Jacques Villon, French, 1875-1963, Etching on olive toned paper, "Fete Champetie", image size 8 3/4 x 3 1/2 inches, pencil signed

An etching of the famous chapel at Stanford University in Palo Alto, CA, titled at lower left margin "The Chapel" and pencil signed at lower right by well listed California artist GEORGE DEMONT OTIS (1879-1962). Measurements are 7" by 10" inside the present mat (12" by 15" in wood frame). The artist was born in Memphis, Tennessee and was raised in the Midwest after being orphaned...

Arthur J. T. Briscoe, British, 1873-1943, "Furling the Foresail". This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat...

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803...

AN EARLY TWENTIETH CENTURY ETCHING DRYPOINT SIGNED 16” x 17” from an edition of 100. The work depicts a woman sewing

James Abbott McNeill Whistler This is an original etching by American artist James McNeill Whistler. The title is: The Adam and Eve Tavern, Old Chelsea. This etching is plate signed with the butterfly monogram in the upper left sky. The image measures 7X11 15/16 inches. Printed on a medium weight laid type paper. This etching was created in 1878. It is the third state of 3. A rich impression of this scarce composition.

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

An old etching of Notre Dame cathedral in central Paris, viewed from the south bank of the Seine river, titled at bottom "Pont de l'Archeveche Paris", artist name K. Gautier (LUCIEN GAUTIER, 1850-1925) at lower left margin. The print measures 9 3/4" by 14 3/4" (13" by 18" in silvery metal framing). There are some fox marks in the field and typical browning/light soiling seen on an antique print; also a slight bit of raising of the paper surface at extreme right corner...

Stephen Parrish, American, 1846-1938, etching, "An Old Farm Near the Sea" (Niles Farm, Cape Ann), image size 9 7/8 x 13 7/8 inches, 1881, catalog Schneider 44, thread margins on 2 sides, pencil signed within the image.

A small etching, 5 1/4" by 4" (13 1/2" by 10 1/2" in wood frame) featuring the famous familiar front view of Notre Dame Cathedral in Paris, the foreground including the famous bookstalls and a number of figures, signed in the plate (in reverse) "Slanska" and with penciled "Eau-fort original/Slanska" in the lower margin. The name seems to be of Czech origin, and I have not located information on the artist. There is evidence of very slight hand coloring in blue, yellow and pink...

Sir Francis Seymour Haden 1818-1910 British This is an original pencil signed mezzotint by British artist Sir Francis Seymour Haden. The title is: Breaking up of the Agamemnon No. II. This mezzotint was created in 1880, one of his most popular images, like the earlier etched impression done 10 years earlier in just etched lines. This image is made up of tone as well as lines in the composition.....

Original limited edition hand colored etching titled "Haggling" featuring Korean women in a marketplace by German artist Willy Seiler (born 1903) from his Korean series. Signed in pencil on the lower margin. Reverse with limited Korean edition seal marked Plate #68A/110, stamped in red "original hand colored," and with Seiler's address in Japan (see enlargements). Willy Seiler's etchings captured the essence of life in rural Japan...

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

Ludovic Lepic, French, 1839-1889, "Bords de Riviere Ombreux avec Deux Moulins et Cloche a Droite," Etching, image size 4 x 10/4 inches, 1870, plate signed u.r. "Lepic" and pencil signed l.l. "Lepic", from "Croquis Hollandais et Autres" plate 14. A view of fisherman along the banks of the Ombreux River with two watermills and a church in the background.

Elyse Ashe Lord 1900-1971 British This is a fine hand colored etching by British artist Elyse Ashe Lord. The title is Kite Flying, created and printed circa 1925. This pencil signed impression was sold by Arthur Ackermann in New York. This came to us in the original Asian style frame with the Ackermann label on the back. The image measures 12 7/8X18 inches. The overall frame measures 20X26 inches. Very fine condition. Printed on a thin Japan type sheet.

Gerald Leslie Brockhurst 1890-1978 English One of the finest portrait etchings ever created by British artist Gerald Brockhurst. "Henry Rushbury", created and printed in 1930. Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London. Rushbury was an accomplished etcher as well... This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice...

Sir William Russell Flint 1880-1969 British This is a scarce original drypoint etching by British artist William Russell Flint. The title is: "Eve", it was created and printed in 1930...

Edgar Chahine, French, 1874-1947. Framed etching on laid paper, image size 10 7/8 x 7 3/4 inches, 1904, cat: Tabanelli-135, plate signed, pencil signed and titled. An early signed proof, which was later published in "Revue de l'Art," 1905. From an edition of 50. Provenance Gerhard Wurzer Gallery.