Wood-fired Tea Cup, Shino & Ash glaze, by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.3.375"(8.5cm.)

Jovian Storms neriage teacup, yunomi (unomi) of contrasting white, grey, charcol elements

Porcelain and glaze

4.25" X 4.25"

Functional, decorative and food safe

Set of 4 stoneware, saggar-fired cups by George Gledhill; Payette, ID. Flashing marks of grasses similar to Bizen hidasuki technique. Suitable size as sakazuki (sake cup) or gong fu tea cup for fine Chinese or Taiwanese tea. Average volume 1 oz (30cc.) Hand thrown so slight size variance. H.1.00-1.375"(2.5-3.5cm) x Dia.2.25-2.5"(5.75-6.25cm.) There have been several influences to George Gledhill’s ceramic work...

Guinomi, Sake Cup, Gray Glaze with Hakeme-brushed Interior. Bamboo node-shaped foot (take kodai.) John Miller; Portland, OR. H. 2.0" (5cm) x Dia. 3.0" (7.75cm.) Vol. 4oz (120cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze as small bowl. It is also suitable for western cuis...

A set of five E-Karatsu Mukozuke by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Radically brushed birds rise up into the sky, framed by a vertical bars of iron; inside soft earthen white. Each is roughly 3 inches (8 cm) diameter, 2-1/2 inches (6.5 cm) tall and in excellent condition, bearing the Tarouemon three star mark on the base.
Nakazato Shigetoshi was born in 1930 the third son of Living National Treasure Tarouemon XII (Muan) of Karatsu fame...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino glaze. H.3.5"(9cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze on Porcelain Clay, Notched Foot. H. 2.625"(6.5cm) x Dia. 3.125"(8cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

2 "Soroban-dama" (abacus bead) shaped Tea Cups by Munetoshi Tagami of Hinata Kiln, Mashiko. Kaki and Namijiro (white) glazes with red & green overglaze enamels. Namijiro interior. H.2.375"(6cm) x Dia.3.625"(9.25cm.) Volume=7oz(210cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Wood-fired Guinomi, Sake Cup, by John Benn; Harstine Island, WA. Temmoku & Nuka Glazes. H. 2.375"(6cm) x Dia. 2.75"(7cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.375"(6cm) x Dia. 3.125"(8cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the w...

Set of 4 porcelain, saggar-fired, cups by George Gledhill; Payette, ID. Grass flashings on cups similar to Bizen Hidasuki technique. Size appropriate as sakazuki sake cups or gong fu tea cups for Chinese or Taiwanese oolong or green tea. Average volume 1oz (30cc.) Hand thrown so slight size variance: H.1.25-1.375"(3.25-3.5cm) x Dia.2.25-2.375"(5.75-6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George ev...

Classic and Momoyama inspired chaire in Oni-Shino style with a wide array of textures, varied coloration and a simple reed/pampas grass decoration carved through an iron-rich slip under a thick feldspathic glaze. The use of varying thicknesses of the Shino glaze not only accentuates the form but creates a moody and atmospheric appearance like mist clinging to a lakes edge. The lid is of excellent quality and was made to fit this chaire acting as a fitting accompaniment to the noble pot.

Mi...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. ...

Timeless Ko-Iga style Shingama chawan by veteran potter, Kojima Kenji made back in the 1990s. This bowl has good size, posture and feel, being rather purposeful and practical in form which has a visual rhythm contained within the mouth and transition area to the foot with nice, crisp throwing marks adding to the movement of the bowl. This chawan is finished with a classic foot as seen on many of Kojima's teabowls and has three distinct areas where the piece was placed on wads during the arduous ...

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s a...

Clusters cling to the bottom of this heavily encrusted small bottle scorched black and off kilter which must have become lost in the embers by Osako Mikio enclosed in the original signed wooden box titled Ko-tsubo. It is roughly 8 cm (3-1\4 inches) diameter, 9.5 cm (4 inches) tall and in excellent condition.
Osako Mikio (1940-1995), born in Usa Oita prefecture on the Island of Kyushu, arrived at ceramics late in life, starting to study with Ezaki Issei at the Tokonmane ceramic Research Ce...

Evocative blue decorated henko bottle vase with fluid brush decoration and sgrafitto decoration prominently signed; SEIRAN. The cobalt decoration sits on an almost ash style glaze with spots of blushed areas, similar to Hagi pottery. I have not been able to find out anything about the potter, but the brushwork and use of space suggests a full time potter, used to working in this particular style.

This henko is in perfect condition with its original signed box and measures 8" X 8.5" x 6".