Fabulous hefty bulls get the golden touch in 14K yellow gold. Handcrafted and highly detailed, these toggle back cufflinks weigh almost an ounce, circa 1940, marked 14k PAT. Weight: 29.2g; Size: 1"x 1/4"; Condition is excellent.

A handsome pair of cufflinks and three matching shirt studs in 18K yellow gold set with blue sapphires. The faces are fashioned as knots, the individual gold “threads” textured in a rope-twist motif for added interest. Each knot is centered with a brilliant round-cut blue sapphire. The sapphires have nice color saturation, and the gold is quite heavy. Each cufflink is marked “18K”...

A classic pair of Edwardian almandite garnet cufflinks, the oval gemstones set simply in 18K yellow gold collet settings. The faces are attached by chains to torpedo backs. The garnets are of nice quality, having a slightly more orange coloring than is typical of almandite--nearly in the color range for spessartite garnet. Tested and guaranteed 18K.

Ca. 1910. Condition: excellent, all original. Size: 5/8" x 5/16". Weight: 6.6 grams. Approximate Total Gemstone Weight: 5.78 carats.

This handsome pair of vintage crocodile cuff links will add a touch of class to any sleeve, featuring gold tone rectangular shaped toggle backs with crocodile centers, circa 1940, hallmarked ANSON, Pat Pend. Size: 7/8" x 1/4"; Condition is excellent.

A classic pair of 18K yellow gold stirrups in the “stirrup” style popularized by Cartier. The surfaces are decorated with engraved parallel lines. This type of decoration, combined with the unusually angular shape, gives this pair of cufflinks a very modernist feel. The cufflinks are fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1970. Condition: excellent. Size: 3/4" deep; 1/4" wide. Weight: 8.3 gr.

An unusual pair of Art Deco cufflinks, the faces featuring cabochon cut aventurine glass (goldstone) set in 18K yellow gold bezels. The faces are connected by gold chains to torpedo backs, also worked in aventurine glass. Aventurine glass was invented in Venice in the 1600s, and enjoyed a resurgence of popularity in the 1920s. The mountings are stamped with French 18K gold marks and an unidentified maker's mark.

Origin: Europe, ca. 1930. Condition: excellent; all original...

A handsome pair of 14K yellow gold cufflinks, the round faces with engine-turned engraving in a swag pattern around cornflower-blue sapphires. The gold has a very nice dark, rich patina. The connectors are marked by Wordley, Allsopp & Bliss and are stamped for 14K.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 5/8” diameter. Weight: 12.3 grams. Approximate Total Gemstone Weight: .34 ct.

A wonderful pair of Art Deco 18K yellow gold cufflinks by Ravinet d Enfert, probably retailed by Hermès. Each of the faces is crafted as a different suite in a deck of cards and is finished with red or black opaque enamel. The faces are connected with chains. Each cufflink is marked for 18K and with the maker’s mark for Ravinet d’Enfert...

This is a distinctive pair of vintage 14K yellow gold semi-square shaped cufflinks having an overall lattice design, with mesh pattern on an arched connector, movable toggle back, marked 14CT, C.1950. Weight: 5.3g; Size: 3/4" x 5/8"; Condition is excellent.

A very good pair of doubled-sided 18K yellow gold cufflinks, the faces made from carved mother-of-pearl punctuated with gold “stitches” and finely-worked laurel wreath borders. The backs of the faces are beautifully decorated in an engraved foliate pattern. The faces are connected by chains. Fully marked with French “tete d’aigle” hallmarks for 18K.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.3 grams.

Fishing for a gift? This vintage pair of gold tone open mouth bass-form cufflinks is perfect for your fisherman. Mid century American, unmarked. Size: 3/4 in. long. Minor wear.

A handsome pair of early Art Deco double-faced cufflinks in 14K yellow gold enhanced with black champleve enamel. The faces are decorated with engine-turned engraving in a striped pattern surrounded by enameled borders. The faces are attached with bar connectors, stamped with 14K hallmarks for an unidentified maker.

• Origin: America, ca. 1920
• Condition: excellent, no enamel damage or monograms
• Dimensions: faces, 9/16" diameter
• Weight: 8.0 grams

This pair of 14kt gold, oval, two-sided cuff links is a very fine example of early 20th-century American jewelry-making. They are mounted with discs of mother-of-pearl, and each side is set with a tiny seed pearl. The edges are intricately engraved with geometric designs; the cuff links show hardly any signs of wear. The secure connecting figure-eight bars bear the maker’s mark of Larter & Sons, of Newark, NJ. They measure 5/8 inch long by a little over 3/8 inch wide.

Oval, with rolled edges, engraved and etched with a scrolled, leafy motif. The buttons are connected by sturdy bridge chains. The cuff links were made by J. & R. Griffin Ltd., of Birmingham, bearing Chester hallmarks for 9kt gold and the year 1925. They measure about 3/4 inch long by 1/2 inch wide. Weight: 3.8 grams total

A nice pair of oval-faced cufflinks worked in platinum over 18K gold, each face set with a 4-pt single-cut diamond and a 4-pt square step cut blue sapphire. The stones are set on the bias and are highlighted with raised platinum bars that are slightly polished to contrast with the matte finish of the surround platinum background. The faces are connected by chains to gold torpedo backs. Tested and guaranteed platinum and 18K.

Origin: probably continental Europe, ca. 1920...

An intriguing pair of 18K yellow gold cufflinks, the faces set with triangular cabochons of labradorite. In bright lighting conditions, the stones exhibit the unusual play of bluish-greenish color desired in labradorite. The color seems to emanate from within the stones and float on the surface over the gray and cream body color. Each of the cufflinks is stamped with French 18K marks and an unidentified goldsmith's mark (S.Cie. with an anvil).

Origin: France, ca. 1950. Condition: excellent...

A handsome pair of 18K yellow gold cufflinks featuring collet-set rectangular garnet plaques in a deep wine red shade. The faces are connected by chains to classic baton backs. The cufflinks are stamped with French 18K gold marks and an illegible master goldsmith's mark.

• Origin: France, ca. 1940.
• Dimensions: faces, 9/16" x 11/16" (14x18mm).
• Condition: excellent.
• Weight: 13.2 grams.

A handsome pair of 18K yellow gold cufflinks in a modified oval stirrup (“etrier”) style. Stirrup cufflinks, originally popularized by Cartier in the Art Deco era, are typically triangular in shape. The oval version, with its concealed hinge and clasp mechanisms, creates a seamless band of gold around the cuff for a very striking look. The surfaces are accented in a severely geometric ridged pattern...

A heavy and attractive pair of 14K yellow gold Art Deco cufflinks in the flip-up style. The round faces are decorated with engraved lines in a herringbone pattern. After being inserted in the button hole, the ends are flipped up to secure the cuff. This style is rather uncommon in cufflinks from North America, being much more prevalent in French cufflinks from the period. The connectors are signed by Birks and are marked “14Kt”.

Origin: Canada, ca. 1925. Condition: excellent...

A very rare pair of Victorian 14K yellow gold cufflinks set with boulder opal cabochons. The opals have much finer play of color than is typical of boulder opal, with a preponderance of blue and green that almost seems to glow from within...

A very nice pair of 18K yellow gold baton cufflinks, the batons worked with engraved reeding and each bound in a diagonal slash of gold with a hand-stippled surface. The baton faces are hinged so they can lie tightly against the cuff. The connectors are marked “18K Cherny”.

Origin: America, ca. 1960. Condition: excellent. Size: faces, 7/8” long. Weight: 10.6 gr.

This is a very fine pair of vintage 18K yellow gold cufflinks made by the Swiss luxury jewelry firm Meister, having raised concentric ball shape design attached to mesh links with press stud enclosures, C 1950, each signed MEISTER, makers trademark and 750. Weight: 19.9g; Size: Ball 1/2", Total length-1 3/4"; Condition is excellent.

A very handsome pair of De Grisogono double-sided cufflinks, the faces made from polished seashells mounted in 18K yellow gold in the style of Seaman Schepps and Trianon. The spiral shells have attractive cinnamon, cream and black markings. The gold mountings are marked "18K" and also have a serial number and a maker's mark.

Established in 1993, de Grisogono quickly took the jewelry world by storm and its pieces are now coveted along those from the most luxurious jewelry makers in the world...

A very nice extended set of cufflinks and shirt studs, worked in 14K yellow gold and mother of pearl by Larter. The double-sided cufflinks have concave oval mother of pearl faces centered by a simple gold disc. Both the large and small studs are made in the same manner, but are in the traditional round shape. Originally, the larger studs would have been used for the waistcoat and the smaller studs for the shirt. When wearing true “white tie”, the set can be used exactly in this way, but ...

A handsome pair of 18K yellow gold double-sided cufflinks from the era of Napoleon III. The navette-shaped faces are simply decorated with interlaced swirls. The faces are joined by chains. The cufflinks are stamped with French "tete de cheval" hallmarks for 18K.

Origin: France, ca. 1860. Condition: excellent, sharp detail. Size: 3/4" x 5/16". Weight: 6.0 gr.

A beautiful pair of Art Deco double-faced cufflinks, the faces decorated in checkerboard fashion with diamonds and sapphires. The round brilliant-cut diamonds are estimated at I color, VS1 clarity. The sapphires have medium tone and are vivid slightly violetish-blue in color. The gold surfaces are treated in the matte Russian finish. The faces are connected by chains. The backs of the faces are signed “A E Betteridge”, a luxury jeweler in Connecticut since the late 19th century, and are...

A superb pair of Art Deco 18K yellow gold cufflinks, the front faces decorated with champleve translucent red and opaque black enamels around central reserves of engine-turned engraving in a herringbone pattern. The geometric design of the enamel work is distinctively Art Deco. The red enamel is built up in a thick application to create the appearance of three-dimensional jewels. The backs are designed as faceted batons with tapered ends. The faces are connected by removable connectors. The...

Rectangular panels of mother-of-pearl, vertically incised, set in 9-kt. gold frames fused to sterling silver backings. Each button measures ½ inch long by 5/16 inch wide. The chains are securely attached, and neither the chains nor other attachments show any stress or wear. The cuff links are lightweight, but are sturdily made. They bear marks for sterling and 9-kt gold (the gold marks, which read ‘9 ct,’ are substantially worn), as well as the marks for Henry Griffith & Son, Birmingham, En...

A very attractive pair of Art Deco 14K white gold cufflinks, the rectangular faces set with plaques of rich translucent green chalcedony. The white gold borders are enhanced with engraving. Art Deco cufflinks set with green stones are difficult to find. The connectors are marked "14K".

Origin: America, ca. 1920. Condition: excellent, all original. Size: 1/2" X 13/32". Weight: 3.9 grams.

A fine pair of vintage 18K yellow gold cufflinks in the "stirrup" style popularized by Cartier in the late 1940s. The cufflinks are constructed from a solid bar, finished at each end with interlocking arches. By pulling on the ends, the arches can be unfolded for each in putting the cufflinks through the cuff holes. Then, a simple flip up causes the arches to hold the fabric tightly together. Cufflinks of the sort are seen in a number of variations, but this is a particularly handsome pair. The ...

A nice pair of vintage 14K yellow gold cufflinks, each in the form of a large and a small button, complete with raised gold beads to suggest the stitches. The faces are connected by chains. Tested and guaranteed 14K.

Origin: America, ca. 1980. Condition: excellent. Size: 3/4” & 9/16” diameter. Weight: 11.5 grams.

An interesting and attractive pair of 18K yellow gold cufflinks, the faces fashioned as reeded batons. The batons have a concealed spring-loaded mechanism that attaches to swivel hinges on the pair of struts that hold the batons in place. We've never before seen this particular mechanism. The cufflinks are stamped with French 18K marks and also with the mark of the Parisian jeweler Gaétan de Percin. De Percin opened his studio in 1938 and executed designs for Hermès, Dior, Chanel, Tiffany ...

A heavy pair of vintage 18K yellow gold double-sided cufflinks. Each round face is decorated with a band of opaque royal blue enamel surrounding a collet-set round brilliant cut diamond. The diamonds are about I/J color and are SI1 clarity. The faces are finished with pierced gallery sides. The quality of workmanship is excellent. The bar connectors are marked “750” and have a worn maker’s mark.

Origin: Europe, ca. 1940

Condition: excellent, no enamel damage

Size: 5/8” diameter

W...

A handsome pair of double-sided 14K yellow gold cufflinks adorned with engine-turned engraving in a star pattern enclosed within opaque blue champleve enamel borders. The connectors are stamped with the mark for Strobell & Crane (Newark).

Origin: America, ca. 1920. Condition: excellent, no enamel damage. Dimensions: faces, 5/8" diameter. Weight: 8.1 gr.

A nice pair of 14K yellow gold cufflinks set with 1-point diamonds. The faces are formed from entwined double tubular arches, and the diamonds are bead-set in a white gold swirl nestled between the arches. T he toggle backs are marked “14K”. The diamonds are nice quality, and their smaller size provides a little sparkle without being too flashy.

Origin: America, ca. 1965. Condition: excellent, all original. Size: 13/16” x 3/8”. Weight: 7.0 grams. Approximate Total Diamond Weight...

An outstanding pair of 18K yellow gold cufflinks, the oval faces set with black harlequin opals (probably doublets) of exceptional quality in simple millegrain borders. The simplicity of the setting allows the opals to display their superb play-of-color. Virtually every color of the spectrum is visible in the opals, but with a preponderance of red, orange, green and violet. The backs are marked "18Ct Britannic", a high-end English maker of gold and platinum cufflinks and watch bands in the 19...