Pencil signed and numbered lithograph print of a Civil War subject (Confederate soldiers with their flag, surrounded by gigantic black-eyed Susans), 13" by 11", 19" by 17" framed, by the well listed Louisiana artist ROLLAND HARVE GOLDEN (1931-2019). The juxtaposition of the oversized flowers and Confederate warriors is in keeping with Golden's self-described "borderline surrealism"...

Original nineteenth century example of a desirable ("New Best 50") small folio Currier and Ives print, "Midnight Race on the Mississippi". This example measures 10 3/8" by 14 3/8" inside the narrow old frame...

This is an unusually bright, saturated-color example of the MARC CHAGALL (1887-1985) lithograph "Romeo and Juliet", printed by Mourlot. This is a well known image by Chagall, created in 1964 for the ceiling of the Opera Garnier in Paris. Charles Sorlier in association with the famous lithography house Mourlot adapted this image from Chagall's sketches for the project and printed this. Measurements are 24 3/4" by 38 3/4". The total edition was 5,000 examples...

Lithograph of the year 1946, "Ecclesiastes 4", from the artist's mid 1940's series interpreting themes from the Bible's Book of Ecclesiastes, pencil signed at lower right and with "Ed. 40" and Cuno blind stamp in the margin at lower left. The sheet measures 21 5/8" by 16" (31" by 24 1/2" as framed). This is a mid-career work, one of 536 lithographs produced in a prolific career in the fine arts...

Lithograph on paper, 17" by 23" inside the mat, 24 1/2" by 30 1/2" as framed, signed in pencil at lower right and "Epreuve d'artiste" written in pencil at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

**One of a number of prints by the artist in my shop** Lithograph on paper, the sheet 24 1/4" by 18 1/2" framed, signed in pencil at lower right and numbered 31/100 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

Lithograph with hand coloring and gum arabic highlighting in the leaves, from the Imperial folio quadrupeds series circa 1848, plate number 144, depicting three species of mole-like rats (Townsend's Arvicola, the sharp-nosed Arvicola, and the bank rat), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

This is an original hand-colored, mid 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century (circa 1849) quadrupeds mammals series in the small octavo size. It is not a late restrike/reprint. Inside the present mat, dimensions are 6 1/4" by 9 1/4" (13" by 15 1/2" as framed). The title is "Carolina Shrew" and this is Plate number 75 in the long series...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

Offered for the collector of Picasso's posters is an example of 1957's "Pates Blanche", created for Cannes' Galerie 57, printed by Devaye Imprimeur. Measuring 22 1/4" by 17 1/4", the poster is technically described as an offset lithograph. The blue areas look like a traditional lithograph process, while the image in gray within the circle has the tiny dots of traditional printing. The poster is scarce, with a total edition of only 500 printed, and that over 60 years ago...

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

Lithograph on paper, 13 1/4" by 18" inside the mat (20" by 24 1/4" as framed), signed "J Floch" at lower left and numbered "19/50", the subject an interior with two female figures, a table and window at right. This is a beautifully drawn work, showcasing the talents of this artist in lithography. His prints and drawings (see one in my shop) are quite affordable, while paintings have brought to the $80,000 area at auction in Europe and America. Floch was born in Austria, but spent the later pa...

A contrasty, dramatic lithograph of a man's head, modernist artistic liberties apparent in the design, 15" by 11 1/4" inside the present mat (sheet 16 3/4" by 13 3/4"), as framed 24" by 18 1/2", signed in the plate and again in pencil at lower left center by the noted Chicago-associated twentieth century artist WILLIAM SAMUEL SCHWARTZ (1896-1977). Schwartz created approximately 60 limited edition lithographs in the course of a ten year period, beginning in 1928, Born in Belarus, he had some ar...

An example of the 1969 lithograph print, titled variously as "Mascara", ("Mask"), numbered in lower left margin 73/250 and pencil signed at lower right, by the famous Mexican 20th century muralist artist DAVID ALFARO SIQUEIROS (1896-1974). This lithograph was printed by Mourlot in Paris. Siqueiros is considered one of the three giants of Mexican twentieth century art, alongside Diego Rivera and Jose Clemente Orozco. He was a social realist artist, always concerned with the lot of the Mexican com...

This is an example of one of the more desirable and scarce Currier and Ives images, the "Skating Scene--Moonlight" of the year 1868, the image measuring 7 3/4" by 12 7/16", the sheet a somewhat irregularly cut 9 1/4" by 13 7/16". The work is lightly taped to backing at the top corners only, so, it is not laid down; however, the condition is only fair, with narrow margins generally (just below the title at bottom, and widest at top, at about 5/8" or so, and the sides roughly 1/2" or a little les...

Lithograph on paper, the sheet 19 1/4" by 25 3/4", signed in pencil at lower right and numbered 156/275 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA. The subject is a young red-haired girl holding her Japanese kimono-clad doll, at a table covered by a complex decorative cloth, the table la...

A fine, early print, (16 3/4" by 13 1/2" in its simple black framing), is titled in the lower left margin "Pennsylvania Quaker", numbered nearby 32/50 and signed at lower right margin in pencil by the noted American artist, PETER HURD (1904-1984). This lithograph dates to 1936, when the artist was only in his early thirties. Hurd was born in New Mexico and attended military academy there before realizing he wanted to become an artist. He studied in the east at the Pennsylvania Academy of Fine...