An oil on panel laid on Masonite, the subject apples on a surface, one peeled, the work signed at lower left by listed Midwest artist JULIUS G. SEGALL (1860-1925). The 9" by 12" work (14" by 17" in later gold frame) draws from a long tradition of still life painting of fruit in Europe, and later 19th century America (from the Peales through Martin Johnson Heade and on to the Fall River School of Massachusetts). Segall was born in Prussia and spent his early years in Milwaukee...

Oil on board Currier and Ives style winter landscape viewed from birds eye perspective, 18 1/2" by 24 1/2", 23" by 28 1/4" framed, unsigned, circa 1900, or possibly even earlier, painted in a primitive hand. The painting is charming and a definite folk art piece. Note the glowing windows of the inviting church on this winter day, there are two figures at left that look positively Dickensian, and the sled and figures show good detail...

Oil on canvas, 14" by 18", (18 1/2" by 22 1/2" in old possibly original frame), the subject given on original Sanborn Studio, Belfast, Maine label as "Bend in Little River" (faint, but still readable with some effort). The work is not signed but is surely by the important Maine artist PERCY A. SANBORN (1849-1929). Sanborn was born in Waldo, Maine and lived for many years in coastal Belfast...

A small (8 1/2" by 10 3/4" framed) oil on board painting of a white farmhouse with red chimney, red barn and classic windmill at center, circa 1900, signed faintly at lower right "A Sowell" or similar. The hand is primitive, charmingly naive; the scene could be nearly anywhere in the central or eastern United States, most likely the Midwest, Plains or east. A painting which brings on a peaceful feeling in the viewer, as it harkens back to simpler times.

In the tradition of Victorian rose paintings of the late 19th and early 20th century, here is an unframed work, canvas laid on board, 11 1/2" by 21 1/2", signed at lower right "IDMAY". The painting likely dates to the early years of the 20th century, a time when young girls were encouraged to take up the "ladylike" skill of flower painting. "IDMAY" might have been Ida Mae----one of these young ladies. Our artist was of average skill, but her handiwork has outlived her...

For the collector of early, 19th century California art, here is an east coast-style still life work, 10" by 14 1/2", unframed, signed at lower right "Bertie L Emery" and dated there 1892. The shallow dish holds oranges, grapes, a banana, and possibly slices of cake or bread, the dish resting on a white cloth, on an unseen tabletop. Interestingly for art history, Emery signs her first name as "Bertie"...

Santa Maria della Salute, Venice

by C. Myron Clark (American, 1876-1925)

Oil on canvas, signed and dated: "1906"

Painting: 16" x 12"
Frame: 21.5" x 17.5"

American painter C. Myron Clark specialized in marine subjects and, like so many other artists, was drawn to Venice with its ongoing atmospheric shifts in the sky and sea. The Peabody Museum in Salem, MA has five of his works in the permanent collection...

Large (40" by 32", 47 1/2" by 41 1/2" as nicely framed) painting of a woman in a rowboat on a small lake, trees providing some respite from the sun on this high summer, exceptionally bright day, signed at lower left by listed English artist ERNEST G. BEACH (1865-c. 1934), and dated there 1910. This is an impressive work, perhaps one of the artist's best, with beautiful impressionist technique and colors...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style...

Max Weyl (American, 1837-1914)

Marsh Landscape

Oil on Canvas, signed l.r. and dated "1904"

From the Estate of a Toms River Collector

Painting: 21.25" x 28.75"

Frame: 27" x 34.25"

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Max Weyl was born Dec...

Beautiful original antique oil painting of a mountain sunset and waterfall by William Keith c.1890 oil on artist panel signed lower left. Presented in a quality contemporary gallery frame 16.5ʺW × 3ʺD × 19ʺH. Good antique condition very fine age craquelure very minor touch ups.. Biography: A native of Scotland, William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist...

An example of the splendid and appealing naive, folk art painting style of early California artist A...

Max Weyl (American, 1837-1914)

Springtime in Rock Creek NE

Oil-on-canvas, signedand dated 1902 lower right and titled and signed on the reverse

Ptg.: 18.5" x 24"
Frame: 24" x 30"

Max Weyl was born Dec. 1, 1837, in Germany and immigrated with his family to Williamsport, PA in 1853. At this time and after his arrival in Washington, DC in 1861, Weyl earned his living as an itinerant watch repairman. At the relatively young age of 24, he had saved enough mon...

By the hand of renowned American painter AUGUSTUS VINCENT TACK (1870-1949), this is a beautifully worked portrait of a dark-eyed young woman wearing a lovely blue-white lacy dress, nervously fingering her pearls. The work is signed on the reverse and dated there 1904. Measurements are 24" by 18" (28" by 22" in what is likely the original frame). The painterly impressionist work in the dress area is masterful, as is the obviously skilled depiction of her hand. Tack was a noted artist who work...

Oil on canvas, 50" by 31", unframed, signed on the spine of the book at lower center in true trompe l'oeil style and dated there 1901. This is a beautifully painted work by an historical painter of late 19th century California, ALBERT JENKS (1830-1901). It is already quite impressive as it is, but, with a gold frame around it, I can envision this gracing the wall of a law office or museum. Jenks was born in upstate New York, and kept moving west throughout his life; to Illinois by 1836, where...

An old oil on canvas painting of a swift-running river in a steep mountain canyon landscape in the fall, 24 1/2" by 20" (32 1/2" by 27 1/2" in circa 1920's pie crust style frame, unsigned on front, with "Herman Herzog/Storm at Yosemite" written on the back of the canvas in an old style hand (difficult to photograph, I have provided two images). The painting is offered as a late 19th century/turn of the century oil but without a signature or provenance it will be difficult to do more than attrib...

Theodor Victor C. Valenkamph 1868-1924 Marine Painter, Gloucester Ma This is a large original oil on canvas painting by Gloucester artist Theodor Victor C. Valenkamph. This painting of a Square Rigger measures 28X36 inches. Signed lower right T.V.C .Valenkamph. Also identified on a brass plaque. The over all frame measures 34X44 inches.Valenkamph was a Gloucester Artist known for his Marine paintings. He died in 1924. This painting is in fine condition.

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois. Due to deteriorating health, he moved to California by the 1870's, where he paint...