An antique truly American painting (not the more common similar-looking English scenes) with feathery tree at left, a few simple wooden houses, distant church steeple, and two tiny central figures, a manageable size at 22" by 30" (29 1/2" by 37 1/2" in the likely original framing), apparently unsigned. This old work came out of a dilapidated local home, having no doubt hung there for decades. When found it had a sheet of glass over the canvas...

A classic work of 19th century American art: oil on artist's board painting of an elderly lady, apparently lost in thought, as she contemplates a bill and a paltry few coins in her palm, the proceeds from her sales of apples at two cents apiece (they seen in the right background). The 11 1/2" by 9 1/2" oval shaped painting (14" by 11 3/4" in the frame) is signed at right center "C. C. Markham" (CHARLES COLE MARKHAM, 1837-1907)...

Theodore Hermann William Koppen (German, 1828-1903)

California Condors, Morro Bay

Oil on canvas, signed and dated: “1893”.

Painting size: 21.5” x 29.5”
Frame size: 30.25” x 38.75”

Koppen was born in Brake, Germany and died in Nymphenbourg. He was known for his paintings of marine and historical scenes, as well as portraits.

He is listed in Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Bénézit.

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

The study photo on the left is a close up of Mr. John White Field,a Philadelphia Merchant, which was painted by John Singer Sargent in the early 1880's. The study image in the center shows what Mr. Field looks like with the beard removed. The image on the right shows an earlier Sargent portrait of Mr. Field. Please refer to Sargent Painting in our listing.

Early landscape painting of a likely imaginary, idealized, pyramidal mountain peak of California, (doesn't really resemble Mt. Shasta, but I suppose it could be), 20" by 16" on the stretchers, painted on canvas, 25 3/4" by 21 3/4" in a fine old gold 19th century frame, signed at lower right by artist "C. A. Simpson" and dated there 1886. The painting is firmly in the luminous tradition of some of the eastern Hudson River artists, with a pinkish glow suffusing the sky...

Oil on canvas, 24" by 36" (28 1/2" by 42" as framed), unsigned, showing a Victorian/Gothic type castle ruin by a river, by moonlight. ***UNFORTUNATELY THE PAINTING HAS BEEN SEVERELY DAMAGED IN SHIPPING (vertical rip clear through---started with a pre-existing three inch tear which weakened the canvas and made it vulnerable to further damage), so, will need major restoration. Call or email me for more details...

Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.

Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”

Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810...

19th century oil on canvas painting of the Angel waking Elijah who was asleep under a tree. Originally this painting probably had an ornate gold frame. We found this hanging as pictured. Artist signed: Robert Ragan. Measures in frame: 44.5” high x 25.5” wide. Site size: 40.75” x 22.25”

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame)...

A 19th century American folk art painting. Oil on canvas. Table top still life of bountiful agricultural harvest and a pineapple likely from port trade (pineapples were popular import produce in 19th century port cities and much can be read of pineapples in American tradition and design - most notably relating to hospitality.) Relined - otherwise good, clean and bright condition. Stretcher dimensions 30 1/2 inches x 25 1/4 inches. We acquired this in the late 90s from a long time Georgetown peri...

Oil on canvas painting of a coastal bluff with gentle incoming waves, possibly Rhode Island near Newport but most certainly New England, 12" by 16" (20" by 24" nicely framed), signed at lower right and dated there (likely, a little hard to read) 1908, by Massachusetts artist of the famous Fall River School, BRYANT CHAPIN (1859-1927). Chapin's still life works of fruit, his specialty, have auctioned into five figures, but he did execute some landscapes and coastal scenes, (some of them of the Is...

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded. Otherwise the painting just sports...

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

Florine Hyer was an Iowa-born artist who became known for her exquisite paintings of roses. She was in Los Angeles by 1898, and remained there her entire life with the exception of the year 1908, when she assisted the botanist Luther Burbank at his home and gardens in Santa Rosa, in Sonoma County north of San Francisco. Burbank is reputed to have said, "Florine can paint roses better than gardens can grow them". This example is one of the works by the artist, an oil on canvas measuring 18" by 30...

American School (Circa 1895)

Red-haired Girl in Profile

Oil on canvas, unsigned

Painting Size: 16” x 14”
Frame Size: 22 ” x 20”

This charming portrait displays the influence of the “Gibson Girl” fashion sense with her softly piled hair and high collared blouse, made popular by the artist Charles Dana Gibson in the 1890’s.

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple. It is acceptable as is to the casu...

William Richardson Tyler (American 1825-1896)

Misty Morning at Windsor Castle

Oil-on-canvas, signed lower left

Painting Size: 18.5”” x 29.5”
Frame Size: 31” x 42”

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Tyler is known to have lived and worked in Troy, NY during the 1850‘s and 60‘s where, aside from Abel Buell Moore, he was Troy’s best known artist. ...

Oil on canvas laid on board, 21" by 34" (26" by 39" as framed), unsigned, circa 1880 I would guess, the painting consisting of a classic Hudson River view with steep hills bordering a river, a boat completing the scenery. There is a very nice luminosity to this particular example, a very nice handling of the light in the leaves of the trees. The painting has an approximately 5" long horizontal old cut in lower portion as shown, not unusual for a work of this age. There is also considerable un...

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell. She exhibited at the Pennsylvania Academy of Fine Art (1900-19...

** PAIR** American 19th century oil on board landscape paintings in Hudson River style, each signed at lower right by listed artist FRANKLIN JAY LEWIS (1838-1910). The feathery trees, color scheme and general handling are in the tradition of the Hudson River School of the eastern states, but these scenes may in fact have been painted in California. The artist was born in Wells, Vermont, and crossed the continent at great effort in 1868, arriving in San Jose, California to begin a new life. Le...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works. This painting is in generally good vintage condition, with a v...

ANDREW JOHN HENRY WAY 1826-1888; AMERICAN STILL LIFE OF GRAPES AND WINE; OIL ON CANVAS Signed :lower right; AJHW AJHW was born and died in the Washington DC area. He was primarily a still life painter although he did paint many portraits. He is especially known for his representation of GRAPES, especially of those grown in the US. He won many awards including the award for "Excellence in Still Life" at the Philadelphia Centennial. Dimensions; 13.25" x 8.75"; framed; 11.5" x 16".

Hendricks A. Hallett (American 1847-1921 )

Sailing Vessels at Sunrise

Oil-on-panel, signed lower right

Painting: 20” x 16”
Frame: 25” x 21”

Born in Massachusetts, Hallett studied in Antwerp and Paris. He is best known for his paintings of ships, notable marine events, and seascapes, many along Boston Harbor. He also painted in the White Mountains of New Hampshire, and on Mount Desert Island in Maine.  Hallett worked outdoors, sketchi...

American School, Early 19th Century

Carib Indians Around a Jungle Campfire, with a Piton in the Background

Oil on canvas, signed indistinctly on the stretcher. Mid 19th century carved wood, compo and gilt frame

Painting Size: 9.25” x 12”
Frame Size: 13.5” x 16.5”

This is an oil on canvas, 20" by 30", signed at lower right "J.B. Radway", who was a 19th century California listed artist, (JESSE B. RADWAY, 1826-c. 1905), but the subject is given on the stretcher as "on the North Cheyenne, Col.". According to the Hughes listing, Radway was born in New York in 1826, and was a resident of Silver Lake, Kansas in 1880, Topeka, Kansas in 1884-85, Alameda, California in 1887, and Vineland, New Jersey in 1900. He is believed to have died in New Jersey in about 1905...

A circa turn of the century oil on canvas painting of a creek and surrounding woods in the autumn of the year, 11 1/2" by 22 1/2", on canvas, and 17 1/2" by 29" in likely original frame, apparently unsigned. The work has survived over a century in excellent condition. No punctures or problems. There are a few chips missing from the frame. A pleasing, easy to live with scene that brings a sense of calm and reflection.

Antique oil on canvas of cherries on a table top, 8" by 11 3/4" (11 1/2" by 15 1/2" as framed), signed indecipherably at lower left; name could be W C Hammond, Hammons, or Higgins, or? The work is in the tradition of American 19th century still life and likely dates to about 1880. Some very old patches on the reverse attest to old battle scars the painting acquired in its some 150 years of existence. Those old damages are noticeable especially at right center and in the dark area above the fr...

JOHN JOSEPH ENNEKING- AMERICAN;1841-1916 NOVEMBER TWILIGHT Oil on Canvas Signed lower right Dimensions; 10.25" x 14.25"; framed; 16" x 20". JJE was one of the most distinguished and successful painters of the late 19th C. He lived most his life in New England, and according to Wikipedia, his "favorite subject is the November Twilight of New England and the half lights of early spring, and late autumn and winter dawn and evening." He always said that his greatest teacher was nature. He ...

Late 19th Century Oil on Canvas, 34" x 26". Portrait of a Gentleman (Not Signed). To date, I attribute this painting to have been painted by John Singer Sargent in 1880. This is a (not approved) portrait of a Philadelphia merchant named John White Fields. I named this portrait Merchant X by JSS. On 5/11/04 the Portrait was presented to the JSS Catalogue Raisonne Committee. On 5/13, the committee reported it could not attribute this portrait to JSS. My painting was reviewed with 29 other paintin...

Lovely still life painting, oil on canvas of basket of fruit, either peaches or plums, in gilt gesso frame with floral designs. Measures 16" x 21 1/4", stretcher is 12" x 17". Unsigned, well painted, artist likely had some academic training. Lush image of fruit spilling from a basket, against a dark background, very typical of still life paintings from mid to late 19th century, American school. Frame is wood with gesso finish consisting of floral and foliate designs over a textured backgroun...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

This is a Still Life, OIL ON CANVAS, by the well listed Artist: WILLIAM H. WEAVER. Works by WM. H. WEAVER have been sold at SOTHEBY'S, etc. From a Delaware, USA Estate this ANTIQUE OIL on CANVAS measures 12 1/4" x 18". This PAINTING was found unframed; signed lower left: WM H. Weaver 1888. Great ADDITION for OIL PAINTING Still Life Collectors

Oil on canvas landscape, 10 1/2" by 18", unframed, signed at lower right and dated there 1894 by well listed American artist CHARLES HENRY MILLER (1842-1922). Miller became known for his impressionistic paintings of Queens and points all over Long Island, including East Marion, near the end of the North Fork (Orient Point area). He traveled to Europe in the 1860's and, inspired by the sights and culture, decided to abandon the medical career for which he was preparing, in favor of art. Miller...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards". (His name has been variously spelled as "De Berg", "DeBourg", etc.). I can say it is possi...

For those seeking an early California painting featuring the Golden Gate, consider this circa 1900 (possibly as early as 1880's?) unsigned work on gray artist's board, 18" by 24" (22 1/2" by 28" as framed), the subject the Golden Gate looking north from approximately the Land's End area, Civil War-era Fort Point in the middle distance, and Mt. Tamalpais in the far distance in Marin County, a steam powered boat and a three masted ship in the channel. The world famous Golden Gate Bridge now spans...

Oil on pine wood panel, 6 1/2" by 8 1/2" (11" by 13" in old frame), unsigned, the subject figures in a clearing surrounded by feathery trees, a tiny brush stroke also indicating the presence of a scampering dog accompanying the small party. A charming old antique work in the Hudson River tradition; disappointing not to have found a signature, but I would think the artist listed. The painting has normal old light soiling, and the frame has some edge chips missing in a few places. The work like...

Works by ALBERT HORATIO SLADE (1843-1922) are quite rare in the marketplace. The few that have come to auction feature coastal scenes of Los Angeles, San Diego and Ventura Counties. Prices of $8,000 and even $12,000 have been achieved on several larger works that are site-specific. Some are of great historical interest, as they document early buildings and communities. Slade was born in England and had a photography studio in Toronto, Canada by 1879. He was in San Diego by 1887. He was kno...

Oil on canvas still life of peaches and compote in the East Coast style of the latter part of the 19th century, 21" by 27", presently unframed, signed at lower left "C H Harmon" and dated what appears to be 1880 (or, 1880 something, difficult to read last digit). This is a skillfully painted still life in the tradition of eastern masters like the Ream's, or members of the so-called Fall River School. The table appears to be Eastlake Victorian, with its marble top. This is a very impressionist...

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.

For the eclectic collector of 19th century American folk art, this is an oil on canvas, as framed in the original gilt, measuring 26 1/2" by 37 1/2" overall. The work was purchased in coastal Maine, where it came directly out of an old farmhouse near Nobleboro. It had been the property of one family there for decades. From a folk art Americana standpoint, it is a most interesting and unusual work indeed. The previous seller's label described it as ".....Revivalist Period 1830-1840 unsigned dep...

Oil on canvas painting of a forest interior in browns and greens, 14" by 20", unframed, signed at lower left by the noted American late 19th century painter ARTHUR PARTON (1842-1914). Parton was born on the Hudson River and went on to become a well known painter of that river and the Adirondack and Catskill Mountains. He is described as a second generation Hudson River painter, who also moved into impressionism and Tonalism. After training with William Trost Richards at the Pennsylvania Acade...

Alfred Wordsworth Thompson (American 1840-1896)

Lake Scene in Western Maryland

Oil-on-canvas, signed lower right and dated “1861”

Painting Size: 8 ½”” x 16”
Frame Size: 12.5” x 20”

Thompson was a landscape, historical and portrait painter, born in Baltimore where he studied law with his father. In 1859 Thompson decided to become and artist and opened a studio in Baltimore. During the first year of the Civil War (1860) he worked as a combat artis...

An antique oil on canvas landscape of a distant snow capped mountain range framed by bright late autumn foliage, 15 1/2" by 30" (21 1/2" by 35" in likely the original frame), signed in red at lower right by artist ADELE BRACY and dated there what appears to be 1898 or 1896 (or, in that vicinity towards the earlier side). This is apparently a copy by a talented amateur of an image well-known in the mid 19th century. An original painting "Late Autumn in the White Mountains" by important American...

Julius Montalant, American 1823-1878.

View of a Harbor

oil on canvas, signed l.l.

Painting: 11 x 18.
Frame: 18 x 25.

Provenance: The Lowell/Putnam Estate

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships.

Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works a...

A circa 1880 American painting on canvas of a white clapboard house on a farm or rural land, the structure surrounded by bare trees, white fences and outbuildings, a sitting dog strategically placed at center staring directly at the viewer. The work measures 18" by 22" and 22" by 25" framed. It is in very original condition, so original that we might be looking at a heavily soiled surface that would brighten dramatically with a professional cleaning, though there is no doubt that the color pal...

A painting on canvas, 10" by 14" (11" by 15" in simple modern frame), featuring a New England homestead, likely Connecticut, complete with split rail fence and stone wall, signed at lower right and dated there 1892 by Wisconsin-born artist GEORGE SELDEN ROORBACH (1860-1930). The artist was in the Northeast in the 1890's, living with his young bride in the vicinity of Mystic, Connecticut, and also instructing in art in New York City. He exhibited at the National Academy of Design in 1891. At ...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring. See ...

This unframed 20" by 24" oil on canvas landscape painting is something of a mystery. It is signed "J.V.C." and dated 1851 at lower left (see very close up photos), and on the wood stretcher on the reverse is incised "John V. Cornell New York". I believe there is an excellent possibility that this is a work by the historical New York painter John V. Cornell but I cannot prove it. He seems to have been an obscure fellow, though he is listed in the book of historical painters born before 1860, a...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris. For a short time thereafter he lived in Moscow, then in Tomsk...

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border. At the time the seller said there had been speculation by a previous owner that this wa...

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss. If you nee...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings. This portrait has three areas where it ...

A pair of late 18th or early 19th century portraits, one showing a well dressed gentleman seated at a secretary bookcase, the other of his wife, seated and holding a flower. Painted in oils on canvas, the detailing, especially in the man, is stunning. He is wearing a blue coat, an elaborately ruffled shirt, and a silk waistcoat. The edging and every button on the jacket and waistcoat are beautifully rendered in multiple colors. The books in the case also have a great amount of attention to their...

This miniature of George Washington was found by an advanced collector in London. We have agreed to research this miniature for the owner. The very American style of painting on ivory miniature measures 42mm x 35mm, and is mounted in its original gold frame. To date, we have sent photos of this miniature to Mount Vernon and to another advance collector in the South. We will advise more as we receive more information on this rare item.