For those who STILL profess their love for NY despite its flaws and problems and challenges, this is an impressionist oil, painted on the rough side of the Masonite panel, 27" by 38 1/2" as framed, the subject Central Park in winter. The scene is of one of the East-West cross-park motor routes. Classic yellow taxis enliven the scene, as does a lone spectator figure at lower right. A richly worked composition by an artistic hand...
Oil on canvas painting of a Native American on horseback in the great American West during the late autumn months, 16" by 8", (26" by 18" as framed), signed at lower left corner with the signature and device of contemporary artist ART KOBER. Note the attention to detail that extends to even the beaded bag and every blade of grass. Kober, who maintains a website, is a noted contemporary western American artist who appeared in the pages of Art of the West magazine as far back as 1989...
An oil on canvas painting, of two young girls, perhaps sisters, with rooster, 12" by 9", signed at lower right with the distinctive signature of well-listed Southwestern American artist VLADAN STIHA (1908-1992). Stiha was born in Belgrade, Yugoslavia into an artistic family. He had art training at the Academy of Arts, Vienna, and also in Rome...
A small unframed painting of a creek or pond in the forest, 3 3/4" by 5 1/2", signed at lower right and dated 1918 by early San Francisco artist ALICE MEUSSDORFFER (1871-1949). The work, roughly the size of an index card, is painted in oil on a thin card laid on a thicker card. Meussdorffer was born in San Francisco in 1871, the daughter of a well-known hat maker...
A large painting on Masonite panel, the surface of the oil or acrylic highly varnished, 30" by 34" in narrow metal frame, signed at lower right and dated there 1990 by noted contemporary American artist ROBIN GARY WOOD. Wood has an easily found website. He has traveled around the country and internationally, painting at various times in the Princeton/New Hope area, in Florida, and in the Taos-Santa Fe New Mexico region...
An original American impressionist landscape of a rural home on a river by Edward Redfield. Oil on canvas measuring 20 x 24 signed lower left. In all original very good antique condition with the original frame.
Edward Redfield is regarded as the premier painter of the New Hope School of American Impressionism, and, in his time, was considered one of the best landscape painters in the country...
Vintage oil on canvas impressionist landscape with rounded low mountains, a country road passing red barns, 25" by 30" (29 1/2" by 34 1/2" framed), signed at lower right corner with what appears as "D Tutis" or "D Totis" or similar. Although the work resembles that of Vermont painter Earl A. Titus (1895-1962), the signature does not correspond with how he signed. So we have a mystery work here...
A vintage oil on canvasboard painting of distant green gentle mountain ranges, a cluster of structures (a farm) and surrounding trees in the foreground, unsigned but written apparently by the Claremont, New Hampshire framer on the backing paper appears "Mark V. Miller/For Mother/1949/Lyme Rd., NH/Looking over into VT". Also, written in pencil on the canvasboard is "Mrs. Leon Miller/8B/pick up colors"...
A PAIR of unframed oil on canvas works, one a scene of coastal cliffs and waves, 12" by 12", the other featuring a small lake or pond, 11" by 14" (both unframed). They are each signed by the artist, one M. Mahmoudi. I have not located information on the obviously talented artist, who is likely Californian; found in Los Angeles. Condition is excellent. What appear as white speckles in some images are reflections off the varnish and canvas weave.
Oil on canvas laid on board painting, circa 1950, titled in artist hand on reverse "The Rail Fence", 13 1/2" by 17" (17 1/2" by 21" framed) signed at lower right by the artist MYRON CHESTER NUTTING (1890-1972). Nutting was born in Nevada. He became known in California for landscape and portrait works. He and his wife spent time painting in Cambria on the scenic Central Coast in 1939 and again from 1953-1955. Apparently he also spent time in Texas...
Highly impressionist oil on canvas painting in a lovely long horizontal format, 16" by 32" (29" by 45" framed), signed at lower right by noted listed artist JOHANNES SCHIEFER (1896-1979). The work is titled "Mojave" on an old label affixed to the frame. Schiefer was born in The Netherlands...
Acrylic on canvas painting, 24" by 24", unframed, signed illegibly lower right, also dated there 06 and inscribed. I cannot make out the signature, and do not know if it be simply by an amateur of considerable talent, or perhaps, by a known artist? The signature most definitely has a professional look to it.
Oil on canvas painting of a clearing in a woodland, in early autumn, judging from some changing leaves, signed at lower right "Marina". The contemporary work measures 24" by 20" (31 1/2" by 24" framed) and is in excellent condition.
Rare oil on canvas painting dating to the pre-statehood Territory of Hawaii days, 12" by 16" (15" by 19" framed), the subject given in pencil on stretcher as "Flow Up Falls" (resembles photos of the Big Island's Rainbow Falls), signed "SMITH 20" at lower right (and "SMITH" appears again on the reverse of the canvas and on the label still affixed at lower right). This is a scene of the Big Island, with 13,000 foot+ snow-capped Mauna Kea and Mauna Loa visible in the far distance. The artist coul...
A large oil on canvas by Henry Charles Lee (American, 1864-1930) titled on the stretcher, “Winter Landscape” and signed lower left “Henry C. Lee.” He lived in Cornwall New York and in France, where he died. The stretcher had an old label for a French artist supplies dealer Lucien LeFevre-Foinet with the number 7350.
Under a partly cloudy but blue sky the sun casts the shadows of bare trees on the slope in the foreground while the hills and cloudy sky show beyond. The painting is 1...
Andrew Thomas Schwartz (American, 1867-1942) oil on canvas of a hilly landscape with the morning mist rising off the more distant hills. A few evergreens, probably cedars, sit in the field that appears to be tan with autumn. The only sign of habitation is a low stone wall. A very similar painting though slightly larger was sold at Doyle in New York in 2006 titled, “Clearing, Morning, Blue Ridge Mountains, Virginia” and dated 1912. This painting is 20 x 24 inches (51 x 61 cm) with frame 23 x...
Impressionist painting of a small brook in a landscape, bordered by trees, the season perhaps early spring, suggested by the white ground-hugging flowers in the foreground. The unsigned work, on board, measures 19" by 14 1/2" (21 3/4" by 17" in attractive gold frame). The artist could be American, or European...there is old pencil notation on the reverse in American handwriting referring to varnish type. The work was recently cleaned and two hairline horizontal scratches were attended to. T...
Oil on canvasboard panel painting, 16" by 20" (21 1/2" by 25 1/2" framed) featuring the iconic towering monoliths of Monument Valley, Arizona, with mounted cowboys and Conestoga wagon adding a human touch to the scene, signed at lower right by Southern California artist Billie van Bogart. The work probably dates to the 1960's or early 1970's at latest. Would add a very decorative touch to your Southwest interior. There are a few internet references to a woman by this name in Orange County (wh...