765–1837) and other master p...

Porcelain pieces made at the Jingdezhen kiln are famous for their blueish white color, they are also called "影青". This tea bowl has beautiful curving on the surface, they are blueish, and it has silver cover on the edge of rim. YouTube: https://www.youtube.com/watch?v=Q-DA3flydEI Size: 17.8cm(D) 5.5cm(H) Accessary: wooden box Certification: by Noriki Shimazu the famous researcher of Asian antiques in Japan

2 Types of Jian small cup, "烏盞　Wuzhan" and 灰被 Haikatsugi Ashes covered" These types of small Jian cup would be used to examine water at "闘茶 Doucha" tea ceremony. Wuzhan is deep beautiful black. Haikatsugi(called in Japan) was covered by ashes in firing, it's has been loved in Japan particularly. YouTube: https://studio.youtube.com/video/-F2HLl_oRXw/edit YouTube: https://studio.youtube.com/video/-TnSQWn6k8k/edit Size: Wuzhan 9.4cm(D) 4.3cm(H) Haikatsugi 9.4cm(D) 4.0cm(H) Acces...

Large furoshiki made of hand-spun cotton with tsutsugaki design which are auspicious motifs, such as fukura suzume (sparrow), bamboo, pine tree. plum flower and scrolls. Vegetable indigo and natural brown dye. In good condition except for some brown color faded parts and a rip (2cm). The second half of the 19th century. 130cm x 140cm

Antique Japanese small haribako (sewing box). Made with 5 small drawers of various sizes. A hinged lid on top flips up to reveal a tray for storing a pin cushion and sewing supplies. This pulls out to reveal a secret hidden drawer behind it. To the right of this is a flip up holder for the third hand clip. Sakura (Cherry) body and Kuri (Chestnut) wood drawer fronts, Kiri (Paulownia) wood drawer interiors. Bronze hardware with Warabite drawer pulls.

Age: Taisho Period (1912-1926) ...

Persian antique khatamkari marquetry chess/backgammon board. Opens to be used as either chess or backgammon board. Made with inlay of many different woods to create decorative and useful intricate patterns. Khatamkari is an ancient Iranian technique of marquetry inlay.

Age: circa 1920's

Dimensions: Closed: 19 7/8" long x 9 7/8" wide x 3" high. Open: 19 7/8" long x 20" wide x 1 1/2" high

A Very Fine Korean 책가도-冊架圖) 8 Panel Screen-19th C.: Scholar’s accoutrements (Chaekgori), Korea, Joseon dynasty, 19th century. Chaekgeori paintings always included books, bronzed, boxes of various kinds, lacquer, porcelain flower vase and bowls of fruit, writing paraphernalia (rolled scrolls of paper, brushes, ink sticks, and ink stone) and glass fishbowls, among other objects. There is literary evidence for the tradition of Ch’aekgori from the late 18th century. It’s in...

A large and finely patinated bronze opium weight of the 20 Tical, square base, c. 1750-1780.

Sharp 9-ray verification / currency mark. Beautiful green patina and a super attractive specimen!

Weight: c. 310 grams = 20 Tical

Condition: Good very fine!

Provenance: John Abrahamsen Collection, important Danish private collection of c. 250 Opium weights, hand-picked from 1991-2006, by the collector from German British and Danish dealers. Comes with COA and p...

This is japanese antique cotton yuuzen dye child kimono of the edo era(1800-1867). There is a light stain, but no damage. Recommended for antique textie collections. This family crest is famous, and it is used by retainers of the Tokugawa family, and is often used within Himeji Castle. Size:: Length124cm / 48.8inch Cuff to cuff, across the back:108cm / 42.5inch

Ema, a wooden pictorial offering on which writing one's wishes. This one is rare one with miniature iron swords which belong to Fudo Myoo (Cetaka). It has writings, "Fudo Myoo", " Ohshu, Sukagawa Nakamachi". It is the place in Fukushima prefecture in Tohoku district. In good condition. The first half of the 19th century. L:47cm, W:28cm

The Goddess Standing in samabhanga with both arms broken. Wearing vertical striated sampot with central fish-tail shaped flange, held with a belt, a folded rim at the front, bejewelled with a necklace and armlets. Her face with ridged eyebrows, almond-shaped eyes, broad nose, pouting lips, elongated earlobes, fragmentary ear rings, tiara carved with floral motifs in front of a conical-shaped headdress 89 cm high, mounted #khmer #khmersculpture #khmerskulpture #khmerantique #高棉语 #高棉�...

This is a Japanese antique indigo dye cotton sakiori big thick apron textile.There is a very slight stain, but there is no damage.The indigo dyed sakiro is very beautiful. Size:length:60cm(23.6inch)Width：90㎝(35.4inch)

A lovely set of cylinder and stamp seal, mounted as a gold / gilt pendant - ex Oberländer collection, Uruk-Jemdet Nasr, 4th.-3rd. millenium BC.

The set includes a high quality Mesopotamian Jemdet Nasr period (3300-2900 BC) brown stone cylinder seal. The seal is finely engraved the 'eye' or circle/rhomboid form - a characteristic and significant design for the Period. In the pendant is also a beautiful blackstone seal with delicate handle and engraved with an interesting Cruci-form,...

Cigarette holder that can be used as a card holder in steel inlaid with gold and silver. The technique used is that of damascene (nunome zogan) in the style of Komeï. Japanese work around 1900. On the front are represented in gold a temple and a pagoda dominating a lake landscape; on the back is Mount Fuji dominating a lake. In the foreground an amusing retail fishing boat, indeed a tiny bird is perched at the top of the mast, probably a cormorant which would confirm the function of the boat. E...

Lot of 7 medallions in gilded copper, cut, cloisonné and enamelled with Chinese characters and lotus flowers on a background cutted of Swastika. It seems that the pattern is related to wishes for great longevity. Very rare if not unique set. What was it used for? It would seem that the lightness of the medallions as well as their beautiful quality make them suitable for wearing as jewelry, sewn on a belt, a piece of clothing or a hat trick? Diameter of the 3 large medallions 80mm and 55mm fo...

An antique 11th century Mon Buddha, mounted to a custom made wooden base.

The figure is is stood samabhanga and is remarkable for its realistic yet delicate delineation of the limbs and the robe which seems to cling to the body.

The garment (sanghati) covers both shoulders. The right hand is held out in the vitarka mudra of teaching. The lowered left hand grants boons in the varada mudra.

A very naturalistic succession of wavy folds on the surface of his body ...

Magnificent Bluish-gray Korai Kasugai Chawan fixed with staple-like metals made in the late Joseon Dynasty (19c).

Korai tea bowls were imported to Japan since Momoyama period where they were highly treated by daimyo and tea masters.

Ceramic stapling is an ancient tenchnique that was used to repair broken pottery.
The process include drilling tiny holes for the nails, putting the nails in and polishing which requires precision, patience and solid skills.

Siz...

An antique 18th century Chinese Bronze Buddha seated in the varda or granting of Boons mudra. 

This lovely Buddha is seated in the lotus or Padmasana position, with each foot placed on the opposite thigh. His robes cascade fluidly from his left shoulder.  His robe is draped to leave the right shoulder bare, and a portion of the garment that covers the left wrist falls behind the figure.

The lower hem of the robe comes all the way down so that the undercloth or skirt...

Chinese Longquan Celadon washer bowl. Song dynasty. 12,5 cm dimaeter. 4 cm high. Good conditions.

Small cloisonné enamel vase, dragon and phoenix decor. Silver wires. Golden border. Japan Meiji period. H; 105mm. Good condition, slightly worn gilding. Artist's signature incised below.

16-17cc Korean Korai Komogai tea bowl which was imported to Japan during Edo Period.
It is very rare to see such bowls on the market.

Komogai is a type of Korai tea bowl. It has a unique appearance with a rounded waist and eversion of the rim of the mouth. The name Komogai was originally the name of a place in Gyeongsangnam-do in the southeastern part of the Korean Peninsula, but the reason why it became the name of the tea bowls is not clear. Such bowls are highly prized by Jap...

Small tripod miniature incense burner of simple form in cast bronze. The two handles are unusually very thin. Below we can see the 6 characters of the reign of Xuande of the Ming Dynasty. The bronze is old, the beautiful patina attests to it. However, it is difficult to date it exactly. Usually the bronzes bearing the mark of Xuande are from the 17th century. A wooden base and lid were added later, probably in the 19th century. The cover does not fit perfectly because it was made on the turn whe...

A rare dated Chinese bronze tripod ding, well and deeply cast with six flanges divided by archaic designs below two loop handles. Inscribed on the rim Chongzheng 3rd Year (1630), and with two further inscrpitions. 22 cms high. Weight 3.1kg. Late Ming dynasty. Private UK Collection.

Early 17th century (Edo Period 1603-1868) distorted shoe shaped (tsutsugata) white Shino Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in the lower part of the body and around the foot ring.

This bowl was covered with a white Shino type of ash glaze. Under the transparent glaze two young pine tries were painted in iron oxide.

The young pine tree decoration is a popular attribute of New Y...

Edo period (1603-1868) White Glaze Kyo Ware Tea Bowl for tea ceremony

This is rare Kyomizu work from the late Edo period. A white glaze tea bowl inspired by the white Nanjing ceramics of the Qing dynasty in China.

It is a tea bowl with a unique taste which combines the hard body fired at a high temperature and the beautiful white glaze.
Size
Height 7.6cm
Diameter 10.5cm 　

Condition
Good without any damage.
Supplied with the old ...

A small Tibetan gilt bronze figure of Tsongkhapa seated in the lotus position, the hands in dharmachakramudra, on double lotus base. Qing dynasty, 18th century. 9 cms.

A Chinese gilt bronze and cloisonne enamel censer and cover modelled as a standing Buddhistic lion with detachable head, Qianlong period, 18th century, 12 cms. Good condition. Provenance: A private collection, Cornwall, UK.

Wonderful Late Edo period (19cc) Shino ware Chawan for tea ceremony

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel .
Overall, it is a lovely example of an old, professionally crafted Shino ware tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 9 cm
Width 13 cm

Remarkable Wabi-Sabi Shino Chawan made by Seto master Kato Shuntai (1802-1877)
The potter name "Shuntai" is carved on the bottom.

Kato Shuntai is a notable potter from Seto area, Aichi prefecture who lived in the late Edo period. He followed his father profession as a ceramist at the age of 15 and soon he received a name Shuntai from Tokugawa, the 11th Daimyo of modern Nagoya. Kato Shuntai expanded Seto ware techniques adding Shino, Oribe and Mugiwara styles to his works.

17-18cc Yi Dynasty White Porcelain Korai Katate Flat Tea Bowl
There are seven kiln spurs left to the interior.

Size
Width 16.8cm x 15.8cm
Height 6.7cm
Weight 541g

Condition
There is a chip on the side, gaps in the glaze and kiln scratches.
Supplied with the custom-made box matching the shape of the tea bowl, which says 'Yi Dynasty White Porcelain Tea Bowl'' on the top.

A beautifully hand-crafted Shino ware chawan with crackled glaze by Kato Gorohachi (?-1900). The potter signature is carved on the bottom. Probably inspired by early Korean Ido examples, the bowl perfectly lies in hands giving strong Wabi feel.
There is not much information available about this Meiji potter even in Japan and his birth year is unknown.
He worked in the Hinno kiln of Aichi Prefecture in late 19 century.

Shino ware pottery is produced in today's Gifu prefec...

15-16cc Korean antique Goryeo celadon bowl which was imported to Japan during Edo period and used for tea ceremony

Size
Diameter 17.6cm
Weight 355g

Condition
Excellent
No chips. No cracks.

This is an antique earthenware terracotta bowl from the Islamic Medieval era 11th - 13th century AD (391 AH – 700 AH) that originated from the Khwarezmian Empire of Central Asia, specifically from Bamiyan. The bowl has a flaring body that rises from a short foot. The surface of the walls is cream-colored with an incised zigzag motif that is divided by vertical green lines radiating from the center. The interior has a central medallion with a stylized motif of bird heads that is also incised (k...

A Very Fine/Rare Korean One Hundred Boys ( 百童子圖) 8 Panel Screen/Mineral Pigments/Water color-19th C.: $8,000. Korea, Joseon dynasty, 19th century. It’s painted in mineral pigments and water color on paper, boys playing are variety different scenes shown from each panel, and you can name on it. It’s in fine condition but a right middle of the first panel has a spot repaired, otherwise, it is good condition, it measures 33.5cm x 90cm h. (13.25” x 35.5) only painting each. ...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. The piece shown here displays an austere black glaze providing the perfect backdrop for the extensive and expertly applied gold repairs— making this antique tea bowl quite attractive, a pleasure to use...

A Chinese, black glazed, tea bowl from Fujian province; Southern Song dynasty. This small tea bowl is covered by a black, lustrous, glaze to the interior and the exterior, where it terminates well above the foot. The glaze thins to a dark brown at the rim. This bowl was produced at a kiln associated with the Jian kiln; Fujian province. Diameter, 9.5 cm   Provenance: from the deceased estate of a North Yorkshire collector; acquired in China in the first half of the C20th.   Condit...

A sancai-glazed water pot; Tang dynasty. The fine water pot, made for the scholar's desk, of compressed globular form with an incised line around the rim, decorated with green and ochre splashes around the shoulders. With a wooden box, and from an old Japanese collection. Diameter, approximately 10 cm. Condition: good, with wear commensurate with age.

A Chinese, Yaozhou, bowl of conical form; C10-12th. Lightly potted and of refined aesthetic, the deep flaring sides rising from a short spreading foot, covered overall with an olive-green glaze. Diameter, 12.9 cm.   Condition: good. Free from cracks, chips or repair. Light surface wear; consistent with age. There is some mottling to the appearance of the glaze; see photos.

Antique Japanese small cha tansu (tea chest). Made with chestnut wood frame and burled hardwood drawer fronts. Two slider panels and a drop in panel are covered with gold-leafed silk on wood. The center of the chest has a small display area with a staggered shelf and two small drawers. The lower portion of the chest has three small drawers and a full-width drawer on the bottom.

Age: Taisho Period (1912-1926)

Dimensions: 25 7/8" high x 23 1/4" wide x 10" deep

A Chinese Gu vase with crackled celadon glaze; presumably from the end of the Qing dynasty. Height, 19.5 cm Condition; good. Some glaze skips and pin holes. A small piece of glaze missing from the rim; please ask for more photos.

A shop sign carved from a block of knotted wood in the shape of a tea leaf jar engraved on both sides with the character Cha (Tea) originally gilded which still reflects light from the correct angle. A large knot making up one shoulder has split apart in the center, while the outside edge remains intact. A perfect example of the Japanese aesthetic of wabisabi. It is 32 x 3 x 32.5 cm (roughly 13 x 1 x 13 inches). The sign has been restored at some time in the past, the green and black pigment...

A Korean celadon stand of a barbed form, late Goryeo dynasty. The exterior with floral sanggam design, and upper surface with moulded decoration. The foot with attached kiln sand. Dimensions: diameter 11.25 cm. Condition: with some age related wear, and a glaze crack to the rim which may extend to the other side; as a hairline. Additional photos are available upon request.

A Chinese, qingbai glazed, bowl with incised decoration of boys amongst floral scrolls; Southern Song dynasty. The glaze is an attractive pale bluish-green colour. Diameter, 20 cm. Provenance: From the Hurdle collection of early Chinese ceramics. Condition: A couple of short tight hairlines eminating from the rim. Some age related wear.

This is a bronze Scythian brooch from an ancient Eurasian Steppe culture dating back to the 6th-4th Century B.C. The brooch is shaped like a recumbent deer, with a slender body and pronounced musculature. The legs are folded beneath the body, and the head is large, with round eyes, facial features, and stylized antlers. The reverse side has its original clasp for attachment.

REFERENCES:

1) "The Golden Deer of Eurasia Scythian and Sarmatian Treasures from the Russian Steppes." Publis...