Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

For the collector of scarce early Utah art, an oil on canvas, 22" by 18" on the stretchers (29" by 25" in old, likely original frame), dated 1928 and titled on reverse "Timpanogos Creek", signed lower left by the noted Utah artist BENT FRANKLIN LARSEN (1882-1970). (There is also some old writing on paper adhering to the frame but it is difficult to read). Timpanogos Creek is a scenic area near Provo, Utah. Larsen is a well-known figure in Utah art...

A scene of an adobe with the classic protruding wooden beams, a low wall, springtime pink/white flowering trees and a split rail fence completing the composition. The work is apparently unsigned. It is laid down (glued) to Masonite panel. It shows signs of having been rolled in the past--long parallel vertical cracks in the paint, as shown in several images. Most certainly it is by a listed artist but this one is a mystery...

‏Oil on canvas painting of snowy high mountain framed by a lake and trees, unusually large size for the artist's works at 20" by 36" (24 1/2" by 40 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette almost certainly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this one being by him as well...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane"...

Oil on canvas painting of a mill adjacent to a pond, 28" by 22", (33 1/2" by 27 1/4" framed) possibly signed at lower right, but affixed on reverse is an old handwritten slip of paper, with name of artist, subject identification ("Red House, Milltown"), her addresses, and 1924 Pennsylvania Academy of Fine Arts 119th annual exhibition info, apparently item #95 in that exhibition. The artist is identified thereon as IRENA FRANKEBERGER...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling...

A beautifully crafted impressionist painting of colorful zinnias in an oriental bowl, set on a table top, a shiny coppery or brass pitcher at right, signed lower right by listed Ohio-born, California and Utah artist Frederick Ruthrauff (1878-1932). The 13 1/2" by 11 1/2" oil on canvas laid on board painting (17 1/2" by 15 1/2" in attractive old vintage gold frame) is in excellent, fresh condition; has likely been professionally cleaned in recent years. Ruthrauff was born in Findlay, Ohio...

Oil on canvas extensive mountain and trees landscape laid on board, 8" by 10" (10 1/2" by 12 1/2" framed), unsigned, circa late 1920's to mid 1930's. I am certain that this is by a listed artist but sadly there's just no hint as to who created this. The scene could be western, or eastern; hard to tell. It was found in Southern California. I would lean towards it being a western scene...

Large oil on canvas, 30" by 40", unframed, signed at lower left by the artist and dated there "30", the subject a snowy, rugged mountain range with autumnal colors and evergreens, a small lake in the middle ground. The artist, RICHARD DEY DE RIBCOWSKY (1880-1936) was a prolific painter, and a well traveled one, at that. For his time he was truly an adventurous traveler. Born in Bulgaria, he was in Paris by age 13, and Florence and St. Petersburg after that...

Oil on canvas paintings laid on board, each 5" by 9 3/4" (8 1/2" by 13" framed), unsigned, the pair appearing to depict the exact same coastal dune, with interesting perhaps seasonal differences----one showing spring dune flowers, the other not----. The scene could possibly be dunes at the beach in San Francisco, where Golden Gate Park meets the ocean. Although unsigned, the handling, subject matter and color palette are immediately identifiable as by the hand of the noted California painter R...

Oil on canvas painting of a child, 15" by 12" plus present framing several inches wide on a side, signed at lower left and dated there 1927 or possibly 1929. This is a work by the noted American woman impressionist, MARY FAIRCHILD LOW (1858-1946). Her skill in Impressionism was refined by her time at the Giverny art colony in France and on Cape Ann, Massachusetts. Note the impressionistically rendered clothing contrasted with the finished face. Low was born in New Haven, Connecticut to "Blue...

Oil on canvas titled on stretcher "Golden Silence", 28" by 21" (33" by 25" in original vintage frame), signed at lower right and again on the stretcher by California plein air artist EUGENE PIERRE FRANQUINET (1875-1940). This is a fine example of the work of this Belgian-born painter who immigrated to the United States in 1907, and who was in Southern California as early as 1911. Franquinet, a member of the Laguna Beach Art Association, came to be known for his portraits, figure paintings, and...

Here is a prize for the collector of Californiana----an idealized view of a mission in the golden days of yore, painted around 1935 I would guess. There is a signature at lower right that appears as Y. Arnold or similar. The painting is on a coarse weave canvas, almost like burlap or jute, laid down on an old board, on the back of which is a color print of a landscape. Size is 30" by 24" including the simple narrow wood strip frame. The painting surface is not varnished at all, but I'm not s...

This is a perhaps circa 1930's or 1940's work in an earlier naive style, with a fisherman, sailing craft, and cabin on the shore. On canvas, simply tacked to the frame on the reverse side, the piece measures 21" by 30 1/2". I imagine this could be called "cabin art". If you're looking for a primitive piece for a country home, or even your urban home, consider this charming work. The condition is good save for a small puncture at extreme upper right corner, which when manipulated so that the ...

Monochromatic landscape on masonite, 20" by 16" and 4" wide frame/liner, with wagon and sod or adobe structures, signed at lower right "G. NIBLETT". This is a work by noted western American artist GARY NIBLETT (1943-), listed in Samuels' book "Contemporary Western Artists". Niblett has been a member of the prestigious Cowboy Artists of America since 1976. His works have sold into the tens of thousands at major auctions of western art. This is likely a relatively earlier work, before he signe...

Oil on canvas painting of a dirt track in an autumn forest, 16" by 24" (25 1/2" by 33 1/4" as framed), signed at lower right by the noted Indiana impressionist, EDWARD SITZMAN (1874-1949). This is a peaceful scene of late autumn. The artist is known for his watercolor and oil paintings of such landscapes, usually lacking figures. Watercolors are more commonly seen, the oils relatively scarce. This example needs to be cleaned and varnished as the surface is dry and blanched, but with that cle...

A nicely painted oil on canvas of flowers in a vase, 20" by 16" (22" by 18" in original frame), signed at lower right by Canadian-born, California impressionist artist GEORGIA P(ERKINS) FOSTER (1881-1965). On the reverse is the original label of the Oakland Art Gallery, giving the artist's name and address in Berkeley, and the title, "Marigolds". The impressionist technique is skilled and pleasing, and the work is in good condition, though a cleaning would be complementary. Foster came to Cal...