An oil painting directly on a chunk of sandstone, by the noted western American artist, writer and philosopher A KELLY PRUITT (1924-2009), featuring a young Native American girl astride a horse. The work is inscribed "To a beautiful spirit Kristen/with love A Kelly Pruitt". The irregularly shaped work measures approximately 12" by 12" and weighs a full 4 1/2 pounds...

Oil on canvasboard painting titled on backing paper "LAVISH FALL PALETTE/LONGS PEAK", signed at lower right by artist RUTH ERWIN (1904-1994). The work, featuring flaming aspen in the Colorado high country in high autumn, a view to monumental Longs Peak in the distance, measures 10" by 8" (18 1/2" by 16" framed). I've gathered a few nuggets of information on the artist through the net...

Colorful vintage unframed impressionist painting of the iconic Taos Pueblo in New Mexico, painted in a bright palette, oil on canvas laid on board, 12" by 14", signed at lower right with conjoined initials "MP", a typical signature of California artist MARION RANDALL PARSONS (1878-1953). Parsons was born in San Francisco and lived most of her life in the Bay Area...

A vintage still life oil painting, unframed, 30" by 24", signed twice at lower right (one, very faint) by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in the mix...

Oil on canvas landscape with a home and small out building, possibly but not at all necessarily a California scene, measuring 10" by 14" (12 1/4" by 16 1/4" as framed), signed at lower right (I think in ink) "....... E. Miller" and dated there '32. The actual first part of the signature is difficult to read, but on the stretcher in pencil is written "E. E. Miller"...

A still life on board, of fruit on a green table cloth with white pitcher, unframed, 12" by 16", signed in the wet paint by listed Connecticut woman artist SUSAN GRISELL (1946-). The work is in excellent condition, and needs just a (standard size, easy to find) frame. Grisell is a New Milford, Connecticut native and has lived her life mostly in Litchfield County in the scenic northwestern part of the state. The area has a rich artistic history, having attracted painters since the 19th century...

This is an oil on board painting of a small house in a forest landscape, apparently unsigned, in the general tradition of the Hudson River School, 13 1/2" by 21 1/2" plus gold framing about 1 1/2" on a side. The work could date from about 1900 to maybe the mid 1920's, I would think. It is a decorative work that gives the feeling of a more expensive painting, when viewed from a distance...

For the fans of the "Big Eye" paintings, here is a pair of mid century retro style works in oil on board, each 23 1/2" by 11 1/4", and each signed at lower right. The signatures are hard to decipher; I'm guessing "Balmiani" or "Dalmiani". If I am reading them at all correctly, I am not able to tie these names to any of the listed, recognized big eye painters. Regardless of authorship, these are sure to please the devoted big eye collector...

An impressionistic palette knife painting of dramatic, high, already snow-streaked mountains in peak autumn season, signed in the paint at lower left "W HARISCH". This 14 1/2" by 19 1/2" work (18" by 23" as framed) is by listed Canadian artist WILLIAM HARISCH (1914-1967). Harisch painted in a style that appears clearly European, and indeed works of his native country (one titled "Heidelberg") have come to market...

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century...

Oil on canvas still life painting in a very minimal modernist style, with lots of white background giving the painting a very contemporary, airy feel, 18" by 24", in strip frame, signed in pencil somewhat illegibly at lower right. The signature appears to start with "Sarah" or "Sarai", the last name likely beginning with a "T". Painting is in fine condition overall though I note several small smudges at lower center...

Unframed oil on paper on board painting of a desert Southwest landscape, 8 1/2" by 12", signed at lower right M. Edwards. The painting probably dates to the 1920's or 1930's I would guess. It has accumulated a lot of soiling and varnish has yellowed, so it desperately needs a cleaning. Note the left extreme edge, which must have been behind a frame, to get some idea of the potential after cleaning. There is also a small dig at right edge, and upper right corner of the paper is missing. This...

Oil on canvas painting of an elegantly dressed lady on a terrace or balcony, a Parisian-style table and chairs with champagne bottle at left, 36" by 18, unsigned and unframed. This Matisse-inspired work was likely painted circa 1970's by a talented amateur artist. The violets, blues and white make for a harmonious color balance and the light is suffused rather than intense and sharp. The painting is slightly soiled and dull consistent with its age but is otherwise ready for display; a frame w...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting. Condition: some light abrasions ...

Oil on masonite painting of a small adobe structure in a landscape, 11" by 14" and narrow frame, signed in green at lower left corner "Clapp". The work is impressionistic, and the subject suggestive of New Mexico. I checked with an authority on the works of Canadian/California artist William Henry Clapp (1879-1954) to see if he thought this might be by that artist, which would enhance its value significantly. He did not believe the work to be by that artist, citing style and signature, and sa...

A vintage still life oil painting of flowers in a white vase against a dark background space, 24" by 18", 32" by 25" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some lan...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner. ...

A PAIR of unframed oil on canvas works, one a scene of coastal cliffs and waves, 12" by 12", the other featuring a small lake or pond, 11" by 14" (both unframed). They are each signed by the artist, one M. Mahmoudi. I have not located information on the obviously talented artist, who is likely Californian; found in Los Angeles. Condition is excellent. What appear as white speckles in some images are reflections off the varnish and canvas weave.