This work needs some TLC, due to a large rip, unstable and missing paint, and grime......a vintage late 19th century/early 20th century work on canvas, 18" by 30", unframed, apparently unsigned, the subject one of the volcanoes of the Pacific Northwest. The painting should be saved for posterity, but for that to happen, it will require relining, cleaning and inpainting by a professional restorer. If you are a restorer yourself, this would be an ideal acquisition.

Old master painting, the subject soldiers in an extensive landscape battle scene, some mounted, 16" by 24 3/4", unframed, on old canvas, relined long ago, not signed, but on the stretcher is written in old hand "Borgognone". JACQUES COURTOIS, 1621-1676, was well known for his skill painting battle scenes. As a result of his fame, centuries later, it is tempting apparently to attribute all unsigned battle paintings to his hand, or his studio, or circle...

Here is a prize for the collector of Californiana----an idealized view of a mission in the golden days of yore, painted around 1935 I would guess. There is a signature at lower right that appears as Y. Arnold or similar. The painting is on a coarse weave canvas, almost like burlap or jute, laid down on an old board, on the back of which is a color print of a landscape. Size is 30" by 24" including the simple narrow wood strip frame...

**PAIR** of oil on board paintings (each 14" by 11", plus framing 1 1/4" wide), of nymphs clad only in diaphanous veils, dancing in classical poses in forested landscapes, rays of light selectively illuminating the scenes. The works are by New England artist ROBERT C. WOODBERRY (1874-). Woodberry was born in Massachusetts and appears to have spent most of his life in New England, painting mostly landscapes. He was a student of W. D...

A PAIR of American oil on board mountain landscapes, each 23 1/2" by 11 3/4" (29 1/2" by 17 1/2" framed), both signed at lower corner A. A. Baker. There does not seem to be biographical information on the Hudson River-inspired artist, who likely painted these in the mid 1880's. It is doubtful that they have ever been cleaned. There is a smell of smoke. One has a 1" puncture of the board (in the tree at right), the pressure having come from the reverse side; the piece remains attached...

Purchased some years ago in Florida, this is an unusual work, possibly some kind of enamel work (I am guessing----shiny hard surface with relief, mimicking enamel surfaces I have seen), 5" by 13", 21" by 25" in gold frame with wide maroon velvet matting, signed with conjoined small "HR" at top right, and signed again on reverse "Hugo Robus 1954"...

Painting of various complete southwestern pottery vessels, and a broken shard of one, all seemingly floating weightless in an intentionally poorly defined space, all painted in a hyperrealist style, signed at lower right "Doyle" and dated 2005 with copyright symbol. A label on the reverse gives the artist's full name, Ed Doyle, the title, "The First Shard", and the original price, $1000. The oil on canvas on board measures 23 5/8" by 23 5/8" and 30" by 30" as framed...

An oil on fine weave canvas featuring a Mediterranean-looking coastal village, 12 1/2" by 19 1/2" (18" by 25" as framed), signed at lower right by the noted Armenian artist VARTAN MAHOKIAN (also known as Wartan MAKHOKIAN, or combinations thereof), born in Trabzon on present-day northeast Turkey's Black Sea coast in 1869, died in 1937 in Nice, France. The painting shows two small sailing craft, one towing a dinghy, off of a whitewashed fishing village...

A circa late 1930's to early 1940's painting titled on the reverse "Molas Lake and Needle Mountains, Silverton Colorado", signed at lower right by artist C. H. Rising. The oil on canvas measures 12" by 16" and is unframed. A light cleaning would be helpful but you could just throw a regular sized frame around this and enjoy it on your wall. Nicely executed work by a talented yet apparently unknown artist. The mountains are well painted, streaked with snow of the previous winter...

A very appealing small forest interior painting on board, 9" by 11" (12" by 14" in modern day gold framing), unsigned on front but on reverse in old hand is written (difficult to decipher) "near XXX farm Hampstead Heath/Oct. 3 1908 5 PM/P. P. (XXXX)". The word after P.P...

Set of THREE Italian circa 1946 paintings on canvas, in decorative gold matching frames, unsigned, each 9" by 11 1/4" as framed, the subject familiar scenes of Venice, executed in the classical eighteenth century style of Canaletto or Guardi. These works were commonly produced for the tourist trade by talented artists. This set evidently dates to the immediate post-war period, as one bears a date stamp on reverse, 3 Ottobre 1946 and a "Made in Italy" circular sticker. Condition is generally ...

Oil on board painting of a peaceful lake surrounded by forest and peaks in the distance, 11" by 18" (16 1/4" by 23 1/2" in wood frame), unsigned, circa late 1940's to 1950 or so, but executed in an earlier style that goes back to the early years of the century. These freely executed impressionistic works met the demand for affordable original art in the first half of the 20th century, and many are still around, though they have suffered the ravages of time. This example is very clean and in ge...

Very large (36" by 23 1/2", 45" by 33" framed), decorative, attention-getting squarely Mid Century oil on canvas of two "Big Eye" children, painted in his usual whimsical fashion, by the French mid century impressionist artist ROGER ETIENNE (1922-2011). The painting is signed at lower left by the artist and dated there 1973. This is one of the largest works I have seen by this French artist, and it (including all framing) is in amazing, near-mint condition; hard to believe it is nearly a half ce...

A classic work of 19th century American art: oil on artist's board painting of an elderly lady, apparently lost in thought, as she contemplates a bill and a paltry few coins in her palm, the proceeds from her sales of apples at two cents apiece (they seen in the right background). The 11 1/2" by 9 1/2" oval shaped painting (14" by 11 3/4" in the frame) is signed at right center "C. C. Markham" (CHARLES COLE MARKHAM, 1837-1907). The work is not dated but was likely created in the 1880's or 1890'...

A colorful and whimsical painting of tropical fruits in a basket, two birds adding to the charm, signed at lower right by early Haitian artist ANDRE SATURNE (1927-1983). The work is painted on board and measures 15 1/2" by 19 1/2" (19" by 23" framed in wood with gold leaf inner portion). Saturne was born in Petionville, a Port-au-Prince suburb. He attended the now-famous Centre d'Art in 1956 when the Haitian art movement as we know it today was just beginning to come together. Saturne was in...

A very decorative and beautifully painted oil on canvas of a black woman's head in profile, a focal point being the finely painted pearl earring near the center of the composition, signed at lower left "GRAHAME" dated there 87, and with title on stretcher "Le Pendentif" (The Pendant). Note the artistic license the artist has taken with his interpretation of the hair area. The painter is celebrated Belgian artist PIERRE GRAHAME (1938-1996), who passed away at the young age of 57. Grahame was k...

Oil on masonite highly detailed still life painting of a cut melon, apples of various colors surrounding it on a table, a spilled salt shaker and knife completing the arrangement. The work, 16" by 20" (24" by 28" framed), likely dates to the 1970's and as such would be one of the earlier works by this artist. Katon was born in Michigan and received a B.A. from Ursuline College in Ohio. For many years he has been a resident of Southern California, where he is a familiar figure in the arts comm...

American (likely California) oil on canvas painting, 5" by 4" (8 3/4" by 7 5/8" in stained oak period frame), signed at upper right corner with initials "M.W." and dated there '87 (or, possibly, '97). Stamped on the stretcher is "Fred Rhoda/Fruitvale, Cal", and written in pencil in an old hand is " Whitney"; we can probably assume therefore that the artist is one M. Whitney. A googling of the stamped name shows Fred Rhoda (1810-1886) was a Civil War veteran who owned some 400 acres in the Oakl...