Mottled blue in thick textured drips run down the sides over ashen glaze on this 4 eared Tsubo by Sakuchi Ensen enclosed in the original signed wooden box. The thickness of the drips adds a tactile sense to this piece, compelling the hands to reach out and touch. It is 11-1/2 inches (29.5 cm) tall 9 inches (23 cm) diameter and in fine condition. The box lid is stained.
Sakuchi Ensen (B...

A very rare boxed set of 3 cups by potters of several ancient kiln areas: Bizen by Kakurezaki Ryuichi, Hagi by Miwa Kazuhiko and Ki-Seto by Suzuki Goro. What great fun to break out this set on a night with friends, sharing tastes of various sake from the hands of some of Japans top potters in various traditions. Something not simply to be seen or collected, but used and experienced. It comes enclosed in the original wooden box signed by the artists...

Guinomi, Sake Cup, Nuka Glaze. John Miller; Portland, OR. H. 1.5" (3.75cm) x DIa. 2.375" (6cm.) Vol. 1.3 o (40cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

A large Egg shaped Zogan vase by Kobayashi Seiji enclosed in the original signed wooden box. Enigmatic lines score the oblong body, the map-like surface filled with blue, green and silver. Seiji is best known for this Zogan technique, and this work is a superb example. It measures 11-1/2 inches (29 cm) long, 7 inches (18.5 cm) tall and is in perfect condition. Seiji (b. 1945) studied initially at the Nagoya Research Facility. He moved to Kasama in 1979...

Tea Cup, Yunomi. Salt Glazed. John Miller; Portland, OR. H. 2.875"(7.5cm) x Dia. 2.875"(7.5cm.) Vol. 6oz (180cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Guinomi, Sake Cup, by Munetoshi Tagami of Mashiko, Tochigi Prefecture. Kaki-yu Aka-e ("persimmon" glaze with red overglaze enamel.) H.1.875"(4.75cm) x Dia.3"(7.75") Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Bamboo node shape with kaki ("persimmon") & white glazes. H.2.75"(7cm) x Dia.3.875"(9.75cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Glaze clings to the raw clay like the last remnants of winter snow hidden in the shadows on this Spartan bowl by world renowned artist Mihara Ken enclosed in the original signed wooden box,and dates to (2014). understatedly titled simply Wan...

Guinomi (Sake Cup), Mashiko-yaki, by Tagami Munetoshi. Yubi-kaki (finger wipe) technique on Mashikoguro (Mashiko Black) glaze. White Nuka (Rice Husk Ash) Glaze interior. H. 2"(5cm) x Dia. 3.125"(8cm.) Volume=3oz(90cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his gran...

Tea cup by Kimura Seiketsu of Mashiko, with three elements of circle, triangle, square. Kimura, born in 1953, has been operating an independent kiln in Mashiko since 1983. The town of Mashiko, in Tochigi Prefecture, is one of the world's largest pottery communities. Starting as a production center for utilitarian pottery in 1858, Mashiko today is a mecca for the ceramic artist-craftsperson largely due to the town's exposure by the late Hamada Shoji and other members of the Mingei (Folk Craft) Mo...

Mizusashi; Fresh Water Container, used for tea ceremony. Suitable as a covered container for any use. Hand thrown of naturally sourced materials and wood-fired resulting in natural ash glaze. H.5(12.75cm) x Dia.7.5"(19cm). Mouth opening 4.625"(11.75cm.) Volume=2,000cc(67.68oz/8.46cups.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pott...

A Heavy Slab-formed open rectangle of buff stoneware decorated with blanks of color “peeling” from the sides by Okada Kenzo enclosed in the original signed wooden box titled Kaku Tsubo. It measures 16 inches (40 cm) tall, 4-1/2 x 20 inches (12 x 51 cm) and weighs 16.5 kilograms (36 lbs) not including the box. It is in excellent condition. Due to size and weight the cost of shipping will be accrued separately. Okada Kenzo (b. 1948) is based physically in Mashiko but his work is based v...

Yunomi, Tea Cup, Mashiko-yaki (Mashiko ware) by Ootsuka Keiichi. H.3.375" (8.5cm) x Dia.3" (7.5cm.) Volume = 7oz (210ml.) Light brown glaze with iron brush work of grasses. There are many potters named Ootsuka in the Mashiko area, and it was Ootsuka Keizaburo who established the first Mashiko pottery in the 1850's. Ootsuka Keiichi was born in Showa 23 (1948) and at the age of 18 went to apprentice at the kiln of Sakuma Totaro, whose family kiln gave Hamada Shoji the opportunity to establish h...

An unusual vase with rough, pebble textured pink glaze over scratched in cranes by one of Japans most important post-war artists, Shinkai Kanzan, enclosed in the original signed wooden box. The shape and the design are exactly what we would expect from Kanzan, the coloring going even a step beyond. The texture is like unpolished jewels, the inside of a geode; very pleasing to the hands. The vase is 20.5 cm (8 inches) tall, 18 cm (7inches) diameter and in prefect condition.
Shinkai Kanz...

An unusal form by Ito Motohiko of rectangular shape with undulating wave top like the gold clouds on a traditional screen,, emblazoned with young pine branches by Ito Motohiko enclosed in the original signed wooden box titled Nunome Wakamatsu Mon Kabin (Cloth Textured Pine Motif Vase).  This is just in time for New Years displays.  Pine is one of the traditional motifs displayed at New Years as it is ever-green, and represents consistency and strength through the cold winter months.  The sapl...

Guinomi, Sake Cup, Temmoku & Nuka Glazes. John Miller; Portland, OR. H. 15" (3.75cm) x Dia. 2.125" (5.5cm.) Vol. 1.3oz (40cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had th...

Set of 5 small stoneware cups with Shino glaze, size appropriate for either high-grade tea or sake, average volume 2 oz (60cc.) Hand thrown so slight variance in sizes. H.1.875-2.125"(4.5-5.25cm) x Dia.2.375-2.625"(6-6.75cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who compl...

White Celadon Jar Number Two by Kim Young Mi. This beautiful and unusual shade of celadon is achieved by the artist's skillful manipulation of the glaze. 7.5h x 7w inches, 19h x 18w cm.