In the style of famous American abstractionist Sam Francis (1923-1994) is this abstract oil (acrylic?) on canvas "splatter" or "drip" painting, unframed, 25" by 23 1/2", unsigned. The work appears to have some age, to perhaps the 1970's. Note the width of the stretcher (almost two inches). The painting is very clean and would make a smashing decorative work for the most modern of interiors...

A quality work, the medium watercolor on a very thin linen type canvas, framed behind glass, 14 1/4" by 18 1/2" (22" by 26" framed), signed at lower right and bearing there a monogram cypher in an oriental art style, by San Diego artist and collector ELSIE STEWART KIMBERLY (1882-1966). There is little information on this talented woman artist, who was evidently most known around the San Diego area...

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings...

A nicely painted oil on Masonite work featuring pears and apples arranged in a still life that is quite colorful and harmonious, the fruit softly modeled. The work measures 16" by 11 3/4" (19 1/2" by 15 1/2" in bright gold framing) and is signed at lower right with a signature that appears to be "Ardi T. Santi" or similar. The painting is very decorative and attractive in its gold frame.

Contemporary (late 20th century) oil on canvas painting of a lighthouse, and coastal rocks and sea birds, a tall ship at right, signed at lower left by American gallery artist CRAIG SMITH. The work measures 24" by 30" (31" by 37" framed). The scene resembles Portland, Maine's famous lighthouse, but a business card of the artist affixed to the reverse appears to say that this is a Nova Scotia, Canada scene...

Oil on canvasboard painting of flowering yucca ("Spanish Bayonet") in a landscape, signed at lower right by Barbara White, a talented artist from Silver City, New Mexico, who was elected first president of the organization in 1968. There does not seem to be much other information readily available on the net, but one reference does indicate that she is deceased. The painting measures 9" by 12" and 15" by 18" framed. The artist wrote her name, address and the title "N...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield...

A contemporary impressionist landscape of the hills of Texas in the spring when the famous bluebonnet bloom, signed at lower left by artist "Julienne". This is a work of a talented artist, the signature of whom might well be a take-off on the famous and important Texas bluebonnet artist Julian Onderdonk (1882-1922); conversely, the artist may just happen to be named "Julienne"...

Oil on canvas landscape of steep red rock cliffs bordering a canyon in which a lone rider and his horse are to be seen at lower right, 20" by 24" (24" by 28" in white frame), signed at lower left by well listed Texas and New Mexico-associated artist (JOHN) GAITHA BROWNING (1912-1992). The painting is titled on the reverse canvas in pencil "Red Rocks Country"...

A vintage circa 1930's oil on canvas still life of various kinds of flowers in a blue vase on a table top, signed at extreme lower right "N B Wise" or "M B Wise". There is a fragment of a gallery label on reverse and last letters indicated ".......ati", so I believe this might have Cincinnati, Ohio in its past. I do not see a listing for an artist by this name. The work measures 26" by 22" (29 1/2" by 25" in old appealing gold frame)...

Oil on canvas laid on board painting of the Grand Canyon, 17" by 21" (20" by 24" as framed), apparently unsigned, circa 1940's, possibly earlier, executed in a naive manner that borders on or crosses the line to folk art. I think the technique is intentionally naive and primitive, as opposed to just the less-refined work of an amateur artist. The frame (see close-up) adds to the folk art aspects. This is a fine addition to your Southwest or Southwest folk art collection.

By the hand of well listed California artist ARNOLD BRAY (1892-1972), a small unframed oil on canvasboard (16" by 12") titled on reverse in pencil "Show Girl", signed and dated at lower right 1948. Bray was born in Odessa, Russia and came to San Francisco with his family at age 10. He studied at the California School of Fine Arts and later taught there...

An impressionist still life of vase and flowers on a table top in an interior, 23 1/2" by 17 1/2" (29" by 22 3/4" framed), signed at lower right by artist HAIG ALTOUN and dated there 1940. The work is beautifully executed by a trained hand but strangely I do not see a listing for an artist by this name, which is of Armenian extraction. Condition is excellent.

Lovely impressionist oil painting of trees bordering a small river or lake, painted on canvas, 22" by 18" (26" by 21 1/2" framed), signed at lower right "Michael Kawasaki", and signed again on the reverse and dated there 1997. I have not located information on the obviously talented and trained artist. The work's impressionistic brushstrokes, the handling of light and color, is just fabulous, reminiscent of the French impressionists of the late 19th century...

A vintage still life oil painting of flowers in a white vase against a dark background space, 24" by 18", 32" by 25" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City...

Large impressionist painting of violet mountains, pond and green meadow with white fence, 24" by 30" (31" by 37" framed), signed at lower left by artist HENRIETTA S. RUDDER, further titled "Mountains" on reverse where there is a label of the 1989 Artists Guild of the Norton Gallery Fifth Annual Exhibition (probably West Palm Beach, Florida), providing the artist's name, and the original price of $500. The painting is created primarily with palette knife, the paint richly and generously applied....

Painting of two children hugging tenderly, 24" by 20", unframed, signed at upper left by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstraction. The artist grew up in Sao ...

Oil on canvas scene of a flower-bedecked coastline, 24" by 30", unframed, signed at lower right by the noted, popular, prolific California contemporary artist, GARY RAY (1952-). This is an impressive example of Ray's work, with a thick, rich impasto, and size larger than most. The scene reminds of the Santa Barbara or Laguna Beach regions. Ray is a 4th generation Californian, born in Venice near Santa Monica. He paints in a highly impressionist style which resembles that of Edgar Payne and H...

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

Oil or acrylic on canvas painting, measuring 30" square, unframed/unsigned, the subject a young woman, painted in the style of famous twentieth century artist Patrick Nagel (1945-1984). This is offered as a decorative "style of" work. The only information on the frame is the word "Mexico" (as in, origin of the frame I would imagine) and the number 30, the dimension. The painting is wrapped around the stretcher so that the edges are all therefore painted. The surface could be described as dul...

A vintage still life oil painting of yellow daffodils and other spring flowers in a tall silvery jug on a table top, 32" by 25", 37 1/2" by 30" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits a...

A work by the noted California plein air artist RALPH HOLMES (1876-1963), featuring a stark arid landscape of the Southwest: a scene from Capitol Reef National Park in southern Utah (previously Capitol Reef National Monument), one of Holmes' favorite locales for painting. ***The 24" by 30" (28 1/2" by 34 1/2" in the probably original frame) painting is in need of restoration; there are numerous cuts and tears in the canvas, but it is hardly beyond recovery. I have received an estimate of $120...

A small tight little contemporary acrylic or oil on canvas painting for that small wall, 7 7/8" by 7 7/8", unframed, with reverse dedication "For Shell Sam and Mina", and signed there on stretcher by artist Warren Boothby. Condition is excellent. Found in the Pacific Northwest; the style resembles that of the influential, famed artist associated with that area, Mark Tobey.

Painting on canvas of urban skyline with foreground boats, painted in modern and stylish grays, black, white and red, signed at lower right "LF Mark" or similar. The piece, in strip typical late sixties or early seventies frame, measures 18 1/2" by 26". Condition is very good save for a small puncture at lower left that actually blends in with the design and is not all that easy to find. Frame at left and lower right is also ever so slightly askew. Would make a tasteful addition to your Mid ...

An old "cabin art" oil on soft paper board primitive style painting of Northern California's famed Mt. Shasta, towering over a rugged landscape including waterfall, tall trees, steep gorge, and a charming log house at left with smoke coming from the chimney. The painting measures 24 1/2" by 19 1/2", unframed. The board is warped, the surface uneven, and there is a snaking 8" crack in the board at right and small puncture at lower center. The work is delicate and requires very careful handling...

An oil on canvas painting of a clipper in full sail on the high seas, 16" by 20" (19 3/4" by 23 3/4" framed), signed at lower right in red by artist PAUL MASON and dated there with what appears as 1936. The work features attractive impressionist technique and colors. A search for information on the artist was not productive. There is a framer's label from Boston's Beacon Hill area, so we can likely assume that the artist was a New Englander. The surface is dry and there are some tiny losses ...

A contemporary painting in semi-abstract style, the image apparently of a horse and his flowing mane, staring at the viewer. The work is unsigned. Acrylic on canvas, 16" by 20" (a regular size, easily framed). A twist on equine art.

Oil on canvas painting of pears and glass vase with flowers arranged artistically on white and striped cloths, signed at lower right and again on the reverse side of the canvas by listed American woman artist SUSAN CROOK INGERSOLL (1908-). The unframed work measures 22" by 18" and is in very good condition, with just a bit of stretcher bar show-through. Colors are vivid and rich, and the modernity of the arrangement is striking. To a certain extent, there is some resemblance to the naturalism...

Oil on canvasboard painting, 14" by 18" (17 1/2" by 21 1/2" in simple wood frame), signed on the reverse by artist James E. Carson of Andover, Massachusetts and titled there "Lobster Cove". This is a peaceful scene, most likely of the Lobster Cove near Annisquam and Gloucester, MA, but I see there is also a Lobster Cove in Maine. Regardless of the exact location, this is a classic scene of New England, captured by a talented artist. There is a listed illustrator by this name but I cannot dete...

Oil on panel painting of pink desert mountains and flowering dunes in the foreground, 16" by 20" (25" by 29" in wood carved frame), signed in the paint at lower left with a signature that appears as "Bo W(xxxxxxx)". The circa 1960 oil is by an artist who certainly must have been familiar with the palette knife California desert scenes, with rich impasto, of John Hilton (1904-1983). The style and feeling is similar. The painting could benefit from a cleaning, after fifty years. A gold frame ...

Oil on canvasboard circa 1960 painting of a variety of flowers in a ceramic yellow vase artistically placed on a textile with another ceramic vessel nearby, signed at lower left "Betty Way". The work, which measures 24" by 18", also bears a label on the reverse with the artist's name and address in Springfield, Pennsylvania, a suburb of Philadelphia. To date I have not located a known artist by this name. A Betty Way of Harrisburg, PA was a newspaper circulation manager. There might well be ...

Oil on board landscape, unsigned, the subject a panorama of red rock cliffs and distant butte, likely in Arizona, or possibly Utah, the scene framed by tree at right. The work has some age, a guess would place this circa 1955 to about 1965. Certainly it is good enough to have been painted by a listed artist. The condition is acceptably good. There is a little moisture warp (not stained, just a warp) from possible past storage perhaps in a garage setting, and the back of the board is rough fr...

In the style of masters like William Harnett, John F. Peto, Otto Kaye and others, this is a painting of an ink bottle, old style fountain pen, pipe and matches, stamped envelope and calendar, signed at lower right "Roy Fay". The letter, in the trompe l'oeil" (French for "fool the eye") tradition, is addressed to himself, in "Pasadena, Cal", and is interestingly postmarked in Kansas. The calendar is from the "Ohio Grocery", of Pasadena, and the calendar sheet reads November 1912. The painting...

Oil on pine wood panel, 6 1/2" by 8 1/2" (11" by 13" in old frame), unsigned, the subject figures in a clearing surrounded by feathery trees, a tiny brush stroke also indicating the presence of a scampering dog accompanying the small party. A charming old antique work in the Hudson River tradition; disappointing not to have found a signature, but I would think the artist listed. The painting has normal old light soiling, and the frame has some edge chips missing in a few places. The work like...

Oil on canvas painting of a pinkish jug and blue-green vase on a neutral background, 15 1/2" by 11 1/2" (17 1/2" by 13 3/4" framed in light wood) signed at upper left "K Petersen". The impressionist work is skillfully painted though I do not see any information on the artist. Condition is excellent---ready for display.

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway). The presence of the two stencils suggests that a blank canvas was imported on a wholesal...