C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio...

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent...

A Georgian 14k glass emerald and diamonds ring circa 1780-1800. This antique yellow gold (unmarked but tested and guaranteed) ring features a 3/8" across top which has claw set early silver coloured genuine rose cut diamonds surrounding an emerald coloured glass stone. Emeralds then were a scarce and difficult stone to acquire, so the use of a cut glass "gem" with diamonds was not unusual...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration...

A 1" diameter watch fob or pendant consisting of a dated 1791 English "Spade" Guinea in .917 gold (22 karat). This King George III coin has been soldered to a gold wire suspension, and it weighs 8.74 grams. It was worn for years as a gold charm and it has the expected wear with some loss of detail and edge reeding. This item is in as described condition with no dents, bends, corrosion, losses, damage or repairs other than the mounting for hanging and the wear...

A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin...

Exquisitely designed pair of 14k yellow and white gold, blue enamel and diamond flower-form drop earrings, French, circa late 18th century. Each earring composed of twenty rose cut and single cut diamonds. The flowerhead drop and stem are articulated together with jump rings. Attached to the back of each earring is a pierced post and locking clip back. Measurement: 1 1/2" long. Weight: 9 grams. Combined approximate diamond weight of the earrings is 0.50 cts. Condition is excellent...

Our poesy ring (spelled posy, posie, or posey) has the deep color of a 22carat ring along with a textured pattern and an interesting inscription "Seale up Secrets" that is both biblical and romantic in substance. The term "seale up secrets" with its Gothic spelling of seale, refers to the biblical phrase "seal up". In the Bible, the phrase "seal up" is often used to refer to something being kept secure until a specific time...

A beautiful 18K gold ring containing a miniature portrait of a pretty young girl wearing a bicorn hat. The painting is surrounded with authentic seed pearls.

The condition of the painting itself, and the ring, is excellent. The blue section showing in the photo of the underside is a bit of tape that was used to allow a snugger fit for the finger of a previous owner. The front of the ring measures 1 1/8" by 7/8". The ring is a size 7 1/2.

This is a 14k yellow gold bracelet, consisting of eleven antique slides with various gemstones, garnets, turquoise, diamonds, natural pearls, coral and opal, on a double rope gold chain, having a slide hinged clasp attached to Horn and Fishhead accessories...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown...

A very nice late Georgian carnelian spinner fob mounted in an 18K gold frame in the form of two intertwined snakes. The snakes are hand-chased with detailed scales and interesting, their heads are finished with duck-bill mouths (complete with teeth) grasping apples. This form is often seen in French silver wine tasters and was intended as a reminder of temptation and the snake in the Garden of Eden. The spiral mechanism in the center of the snakes’ entwined bodies is a spring mechanism that...

A Georgian 15K gold gentleman's ring set with a hematite intaglio with a rare image from Greek/Roman mythology. We see the buff god Apollo in his horse-drawn chariot being led by Eros ("Cupid"), the god of love. This scene depicts the beginning of the tale of the water nymph Daphne.

Best know as god of the sun, Apollo was also the patron god of archers. One day, he mocked Cupid for the small size of the latter's bow and arrows. In revenge, Cupid shot Apollo with a golden-tipped arrow that...

An extraordinarily fine pair of Georgian hardstone cameo earrings set in 15K yellow gold. The cameos, certainly of Italian origin, and possibly several hundred years older than the earrings themselves, are carved from a grayish-green stone with white and rust banding. The images depict a satyr with exaggerated pointy ears and a leering grin, and a female companion with a floral wreath in her hair. In both, the grayish-green stone forms the background, while the facial features are picked out in ...

An extraordinary late Georgian 18K gold ring set with a carnelian carved into the leering face of a satyr classically portrayed with a goatee, a snub nose and pointed ears. The carved gemstone was likely already several centuries old when it was set into this ring. The expert carving is only eclipsed by the extraordinary artistry of the goldsmith. The bold shank is entirely covered in flower and foliage appliques expertly worked in rose, green and yellow gold. The carved stone is set in a bezel ...

A particularly attractive Georgian example of a Halley’s Comet pin worked in 18K yellow gold, accented with black enamel, and featuring a comet head set with a bright green paste stone to represent the comet’s nucleus surrounded by old cut clear paste stones representing the bright coma. The pastes are set in an elegant buttercup setting with a fluted back. The gold setting also has engraved decorative elements representing the comet’s tail.
In 1705, Edmond Halley correctly predicted th...

An extremely fine and rare Georgian 12K gold bracelet featuring a large rectangular plaque of landscape agate flanked by seven smaller rectangular plaques. With only a little imagination, the central panel appears to represent a grouping of trees in front of distant mountains, while the smaller plaques seem more like tree-covered islands in a calm lake. Landscape agate was popular for small brooches in the Georgian era, but large examples made of several matched pieces such as this are extreme...

This exceptional verre eglomise rock crystal panel depicts a maiden in classical dress playing with a hound. She sits on a plinth in a clearing with cypress trees in the background. The scene is backed with grayish mother-of-pearl that seems to create a sky of swirling clouds. The reverse of the pendant is simply finished with pale grayish-blue silk. The plaque is simply mounted in an 18K yellow gold frame with a bail at the top. Verre eglomise was most often used in mourning jewelry, but n...