An original watercolor painting of a pueblo in New Mexico against a dark blue sky, traditional pots displayed in foreground. The work, 13 3/4" by 10" on heavy watercolor paper (24 3/4" by 20 1/2" framed) is unsigned. It dates to the late 20th century and was likely created by a talented amateur artist, perhaps for the tourist trade. The designs on the pottery suggests this is possibly Zia Pueblo.

Contemporary watercolor painting of whitish or pinkish roses, executed in a soft-focus manner, signed at lower right by artist Jean Percival. I do not see a listing by this name but we're looking at a talented artist. The work measures 13 1/2" by 9 1/2" inside the double mat opening and 21" by 17 1/2" framed. Silvery frame exhibits light wear. There are reflections in some images.

**One of a number of Venice works in my shop** Watercolor painting of a classic Venetian view including canal gondola and the famous church in the background, 4 1/2" by 7 1/2" (10" by 13 1/4" as framed without glass), signed at lower right corner "G. Romanello". This is a twentieth century work, perhaps from the 1950's, or, possibly, earlier. I do not see a listing for the name...

Watercolor on heavy paper landscape with house on a moor at sunset, a distant hill at left and blooming white wildflowers in the foreground, measuring 8 3/4" by 11 1/4" inside the mat, 17" by 20" in a simple old wood frame, and signed with initials that look to me like "R.E.M."---but this is just a guess. The piece likely was created in the last years of the nineteenth or early years of the 20th century. The shape of the house suggests to me an English rather than American origin...

A contemporary watercolor painting of banana tree or giant bird of paradise, in harmonious green, yellow, violet and brown-red colors, 22" by 19" (29 3/4" by 25 3/4" in blond wood frame), signed at lower right corner by artist Elizabeth Schleich, or Schleichner or similar, followed by "PTL" (meaning unknown). The work is in excellent condition, the colors rich. The artist displays a keen sense of color and some passages in the composition appear almost cubistic...

An old watercolor painting of the famous Brandenburg Gate in Berlin, Germany, unsigned, circa 1940. The piece measures 9 1/4" by 7 1/2" inside the double mat and 14 1/4" by 11 1/2" as framed. The frame is modern and functional. Note the detail, including tiny figures and old cars and even double-decker buses. The gate, which dates to the 1730's, was severely damaged in World War II. I believe the artist may have created this during the war or just before it...

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. The watercolor is signed at lower right corner "A. Fowler" and is dated there April 1912...

Watercolor on heavy pebbled watercolor, 10 1/4" by 13 3/4" (17 1/2" by 20 1/2" in simple, worn frame), unsigned, the subject an impressive sailing craft in a small boat harbor. The painting has a nice impressionist touch, and, apparently, some age (at least 1960's or before). On the reverse someone did some math calculations, writing the numbers in a distinctive old hand that is of a previous generation. The clean mat with gold inner edging can be retained; a new frame would work wonders.

A small contemporary watercolor of the dynamic waterfront harbor area of Vancouver, British Columbia, signed by artist Jo Wodz. The work, 3 3/8" by 3 3/8" (6 1/4" by 6 1/4" in modern frame) is by a contemporary Canadian artist, information on her painting style and subjects available on the internet. Condition is excellent. A fine way to remember Vancouver and its many charms.

Watercolor painting of a harbor scene in New England, 12 3/4" by 18 3/4" inside the mat, 20 1/4" by 26 1/4" in silvery metal framing, signed at lower left in red "J. Stephenson" and dated there '77. This is likely a scene of Maine or Massachusetts, judging from the lobster traps at left on the dock. The artist does not seem to be listed but I have seen other similar works by this hand while traveling in New England...

Watercolor on paper painting of redwood, sequoia or pine tree trunk in a forest, unframed, 9 1/4" by 7 3/4", signed at lower left "Mary Inez Tidwell". The work is possibly a fragment, as the top edge and right edge in particular seem to indicate that there might have been more painting at one time; however, there are pin holes in the upper corners and indications of round tacks having been there, so possibly the painting is as originally created...

Watercolor on paper painting, 10" by 14" inside the mat, (18 1/2" by 22 1/4" as framed), signed at lower left "Nolte", and bearing a note on the framing paper suggesting this to be Hidden Harbor, Maine (the word "Southwest", as in "Southwest Harbor", being crossed out). I believe the scene depicted would be on the famous central Maine coast, on Mount Desert Island, best known as the location of Acadia National Park. The drawing is executed in ink with watercolor...

Watercolor and ink drawing of the iconic world-class sight, the Parthenon atop the Acropolis in Athens, Greece. The work is signed in red in Greek at lower right and there is an inscription in Greek handwriting on the reverse. Measurements inside the deep blue mat are 10 1/2" by 7 3/4" (16 1/2" by 13" in simple undistinguished strip frame). The artist has captured with considerable skill a sight that will never be forgotten by anyone who has seen it.

A detailed 19th century American botanical watercolor of white roses and leaves, unsigned, circa 1880, measuring 9 3/4" by 6 1/4" inside the mat, 16 3/4" by 12 1/2" as framed. The piece is in good antique condition with light foxing and uneven toning in the background, commonly seen in works of this age, and perhaps a small tear that has browned at left edge. The work could be on a silky material rather than paper. The detail is impressive. French mat parallel lines at to the appeal...

Old American watercolor painting, early 1900's, featuring a leafless tree in what is apparently late autumn, a flash of color in the middle distance giving an indication that winter has not completely arrived. The work appears unsigned. Measurements are 15 1/4" by 10" and 18 1/4" by 12 1/2" in the old frame, which shows wear. The watercolor itself has survived the decades in good condition.

Watercolor painting of some age, 13" by 10 1/2" (22" by 18" framed), the subject simply a tree, but, that subject is handled very beautifully, and the work is signed at lower right by artist Paula Day (on whom I find no information). The interpretation of light and color belies the hand of a talented artist. Judging from the framing materials this dates no later than the mid 1960's and likely earlier. I recommend a new mat only; the frame can be retained.

A watercolor on paper 10 1/2" by 21 1/4" (21" by 33" in blue laminate framing) featuring a tropical dock scene replete with coconut palms, a small sailing craft, and boathouse, signed at lower right with what appears as "Ehrlich". I have not been able to link an obvious listed artist name to this work. The hand is sure and talented and the piece is in excellent fresh condition.

A small very nicely painted contemporary work in watercolor and gouache, the subject water's edge with tidal rocks and sand. Measuring 10 1/2" by 12 3/4" framed and nicely matted, the work is signed at lower left corner by artist "Greenaway". The framing sticker on the reverse from San Luis Obispo suggests the possibility that the scene is somewhere on the central California coast.