An attractive italian 19th Century Painting depicting 2 Figures in a Park. Good condition. Size: 21 cm. x 14 cm. unframed. Framed: 47 cm. x 36.5 cm.

A most unusual and interesting DOUBLE-SIDED pencil drawing on wove paper, one side featuring an indian in headdress snatching a child off the shore, a tiny fenced white settlement visible in the upper left corner; the other side features a white man in frontier clothing holding his rifle as a native brave swings his tomahawk. Both sides are signed "E Thompson artist". I am not aware of a known artist by this name so this will rest squarely in the folk art or historical categories...

Currier and Ives Lithograph, The Old Oaken Bucket, 1878, Framed Print 15 x 19". $300 As-Is

Beautiful charcoal drawing of an American Landscape Signed Vincent, on paper measuring 10 x 19“, frame size 20 x 27“ circa 1900

F.C. YOHN Stage Scene c1898 Sp. American war w/c19x13” Frederick Coffay Yohn (February 8, 1875 – June 6, 1933), often recognized only by his initials, F. C. Yohn, was an artist and magazine illustrator. Yohn's work appeared in publications including Scribner's Magazine, Harper's Magazine, and Collier's Weekly. Books he illustrated included Jack London's A Daughter of the Snows, Frances Hodgson Burnett's The Dawn of a To-morrow and Henry Cabot Lodge's Story of the American Revolution...

View of the Great Conflagration at New York, July 19th 1845 by N. Curner, color lithograph, Frame size 18 x 19.5".

Fine early pencil drawing on wove paper, the subject a distant view of Windsor Castle and the Thames River (favorite subject of so many, many artists), signed at lower right "James M. Hart" and dated there 1855. This is a rather early work of JAMES MACDOUGAL HART (1828-1901) of later Hudson River School fame. Hart's major large scale landscape paintings have reached into six figures at auction, and sales in the tens of thousands are not unusual...

John Singer Sargent attributed portrait of Moffit Anderson 1879, pastel on paper 32x28. Drawn in Savannah Georgia in 1879

Drawing, I believe in charcoal, 12 3/4" by 18 1/2" inside the matting, framed, but no glass, signed at lower left "M. Moss" and dated "March '93", the subject a large wooden house on a lake surrounded by mountains, small boats tied up in front. I think this is American but I suppose it could also be English; I'm undecided..........though, the framing suggests would make me lean towards American, as the reverse was backed by the typically American wood slats with knotholes...

Pencil drawing on paper, 4 1/4" square inside the mat, 9 1/4" by 9 1/4" as framed, signed at lower right "Luce", the subject an elderly man at left and elderly woman at right, both reading a letter or periodical. The paper is browned with age, though, evenly, and there's a small crown-shaped stain that looks like an ink blot, irregularly shaped, at lower right. The work is affixed to a board on which is written in old hand "No. 20"...

Robert Henri 1865-1929 As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style...

A softly drawn work featuring the head of a putto, between wings, on a trimmed sheet of paper, somewhat irregularly shaped, measuring 6 1/2" by 11 3/4" (12" by 17" in modern-day gold frame). There is no signature. Frame has slight chip loss at upper left corner. A true antique drawing with considerable age; how old, it is not easy to say with certainty. There are light folds and creases. Paper is affixed at edges and corners to modern board. Allow for reflections in a few images.

Wrestling Lithograph by Augustus Bernard Liege, circa 1900. 12 x 9:"

Original Victorian mourning graphite drawing of a dog protecting child from a raven. Signed in pencil by artist. In very good condition. Not inspected out of frame, but there is some age related foxing around the bird. Measures in frame 27" x 21".

A beautiful pencil drawing of human hands, likely 19th century, measuring 4 1/2" by 5 1/2" inside the ornate French mat, 10 1/4" by 11 1/4" as framed in gilt closed corner framing. There is a little wear in the corners of the frame but the overall look with mat and frame is upscale...

Troisième Position de Salut, Fencing, by J Delin, 18th century colored lithograph etching. 10 x 10". Frame Size 16.5 x 17.5".

Robert E. Lee Watercolor Circa 1860s 8x11 inch a contemporary work when the Civil War was raging

A very rare Watercolor heighten with gouache I have a western Gentleman from the Kennedy galleries provenance 13“ x 19“, frame size is 20 x 15 1/2“

Three drawings in pencil on gray-blue paper, each 7 1/2" by 12" approximately inside the mat, all of coastal scenes with multiple figures, sailing ships and even dogs and donkeys. Two are signed with the "W C" initials and are dated Nov. 1866; the third one with conjoined initials is titled "Falmouth" (a city in Cornwall, on the southwest coast of England) and is dated 12 June 1867...

W. T. Smedley, 1858 1920, from the Kennedy galleries a Work Inc. on paper dated 1891 9 x 9 1/2“ frame size 17 x 17“

Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing...

Confederate Flags Watercolor dated 1896,11x7 1/2 inches, in its original frame 16x12 inches

Antique (circa mid 19th century) watercolor and ink drawing, of the famous ruins of Palmyra, Syria, which were partially damaged during the relatively recent ISIS occupation of the archaeological site. Research indicates the piece is after an early 19th century print. Artist is anonymous. Dimensions are 9 3/4" by 14 3/4" inside the mat (with hand drawn lines) and 16" by 20" overall (unframed, just in the mat, which is laid down over the art). On reverse someone once wrote "Palmyra Turkey"...

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year)...

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing. I purchased it in Maine, where a dealer had affixed a label attributing it to Pennsylvania artist ...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

A finely worked sepia ink drawing of a Paris street scene, titled at top "Eglise et Seminaire St. Nicolas du Chardonnet", signed at lower right "Delaunay" and dated there 1867. The 6 1/2" by 7 1/2" drawing (11" by 13 1/4" as framed) features a Roman Catholic church in the fifth Arrondissement, on the south bank of the Seine, sometimes known as the Latin Quarter. The Pantheon and Sorbonne are located in this district, south of Notre Dame. There are a number of artists by the common French name...

This is a charcoal with white highlights fine original drawing of a male head on a plinth, the head appearing as would a Greek or Roman marble sculpture. The work, 16 1/4" by 12" (22" by 18" framed), is signed at bottom by the Austrian artist RUDOLF ZELENKA (1875-1938) and is dated nearby 1894. The drawing would likely be an academic study by the artist at age 19, while receiving art education. Note the fine modeling of the face and curls----a very finished drawing reflecting the skill of the...

Portrait of a Lord signed by Thomas Bridgton ARCHA, 1840. Graphite on Paper. Frame size 23 x 19.5"

A very old watercolor painting of a barefoot young man with traditional clothing and conical hat, unframed, 7" by 3", unsigned, dating to the mid 19th century. It could be by a local artist of the China Trade School, or perhaps by one of the rare expatriate artists who visited the region, on the order of George Chinnery. Without a signature we cannot be sure of its authorship, but it is clearly antique. It has some flaws to go with its great age, including an old brown stain in the hat and ei...

“Cottage Entrance” By Artist Alfred Huntley Graphite Drawing signed 18x21” done in the mater of Whistler circa 1890

Charles VII- Roy de Suede (King of Sweden). Engraving on Paper. 18th century. 14 x 10"

A beautiful drawing in pencil on French Arches Laid paper measuring 7x9” done circa 1870s

Original India botanical by the famous Japhur-naturalist artist Neerja featuring a native medicinal plant. The works of this 19th century community of talented Indian painters are desired for their brilliant jewel-like quality and fine detail. This botanical is a wonderful example featuring a hand colored flowering exotic plant with roots, watercolor on parchment, pink, gold,and brown tones with green leaves, artist signed "Neeraj", India. Rich burlwood frame; measuring 19 7/8 x 13 7/8 approx. ...

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available. This...