A painting on canvas, 10" by 14" (11" by 15" in simple modern frame), featuring a New England homestead, likely Connecticut, complete with split rail fence and stone wall, signed at lower right and dated there 1892 by Wisconsin-born artist GEORGE SELDEN ROORBACH (1860-1930). The artist was in the Northeast in the 1890's, living with his young bride in the vicinity of Mystic, Connecticut, and also instructing in art in New York City. He exhibited at the National Academy of Design in 1891...

Unframed oil on canvas laid on Masonite painting of a desert scene in California, high rugged mountains in the background, measuring 12" by 16", signed at lower left by listed California artist WILLIAM P. KREHM (1901-1968). The tawny scene is very understated and pleasing, with shades of tan and brown interspersed with violet in the mountains. Krehm was born in Kansas City...

Brooks Pettus (1918-2003) was a noted western American artist who passed away in Kennewick, Washington, leaving behind a large body of work in watercolor and oil that only recently appeared on the market. Pettus earned his Bachelor of Fine Arts at the University of New Mexico, and spent time in Albuquerque and Taos in the early 1940's. New Mexico's artistically inspiring landscape stimulated Pettus' aesthetic sense as it has for countless others...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892. Shortly after 1900, Glyndon lived in Alameda, California. He was known for genre, landscapes, and portrait paintings...

Oil on canvas laid on board painting of a windswept cypress type tree by the coast dunes, 8 1/2" by 4 1/4" (14 1/2" by 10 1/2" attractively framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette are strong indicators of the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this being one of his works...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York...

A work of Surrealism, 22" by 26", unframed, the imagery a strange landscape in blues, two bare trees at right center, and an odd shaped biomorphically-inspired form (part looks like an index finger complete with nail) at left foreground, completing the strange composition. The painting is signed at lower right by the artist; the first name is Bruce and the last name is difficult to make out, perhaps Hailey, Harley, Hurley or similar...

Oil on canvas still life painting, including a red teapot, plates, funnel, cup, and fruit, all on a striped table cloth with further drapery in the background, 20" by 24", unsigned on front and bearing the name "H. HOWARD" and date "OCT. 74" on the stretcher. There is an African-American artist by the name Humbert Howard but this work does not resemble the work I see out there on the net...

Often confused with artist Lawrence NELSON Wilbur (both auction records and biography almost hopelessly intermingled), this is an oil on canvas impressionist still life painting by the illustrator, Lawrence Wilbur (1897-1960). This listed artist was active in the New York City and Northern New Jersey area at mid century as an illustrator, landscapist, and portraitist. He signed typically with the oblique line below his name, as is seen here...

Acrylic on canvas painting, 24" by 24", unframed, signed illegibly lower right, also dated there 06 and inscribed. I cannot make out the signature, and do not know if it be simply by an amateur of considerable talent, or perhaps, by a known artist? The signature most definitely has a professional look to it.

A small landscape painting on canvas, (actually a very nice size for a small wall, 12" by 16", and 15" by 19" framed), signed at lower right by listed artist ANTON GUTKNECHT (1907-1988). We see a dirt road winding around the edge of a wooded area, a European village and small church seen in the far distance...

Here is a decorative Americana item, if you enjoy the work of one of America's most beloved and famous painters, EDWARD HOPPER, but you can't afford to buy the real thing (priced well into the millions), and yet you want something more than an offset print in a plastic frame. A Hopper painting similar to this is in the collection of the Metropolitan Museum of Art in New York, and it measures 29 1/2" by 43 1/2". This oil on canvas is signed at lower right "Allesee" and is quite a bit smaller, m...

Impressionist oil on canvas painting of the famous beach at Laguna Beach, California, signed at lower left by the well-listed Russian-born artist who made his home in the Southwest, CONSTANTINE CHERKAS (1919-2011). The work measures 18" by 24" (25" by 31" framed). Cherkas was born in Moscow and showed unusual early talent. He studied there and later in Vienna and Munich, his life disrupted by World War II, during which he was arrested by the Nazis and sent to a camp. After the war he moved t...

Oil on board painting of four wild horses in a corral under an immense western American sky, 17 1/2" by 21 1/2" framed, signed at lower right by American artist GRACE LORING BASSETT. There is some mention of the artist on the internet, most specifically as an illustrator in 1915 of a "Black Beauty" type book called "Don: His Recollections", a work about a horse, intended for children. There is also an auction history of a painting of a black spaniel, and internet research shows a Grace Loring...

Oil on canvas, 19 1/2" by 25 1/2" (25 1/2" by 31 1/2" as framed)---(possibly an inner frame, the outer one long since separated), apparently unsigned, circa early 20th century, the subject the famous and unique twin Thatcher Island lighthouses (also known as Cape Ann Light Station), about one mile off the coast of Rockport, Massachusetts. The lighthouses were erected in 1861 as a pair, thereby aiding navigation by mariners. Each is 124 feet in height. This painting seems to have been created ...

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings. There is some wear on the frame especially at rig...

Naive, or slightly primitive, almost folk art painting of clapboard 19th century style buildings next to an inlet of the sea, signed at lower right by artist Martha Crosmer. I see a listing for an artist by that name, born 1909, deceased 1995, last known address in Monrovia in Southern California, with earlier roots to Montana, but this painting does not resemble the desert plein air works that artist apparently painted. This scene to me looks more like coastal Maine, the Canadian Maritimes, o...

Oil on canvas classic landscape with feathery trees, rolling clouds and distant view, 28" by 38" (34" by 44" as framed), signed at lower left by English-American artist A. SPENCER (Andrew Spencer, born 1896), and titled on stretcher "A Berkshire Landscape". The artist has frequently been misidentified (often said to be one "Augustus Spencer" on AskArt and in auction records). According to a typed card affixed to the backing of a previous and very similar work of the artist which passed through...