This is a spectacular one of a kind cameo portrait signet ring collector's item made of an sardonyx, a variety of banded onyx and a form of chalcedony quartz of reddish brown. Portrait cameos were often commissioned by those who had amassed enough wealth to leave their mark on society. The wearer of such a ring would demonstrate admiration for a particular philosopher, writer or popular figure in society...

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each...

The devil is in the details. Every detail of our 18K woven gold gloved hand bracelet with guilloche enamel cuffs are is a beauty to behold. Our bracelet was handcrafted by skillful Georgian goldsmiths who took care to make sure that every part of this bracelet met their exacting standards. And it shows. We call this a "woven" gold bracelet because during the Georgian period goldsmiths were adept at weaving gold so that it resembled and felt more like fabric than metal chain...

Late Victorian signet ring, hallmarked for the year 1907-1908 and monogrammed with initials WW or MM, carved to a polished gold face and set into a band with carved scrolled shoulders. The ring featured on this listing is modeled on the ring finger. We think it looks great with other signet rings or by itself. The ring is fairly large in scale at over a half inch wide and a half inches tall (1.4 cm North-South and 1.2+ cm East-West), US size 8 and size-able.

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible...

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting...

We love the patina of this antique delicate carved amethyst intaglio depicting a charming bird perched on solid ground, beak pointed upward mounted in a later, retro hammered 24K gold band. The ring is substantial at .38 inch high but not overwhelmingly large. At almost 14 grams and 24K (stamped), this ring is solid gold yet feels surprisingly light. This modern looking signet ring is easy to wear and marries beautifully with other rings. Not to be missed. The ring fits a size 9-9.5 finger.

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

This fantastic jewel tests as a very strong 14kt, so it’s likely a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long...

Our C1790 ring is an 18th century glass intaglio of an ancient signed gem depicting the head of a laughing satyr, or faun (a young satyr). Such carvings were called Tassies (explained further down). "Gems" in this case refers not to precious stones, but to ancient classical Greek carvings, highly valued miniature works of art. Our glass intaglio is signed in Greek for Ammonioy, meaning "by Ammonios"...

Substantial 18K C1840 diamond cluster ring with 8 round diamonds in a crimped collet setting surrounding a central natural gem, sherry brown topaz and hand set with a decorative band with carved flourishes along the shoulders...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds...

A most interesting mourning ring style of the period; the two sided mourning ring with a swivel bezel...

This spectacular mourning band is of black enamel with accents of white enamel and bordered in gold accents. With its breathtaking miniature painting of a young girl, this ring is a fine example of the neoclassical influences of the Georgian period on mourning jewelry. The heavy graphic representations of death so prevalent before this time no longer suited the lightness of the Georgian era. The urns painted in gold over white enamel, the garland or wreath surround, are all examples of the neocl...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

Here is a fascinating Georgian-era ring, possibly a mourning ring, which could have been worn by one of Jane Austen’s more affluent characters. It features a rose-cut diamond (pointed top instead of flat), set in 14kt gold with decorations in black enamel on the shank, which are still in excellent condition. The ring is approximately size 5. It isn’t possible to estimate the weight of rose cut diamonds in a setting. It is in the I range for clarity – normal for its time. Unmarked. It is ju...