A group of 18 unframed pencil drawings, all landscape, signed by noted Southern California artist LEONARD SCHEU (1904-1995). The drawings are titled: Bridge Amsterdam; Roman Wall Tower of London 200 AD; Amsterdam; St. Peters, Salzburg; Amsterdam; Old House Schoenwald Germany; Quebec; Bern (Switzerland); Cathedral Door Granada; Victoria (Canada). Evidently, the artist was an avid traveler...

This work is guaranteed to be an original pencil drawing, and not a print nor reproduction of any kind. The drawing (15" by 23", 20" by 26 3/4" in simple metal framing) is amazingly detailed, featuring an old time steam boat, the General Slocum, as it might have appeared in New York harbor around the turn of the century. The Brooklyn Bridge towers at right and sailing craft complete the scene at lower right. The artist signed the work at lower left and dated it 1995...

A charming little drawing, exceptionally well-traveled, and with a story to tell: pencil on paper, 6 1/2" by 9 3/4" inside the present mat opening, 12 1/2" by 15 3/8" as framed, not signed, but with inscription "Cesanne Aug. 13/74" at lower right, and "copper buckets" at lower left. And, on the backing, written in a modern hand: "Purchased at Kingston, Jamaica Municipal Art Museum/The date is 1874--purchased previous to 1974. Probably a sketch of town fountain in rural France...

A well-drawn pencil scene of the French coast of western Brittany, titled on reverse "Pecheurs a Douarnenez", signed at lower right by living French artist BRUNO DU TERTRE D'ELMARCQ. Douarnenez is one of the scenic towns much favored by artists since the 19th century. When I first saw this work I was reminded of the beach scenes of Eugene Boudin, the famed late 19th century French artist. The tiny figures, sails, and poetry all remind of that French master...

An elegant, black ink on white paper drawing of the heart of Montmartre in Paris, the famous Place du Tertre, where to this day artists endure ten year waiting lists to secure a spot outdoors to create the works tourists love to buy. This beautiful drawing is signed at lower right with what appears as "Dieter Gly(xx)" and is dated there 1958. It is in excellent condition, considering it is over sixty years old. Simply framed in black strip, it is ready for the wall...

Pencil on paper study of a man, signed at lower left with initials M.A.K., mid 19th century, by the noted Dutch landscapist and member of the important artistic Koekkoek family, MARINUS ADRIANUS KOEKKOEK (1807-1870). He was the son of Johannes Hermanus Koekkoek and brother of Barend Cornelis and Hermanus Koekkoek. This particular work was likely a sketch made by the artist as he worked out a particular artistic situation for a painting...

Original pencil on paper drawing of a Native American Indian warrior on horseback, 10" by 8" (14" by 12" framed), signed at lower left by listed Montana artist SANDY INGERSOLL (1908-1989). This is perhaps a workout sketch---almost a tracing paper illustration type of drawing---for a more finished drawing or, later, painting. Ingersoll was born near Helena, Montana and would have been in his teens when Charlie Russell died in 1926. Ingersoll lived in western Montana most of his life...

Ink drawing "Wooded Road", measuring 11" by 16", unframed, circa 1930's or 1940's, signed at lower right by listed American artist ISOLDE THERESE GILBERT (1907-1986). There are two labels, discovered when the piece was opened up (frame is low quality and worn). One red-bordered label gives the artist name, work's title, and size; another, of The City Library Association, Springfield (MA) Museum of Fine Arts, again provides title/artist name...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition...

A PAIR of ink on wove paper drawings apparently by the same anonymous talented artist, one work featuring a southern American-looking old historic style home, the other a fountain in a southern European street scene (probably Italy). I opened the items and determined that there is no signature of any kind, nor any other indication of authorship. The home scene has pencil sketching on the reverse, possibly a very sketchy, preliminary architectural plan drawing...

An ink on paper drawing of a man holding a cigarette, unsigned, 6 3/8 " by 5 3/4" inside the mat (12 1/2" by 10 1/2" simply framed). When I first saw this my thoughts drifted to accomplished ink line drawings by the American master artist Ben Shahn, or, possibly, German Expressionism (Georg Grosz, etc.). The drawing was found in Oregon, with no further information available. It probably dates to about 1950 give or take a few years, and is probably American. The work is slipping around under ...

An original drawing of a standing cowboy, executed on thin tracing-style paper, with estate stamp at lower right of noted Arizona artist CURTIS WINGATE (1926-1982). The drawing, 18" by 9" inside the current mat, is very sketchy, as if perhaps a very preliminary study for a finished watercolor or painting. Wingate was born in Dennison, Texas and spent most of his life in Arizona after moving there from California. He was a traditional western painter, who studied with William Schimmel and was ...

A beautiful pencil drawing of human hands, likely 19th century, measuring 4 1/2" by 5 1/2" inside the ornate French mat, 10 1/4" by 11 1/4" as framed in gilt closed corner framing. There is a little wear in the corners of the frame but the overall look with mat and frame is upscale. I very carefully opened the backing (with its English "Stephanie Hoppen" circular label and 150 British Pounds original price in ink), and found no further information inside or on the reverse, as to authorship, th...

A fine, poetic ink drawing of figures, all in an extensive landscape, signed at lower right in pencil with what appears as "Lyberis-Abraham". The Biblical subject seems to be Abraham about to slay Isaac (note the weapon in Abraham's hands, about to swing into the victim). The artist is WILLIAM LYBERIS (1931-), born in Lincoln, Nebraska, and known for landscape, impressionist technique, interiors, and non-objective art. Lyberis spent a lot of time in Paris, absorbing the art resources there. ...

More than 10 detailed, fine pen and ink drawings, on one sheet measuring 19 3/4" by 16", most featuring male figures, signed at upper left center "Al Wiles". Wiles was active in the Seattle area at mid century. The style of the drawing takes from Jose Luis Cuevas, a little bit of Surrealism in spots from Salvador Dali, and Eugene Berman. The pen work is impressive up close. The drawing came from a home filled with major Northwestern American art of the Seattle School including Kenneth Callaha...

A skilled pencil drawing of decorative towers of a church or mosque complex, next to a river, apparently in a milder climate location (see palm trees), signed at lower right "STOLZE". The towers, which somewhat resemble those fantasy towers of St. Basil's in Moscow, seem to be part of a mosque complex, as tiny crescent moons appear to be affixed at the tops of the towers. On the reverse is written "by Martin Stolze" There are several "Stolze" names among listed artists, but none of those artis...

A beautiful drawing of the year 1878, featuring a number of women and a solitary man, most apparently gossiping at a picnic or other outdoor social meeting in a wooded setting, the place given as "Lake George". The famous upstate lake features in many an American painting of the period, and it was frequented by many notable artists of the time. Given the skill shown in our drawing, the artist was likely one of these notables, perhaps even one of the Hudson River greats. The drawing is taped a...

A very old watercolor painting of a barefoot young man with traditional clothing and conical hat, unframed, 7" by 3", unsigned, dating to the mid 19th century. It could be by a local artist of the China Trade School, or perhaps by one of the rare expatriate artists who visited the region, on the order of George Chinnery. Without a signature we cannot be sure of its authorship, but it is clearly antique. It has some flaws to go with its great age, including an old brown stain in the hat and ei...