Jacob Hull silver plate necklace for Buch en Deichmann

Denmark

Late 1960's to 1970's

Neck ring should fit a 14" neck

Center element measures 3 1/2" long

Weight - a substantial 92 grams

Marked on verso

Excellent vintage condition

An important, rare modernist brooch by the renowned African American jeweler, Art Smith. Has a copper ball caged in swirled brass coils. The ball moves for an interesting effect.

Measures 3 1/4" long and 2 3/8" at the widest. Marked with the 'Art Smith' script signature. Has a secure rollover clasp. In fine condition with areas of tarnish.

A wonderful example of Mid Century Modernist design.

A striking necklace and matching screw back earrings with layers of copper and brass circles by Winifred Mason Chenet, who was an African American woman hand crafting jewelry in Greenwich Village. She reportedly worked with and trained Art Smith, a well respected African American modernist jeweler.

The design is made from hammered copper disks with round brass overlays. The necklace measures 16 1/4" long with an extender added and closes securely with a hook clasp...

Carl Tasha nude figural brass belt buckle

C. 1970

Provincetown, Mass

4 1/4" x 2"

Marked on top and reverse

Very good vintage condition

A striking cuff bracelet by Winifred Mason Chenet, who was an African American woman hand crafting jewelry in Greenwich Village. She reportedly worked with and trained Art Smith, a well respected African American modernist jeweler. This bracelet is made of copper with brass overlays and connections of copper rivets and wire. Measures 5 1/2" around with an opening of 1 3/8" and 1 3/4" wide. Signed with her stylized 'chenet'. Wonderfully hand made work.

Art Smith modernist copper and brass brooch

1950

3 1/8" x 2 1/4"

Impressed signature on verso

Very good vintage condition retaining original patina

An outstanding hand wrought pendant in copper with a modernist brass overlay suspended from the original copper chain by JB Pericles. Marked Pericles Haiti on the back.

Jean Baptist Pericles was closely associated with Winifred Mason Chenet d'Haiti who trained the exceptional Mid Century Modernist jeweler, Art Smith.

This pendant measures 5" long and 2 1/4" across the bottom. The 23" chain has a secure hook closure.

Fine condition with minimal tarnish...

A fine modernist bracelet by Maya Mexico that is in the iconic Armadillo design made famous by Hector Aguilar. This bracelet, in brass with copper accents measures 7" long and about 2 1/4" across. Unsigned. Hook closure holds securely. Has tarnish and shows wear to the finish. Will let the new owner decide how much to polish. Outstanding design. Heavy and bold.

Circa 1960 mid 20th century modernist fan rectangular station copper bracelet signed REBAJES for Frank Rebajes, the most successful modernist jewelry manufacturer of the mid century. Born in the Dominican Republic in 1907, he came to New York in 1923 to seek his fortune, establishing his own factory in 1932, and his own Fifth Avenue store in 1942.
Possibly a custom order at 7 X 1 5/8"
2.2 Oz or 65 Grams.
Bold bracelet for the petite frame.
Rich vintage patina...

An important, rare modernist bracelet by the renowned African American jeweler, Art Smith. Made of woven, riveted and patinated copper.

Measures 5 3/4" around with an opening of 1 1/4" and 1 3/4" wide. Marked with the 'Art Smith' script signature in at least two places. Looks like there is also a third partial strike. Very good condition with some minor surface scratches and areas of tarnish.

A wonderful example of Mid Century Modernist design.

Phyllis Mark modernist gold tone kinetic necklace

1970s

Pendant - 4 1/2" in diameter

Neck ring measures 15 3/4" round or 5 1/4" x 5 1/4"

This necklace is part of a small series of pendants that the renowned sculptor designed during the early 1970's

Marked on verso Phyllis Mark '72

Very good vintage condition with minor surface scratches

Art Smith modernist copper brooch

1950's

4 3/8" x 1 3/8" at widest point

Weight - 35 grams

Marked Art Smith in script on verso

Excellent vintage condition with original oxidation

A vintage kinetic, sculptural lightly hand hammered brass pendant similar to the work of Harry Bertoia.

Features four concentric circles with random openings and a matching hammered brass hook closure. Pendant measures 2 1/2" long and 1 3/4" across. Chain measures 21" long.

In fine condition with a little tarnish. Lots of movement.

Robert Larin - modernist sculptural pewter necklace.

Pendant - 4" long. Necklace 5" x 5 1/2" in diameter.

Condition - excellent.

Late Art Deco to early retro and not easily found by this jewelry maker? This geometric bracelet is signed: ROLLED GOLD, KJ on feather for Kollmar & Jourdan, Made in Germany. This firm was established in 1885 in Pforzheim Germany and according to research destroyed during WWII, rebuilt and out of biz in 1977.
7 7/8" X 3/8" wide.
Note the early bakelite or early plastic 11mm colorful disc links...

A vintage hand made large pendant of a nude woman reminiscent of the work of Carl Tasha or Richard Kaish in bronze or brass.

The pendant measures 4" long and 3" at the widest. It has lots of detail.

Currently suspended from a neck ring that measures about 18" around with an opening of 1". There is some flexibility to adjust the size. The neck ring has light hammering and a bronze colored wash. It could also be worn on a thick chain or cord due to the large bale...

An interesting hand wrought necklace in brass with a layered floral pendant suspended from the original chain by JB Pericles. The center of the flower is copper. Marked Pericles Haiti on the back. Jean Baptist Pericles was closely associated with Winifred Mason Chenet d'Haiti who trained the exceptional Mid Century Modernist jeweler, Art Smith.

The central flower pendant measures 1 1/2" in diameter...

This twisted enamel bangle of sterling silver resembles the work of Canadian metalsmiths such as Guy Vidal and John Larin, who produced highly textured designs during the late 1960s and 1970s. This bangle features a ribbed surface on both sides, with alternating pockets of burnt orange and dark maroon enamels, with one pocket left undecorated — possibly for stamping what looks like a mark of some kind on the reverse...