Round Dish; Iron, Black, Bamboo Ash Glazes; by Sachiko Furuya; Honolulu, HI. H. 1.875"(5cm) x Dia. 11.375"(29cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

Rectangular Sushi Plate, Shino Glaze with Iron Brushwork Decoration. John Miller; Portland, OR. H. 0.75"(2cm) x W. 6.125"(15.5cm) x L. 11.5"(28.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Air bubbles appear trapped in the glaze like a thin slab of ice. This is a fantastic Chozara by Inoue Yoshihisa enclosed in the original signed wooden box. It measures 30-1/2 x 9 x 1 inches (77 x 23 x 2.5 cm) and is in perfect condition. Due to size the cost of shipping will be accrued separately for this item.
Yoshihisa (b. 1947) studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns...

A massive Oribe Slab by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Cho-ho-Zara. It is 25-1/2 x 13 x 4-1/2 inches (65 x 35 x 11.5 cm) and in excellent condition. Due to size the cost of shipping will be accrued separately for this item.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception...

The surface of this rough slab is like an eroded plain with rivulets of glass running to a clouded pool in the center, signed along the edge and enclosed in the original signed wooden box by Sugimoto Sadamitsu. It is roughly 20-1/2 x 8-1/2 x 3 inches (52 x 21.5 x 8 cm) and in perfect condition.
Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...

Dinner-size or Serving Plates, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln. Kaki Glaze with wax-resist are displaying red overglaze enamel decoration of bamboo grass. H. 1.125"(3cm) x Dia. 9.5"(24cm). Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Square Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Ji-gusuri Tetsu-yu Kakubachi (gray glaze, iron glaze, square dish/plate,) with pattern of yuki mochi sasa (snow on bamboo grass leaves.) H. 1.25"(3cm) x 6.5"(16.5cm square.)Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Kuro (Black) Sabi-Nagashi (dripped glaze) Kaku Bachi (Square Plate,) Mashiko-yaki, by Tagami Isamu. Mashiko-guro) (Mashiko Black) glaze with Kaki (persimmon) glaze cross pattern. H. 1.25"(3cm) x 6.5" (16.5cm) square. Small "kamakizu" (kiln scar) on side (see enlargement #4).Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embark...

Small Dishes, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with red/green-overglaze enamel lines & dots on whote border. H. .75"(2cm) x Dia. 4.5"(11.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to A...

Small Dishes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln. Kaki (persimmon) glaze with white border. H. 1"(2.5cm) x Dia. 4.375"(11cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to major in modern art...

Small Dishes, Mashiko-yaki, by Tagami Isamu. Kaki (persimmon) glaze with nuki-e (wax resist) design of "marumon" (crest of 3 circles.) This pattern was used by Hamada Shoji and is still used by the Hinata Kiln. H. 0.875"(2.25cm) x 4.625"(11cm) square. Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in p...

Small Dish, Kaki (persimmon) glaze with Aka-e (red overglaze enamel) by Tagami Munetoshi, of Hinata Kiln, Mashiko. H.1"(2.5cm) x Dia.4.25"(10.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to major in ...

Small Dishes with kaki (persimmon) and gosu (blue) glazes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. H.1.125"(3cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went t...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation he...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation h...

Triangle-shaped Dishes (2) with blue cross-hatch design, Mukozuke or dessert/salad dishes, by Hanako Nakazato; Union, Maine and Karatsu, Japan. These dishes are appropriate for most any savory or sweet food and are an excellent size for use as a mukozuke dish used in Japanese cuisine. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Livi...

Wonderful and intricate ash glazed plate by Ningen Kokuho (Juyo Mukei Bunkazai) Shimaoka Tatsuzo. This large plate, hachi, is absolutely genuine and has all of the characteristics of Shimaoka, from clay, glaze and foot (kodai). This plate measures 12.25” X 2.25. The intricate design is first hand carved and then inlaid with white slip, which is later scrapped off to reveal the pattern. Once glazed, the hachi had Shimaoka's trademark iron brushwork applied to complete the design. Shimaoka's imp...

A deep Choho-zara rectangular dish decorated with morning glories in dark rust and red over yellow with a black rim, a striking combination by Kyoto female artist Takagi Hoko enclosed in the original signed wooden box. Created from a heavy slab, the sides were raised and carved with wave patterns covered in white with a raw base chiseled out in long horizontal strokes. On the base is a worn piece of paper which gives the artists address and names the work, leading one to believe this was exhib...