Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Oil on canvas laid on board landscape painting of a small structure by the bay or sea, several figures milling around, 12" by 16", unframed, signed at lower right corner by listed early California artist BENJAMIN RABORG (1871-1918). Raborg was born in Missouri but came to be known around the turn of the century in San Francisco for his painting ability. The nephew of early California artist A.D.M...

This is an oil on canvas painting (measuring 7 3/4" by 9 3/4", plus very thin simple wood frame), laid down on a board, by the noted Northern California artist JOHN HENRY RAMM (1879-1948). It is titled on the reverse in the artist's own distinctive handwriting "Looking Down Bush Street" and initialed and dated 1930 (not signed on front, but, this is definitely the artist's way of signing; I have handled a number of his works in the past)...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane"...

Oil on board still life of red roses, and a few bumble bees in the composition as well, 24 1/4" by 18 1/2", 31 1/4" by 24 3/4" in likely original old gold frame, signed at lower left "N. Miller" and dated there 1910 or possibly 1916. This was executed in the early 20th century, but takes from a nineteenth century tradition in Victorian times----painting roses...

Impressionist oil on panel painting of a hardy desert shrub in the California desert, 20" by 10 1/4" (22 1/2" by 13" as framed), signed at lower right corner M. Gustafson. On the reverse is a rubber stamp of De Ru's Fine Art of Bellflower, CA, a well-known source for vintage California paintings...

Oil on canvas painting of a clearing in a woodland, in early autumn, judging from some changing leaves, signed at lower right "Marina". The contemporary work measures 24" by 20" (31 1/2" by 24" framed) and is in excellent condition.

Oil on canvas painting of a desert southwestern landscape complete with saguaro cactus, unframed, 16" by 20", signed at lower right "Robert Perkins". I do not see a listing by this name so offer the painting on its decorative values. It is in fair condition, with soiling, stretcher bar show-through/uneven canvas, and two very small punctures at sky on right in a cloud at a few inches above the signature. If you like the painting you could hang it as-is, or you could invest money to fix it up.

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Oil on board painting of a harbor with small boats, 11 3/4" by 14", (15 1/2" by 17 1/2" in stained oak frame), said by a handwritten note on the reverse to be Morro Bay in central California. The note reads "View of Morro Bay/by Mary Harrington on trip of California coast with friends Mr. & Mrs. Dan Castro 1961". The painting might be signed by the artist at lower right; difficult to see among the browned varnish...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

This is a very contemporary work, unframed, on a wood or masonite panel, 8 3/4" by 12", signed (incised) at lower right corner "EW" and dated there "01". The scene is a city street, depicted in rather bright color, in an impressionist technique; what is quite unusual here is the added medium used, the surface obviously having been worked with wax (I believe this might be called "encaustic" when used in a painting)...

Painting on canvas of a corgi dog in a landscape that suggests the beach, signed on the reverse with initials EG, which correspond to Eric Gregory. The painting is titled by the artist "Corgi study". Condition is excellent. The artist has not only created a simple portrait of a corgi; it is art, considering the placement of the animal within the landscape----off to the side, rather than centered...

A work on canvas, 16" by 20", unframed/unsigned, featuring spatter drips in blue, red, yellow and a touch of green, on a white ground, in the style of famed modern American painter Sam Francis. I think the paint is likely acrylic. The work is a rather more affordable version, compared to the six or seven figure paintings by the master. A pleasing addition to your Mid Century interior, in excellent condition.

An American oil on panel painting, unsigned, likely circa 1920, unframed, featuring a landscape including a lake, some distant low mountains, and yellowing foliage in foreground suggesting autumn as the season. The piece measures 14" by 22". Surface is dirty---could really use a cleaning/varnish---and there is paint chipping along left, top, and bottom edges, as well as a small loss at left center in the foliage. Needs some TLC but the essentials are all there...

Oil on canvasboard panel painting of a scene in the French Quarter of New Orleans, 19" by 8" (24 1/4" by 12 1/2" framed), signed at lower right with what appears as "Dettick" or "Derrick". This work was likely created for the lively tourist scene in the French Quarter in the 1960's or early 1970's. It has been suggested that the artist is one "Dick Nick", who has been an active participant in the New Orleans Jackson Square art scene from the 1960's. Condition is excellent.

Oil on canvas painting of a calf standing in a tawny meadow, 12" by 12" (15 1/4" by 15 1/4" in simple wood frame), signed at lower left "Hutcheson". This is a simple yet competently painted work by an artist whose identity remains unknown to me. I have searched online and feel this could be by a female Arkansas artist, but that would be just a guess. Condition is excellent.

An old oil on canvas laid on board painting of the northern San Francisco waterfront around Fort Mason, along with a panoramic view to Angel Island and Marin County beyond, unframed, 11" by 14", signed at lower right "Whited". There is only one listed artist with the last name, an (Elva) Viola Whited of Texas, which internet search reveals likely birth/death dates of 1902-1983. This could be our artist or could be someone totally unrelated...