A Korean, melon-shaped, celadon glazed, lidded ewer from the Goryeo dynasty; C12-13th. Many celadon ewers produced during the Goryeo dynasty mirror the shape of calabash gourds or melons, such as this graceful ewer for wine...

A large Japanese Cloisonne enamel vase from the 19th Century from Meiji Period (1868-1912).

Japanese antique silk fukusa tsuzure nishijin textile.This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa with a design of a parent and child crane. Also recommended for antique collections. There are some stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 72m (28.3 inches) / 64cm (25.1 inches)

This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa designed by Fukurokuju (one of the Seven Gods of Fortune). Fukurokuju is said to govern happiness, status, wealth (being blessed with money), and longevity. This is a fukusa that can be easily displayed on the wall. Also recommended for antique collections. There are some slight stains. However, it is not noticeable. There is no major damage and it is in very good condition...

This is Patchwork silk yosegire child kimono textile in Edo period(1800-1867).This yosegire kimono is a patchwork of natural safflower dyed shibori, shikon dyed katazome, and indigo dyed kaiki-silk.All are originals from the Edo period. The lining is red silk, and the stains on the outer material are due to the red silk. There are slight stains and damage. Recommended for collection. Size: Length 110cm (43.3") / Sleeve to Sleeve: 104cm (40.9")

Rare bronze mythical turtle koro or incense burner from the early Meiji Period Ca. 1880. In the form of one of Japan's most famous legends is this mythological giant turtle known as the 'Minogame' or straw raincoat turtle due to the tail resembling a farmers straw coat. The Minogame is regarded as a very auspicious creature in Japan representing long life and good fortune. Sitting on its back is a nest of bronze waves holding a Hoju sacred gem koro or incense burner...

The horizontal inscription reads: “Illuminate the Osiris of the priest of the goddess Smentet, PA-DI-USIR”. He was a priest of the goddess Smentet and priest of the sanctuary of Ptah-Un! His moters name is given as Irbinat.

This ushabti figurine is depicted as a worker holding two hoes for work in the fields of Osiris in the afterlife. He is wearing a tripartite wig which falls down between the shoulders. He has an Osiris-type beard which ends in a tight forward curl...

Shabti for Mehy - Kha 2

Origin: Egypt

Period: New Kingdom, late 18th-early 19th Dynasty Date: c. 1300 B.C.

Material: White glazed Fayence

Dimension: 11,3 cm...

Agata cup of a beautiful yellow and amber color. Decorated in hight relief of Chilong, Lingzhi and Fenghuang (dragon, mushrooms and Phoenix) with highly symbolic value, in fact the male principle chilong and the female fenghuang should signify a marriage, the presence of immortal Lingzhi making the union eternal. The artist used a part of the stone which is different, naturally spotted and cracked to cut the Chilong which is thus subtly spotted like a leopard...

Tall Chinese Ming Dynasty Glazed Pottery Figure

This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck...

A boxwood netsuke depicting a snake coiled around a turtle, with eyes made of horn. Origin: Japan Period: Edo 19th century. Dimensions: 3.7 x 5.5 x 4.8 cm. State of conservation: Very good

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes. Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions. Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art. Origin: Japan Period: Meiji end of 19th century. Dim...

A Chinese famille verte saucer-dish painted with a leaping iron-red horse beside willow and peony within a diaper border, Kangxi period, c. 1700-1720. 22cms diam. Good condition.

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...

Bichrome faience amulet of Udjat/Wedjat - eye of RA and Horus, Late Period, c. 712-332 BC.

Massive piece around a 1 cm. thick. with a fine relief.

Size: 25 mm. long and c. 10 mm. thick.

Condition Extremely fine.

Provenance: P. Treffz-Eichhöfer, Stuttgart collection, comes with a certificate from the nice gallery Artemission in london, june 2006.

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

An attractive and scarcely seen cosmetic vessel, Egyptian, Middle-New Kingdom, early-mid 2nd. millenium BC.

The fine jar, ovoid in form with a pointed base and a collar at the mouth.

Size: c. 60 mm. tall.

Condition: Nice Very fine, small chips to the rim and minor wear, othervise intact.

Provenance: Peter Treffz-Eichoefer Collection