A rare opportunity to acquire a print by California master artist JESSIE ARMS BOTKE (1883-1971), known for her distinctive, highly decorative, finished works in oil and watercolor, often featuring exotic birds, with gold and silver leaf backgrounds. Her prints rarely encountered. This example is titled "Fish Shacks" at lower left margin, and is pencil signed at lower right margin. The work measures 8 3/4" by 11" inside the existing mat (the sheet approximately 13" by 15")...

2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images...

This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions. The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky...

An unusual playful piece depicting an owl by one of the most important sōsaku-hang printmakers in the 20th century, Akiyama Iwao 秋山巌 (1921-2014). Best known for his prints, Akiyama Iwao produced paintings even later in his career, as well as occasionally painted on ceramics. Sake cup is sealed by the potter, but seal is obscured by glaze, and Akiyama’s signature and remains unread...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.R., fan-shaped publisher’s seal, excellent impression and color, gilt metallic printing on robe, some very minor creasing and very light soiling to corners, otherwise good condition, large red collector’s seal on verso.

Oban tate-e: 10 x 14 ¾ in.

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Hand-colored page with extensive woodcut depicting the genealogical tree with the offspring of Japheth, one of the three sons of Noah, and of his wife Funda.
The verso with further descendants as well as exponents of the line of Christ (Sale, Leber, Phaleg, Reu or Regau).
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger in an edition of 2000 copies.
Tower with battlements as watermark.
Rare hand-colored version...

Original color woodcut by Luigi Rist (USA, 1888-1959). Signed. Titled in pencil and inscribed "150 edition". Image size is approximately 11" by 9". Catalogue reference: Williams 29. Please ask for additional photos and information.

By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads...

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Bakufu Ono, oban tate-e, dated Showa 28 (1953), published by Kyoto, Hanga-in, slightly toned, fine impression, color and condition.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, fine impression and color, very light wear

Oban tate-e: 10 x 14 ¾ in.

A Very/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Editon, 23 3/4” x 18” incl. margins, Title; a Pair of pigeons beneath hydrangeas in middle of Summer, Date; ca 1930s, Signature; impressed seal “Rakuzan Kyo” and Red seal “A”, Pubisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Conditon; It is in very fine condition but a mat bed marks on the margins only. *** Reference: Please see www.Rackuzan.net website

A wood block print based upon the watercolors produced by Salvador Dali for the critically acclaimed illustration of Dante's Divine Comedy. The monumental collaboration of painter, wood block artists, and publishers spanned a period of nearly 25 years. This particular print is from Inferno Canto 4 News of the Limbos. While prints from the Divine Comedy are readily available, this one is particularly desirable above the others...

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left with artist’s seal, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, overall good condition

Oban tate-e: 10 x 14 ¾ in.

Thomas W. Nason 1889-1971 New England This is an original chiaroscuro wood engraving, done in two blocks, black and grey. The title is Eggemoggin Reach, created and printed in 1940 in an edition of 250 signed proofs. The image measures 6X10 inches, hand signed lower right in pencil. This wood engraving was published by Associated American Artists in New York. Very fine condition.

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl...

First edition Japanese woodblock print, large Oban 9.5” x 12.5”, of “Owl” by Iwao Akiyama. Printed on handmade paper, it is numbered 130/200, and dated 1973. Measures including frame 12” x 15”. Note: Color is excellent, any variations is from reflections in the glass.

Limited edition print of two sumo wrestlers titled TACHIAI by Clifton Karhu. The print is perfectly rectangular - any distortions of the paper are from photography. The tachi-ai (a combination of two Japanese words that mean “stand” and “meet”) is the initial charge between two sumo wrestlers at the beginning of a bout. Clifton Karhu (1927 – 007) was an American artist who settled in Japan after serving there in the U.S. military during WW II and returning as a missionary...

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.

Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

Antique Japanese woodblock print by Hasui Kawase (1883-1957) entitled Snow at Ginkakuji Temple. Snow falls quietly on a two story building. The rocks and trees around the pond are capped with snow and figures stroll by with umbrellas.

The artist, Hasui Kawase is considered one of the major landscape artists of Japan. He was born the son of a silk merchant and studied both Japanese and Western style painting. He showed at the Tatsumi Exhibition of Painting at the age of 19...

Kane und Abel, is a German Expressionist woodcut done in 1923, measuring 21” x 22”. Gerhard Marcks (18 February 1889 – 13 November 1981) was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics. Early life[edit] Marcks was born in Berlin, where, at the age of 18, he worked as an apprentice to sculptor Richard Scheibe.[citation needed] In 1914, he married Maria Schmidtlein, with whom he would raise six children. ...

Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed. The print is in excellent shape--it is still tipped onto the original archival backing that was in the book. In 1999 toward the end of his life, Ma...

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

A woodcut print featuring an ecclesiastical scene of five monks in a breezeway or arcaded hall, with the artist's signature and date 1922 within the circular image. Additionally the piece is pencil signed by the artist at right just below the image and titled "The Cloister" at top right in pencil. The artist is New Jersey-born HENRY J. GLINTENKAMP (1887-1946). Glintenkamp is known as a painter, illustrator, and graphic artist, subject matter including landscapes, portraits, and Social Realist...

Artist’s proof of the print EELS from the “Folk Sayings” series by Clifton Karhu. An artist's proof is a print that is set aside as a reference by the artist and usually marked AP rather than being numbered and included in the main edition. Clifton Karhu (1927 – 007) was an American artist who settled in Japan after serving there in the U.S. military during WW II and returning as a missionary. He became internationally renowned for his woodblock prints which he began making in the early ...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print. I do not know what it m...

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Bazaar newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when elect...

Black and White wood block print "Celestial Destiny" by T Le Tigre 2007 india ink on heavy rag paper 221/4" by 15"

Nineteenth Century French Artist A.L. Simpson “The Blue Shop,Tunis, fine woodblock measuring 22x16” ,signed and titled

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Edition, 22” x 16 3/4” incl. margins Title; Ears of Barley, dadelions and nest of a skylark feeding her chicks in early summer Date; ca 1930s Signature; impressed seal “ Rakuzan Saku” and Red seal “A” Publisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Condition; It is in very good condition but a mat bed marks on the margins only (not images). *** Reference: Please see Ra...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly. The height of the prints is 13 7/8 inches (35.3 cm) and they vary between 9 ¼ to 9 93/4 inches 23.5 to 24.7 cm) wide.

Condition: some soiling and all the corners are worn...

Hasui Kawase, oban yoko-e, ¡°Rain at Nissaka (Tokaido Road)¡±, later edition, fine impression, color and condition.

Norichka-TORPEDO BOAT IN ACTION 1895,14x28” Senso-e - Senso-e are prints depicting wars, most often the Sino-Japanese War of 1894 - 1895 and the Russo-Japanese War in 1904 - 1905. Primarily triptychs, these images filled the journalistic need for illustrations of current activities on the battle front, but also acted as propaganda, encouraging support for the wars and fostering patriotism. These prints emphasized the bravery and success of the army and navy, using dramatic designs and bold com...

Extra large format limited edition Japanese woodblock print depicting a flower lined deserted lane beside traditional buildings under a cloudy blue sky by Katsuyuki Nishijima (b. 1945) dated 1987. This is an original pencil-signed artist's proof (marked A.P. in the lower left margin) for an image that was likely produced in a limited edition of 100. The pencil-title appears to translate "Empty Sky" or "Deserted Day." Paper size 24 1/4" x 18 1/4" (image: 15 3/8" x 21 1/4"). Full margins. Excelle...

A beautiful colored Japanese woodblock print measuring 12x16 inches and in bright colors

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

Clara Colline 1881-1945 Kansas Artist, American This is a fine block print by Kansas artist Clara Colline (1881-1945) The title written in pencil lower left is: Wind in the Cottonwoods. THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches. Colline was a student of Birger Sandzen. His influence is clearly seen here.

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, fine impression and color, light soiling on waterfall, general light wear, light toning on verso

Oban tate-e: 10 x 14 ¾ in.

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival ma...

Wood engraving on paper, 11" by 15 3/4", 15 1/2" by 20 1/2" framed,titled at bottom "HOME FROM THE WAR", by the famed American artist WINSLOW HOMER (1836-1910). The image was published on June 13, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exist. Newshounds of that age who wanted to follow the events of the unfolding Civil Wa...

TWO JAPANESE WOODBLOCK PRINTS COMMEMORATING FREDERICK STARR & NOSATSU.

Frederick Starr was a professor of anthropology at Chicago University who first visited Japan in 1904 and made many subsequent visits. He wrote many papers on Japanese subjects but is probably best known in Japan for his interest in pilgrimage, he dressed in traditional pilgrim’s clothing and performed the Shikoku pilgrimage in 1917 and 1921. He became fascinated with the tradition of nailing name slips (nosatu) to te...

A circa 1930 colorful, beautiful, accomplished woodblock print of a Christmas cactus, by Austrian-born artist HUGO NOSKE (1886-1960). Noske was born in Vienna and was a very talented artist, perhaps best known today for the technically accomplished, wonderful woodblock prints of floral subjects, often specifically cacti or Christmas cacti, on tissue-like Japan paper. This is one of those prints. Measurements are 12" by 13 1/8". The highly delicate paper is NOT laid down, just taped at upper...

An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20. He knew Shiko Munakata,...

Woodblock Print Circa 1910 “Hunt Scene” Signed Measuring 17x12” Pinchoy more information coming soon. Numbered 9/30

Original oversized woodcut by Wendell H. Black (USA, 1919-1972). Titled "Artist and Model-Spring II" 7/25. Signed and Dated l.r. "Wendell Black 58 by Elaine". First original edition created posthumously by Berkley Chappell and Elaine Black. cf. The Lost Prints of Wendell H. Black. Roughly 24" by 38" image alone.

Hasui Kawase, oban tate-e, ¡°View of Omi¡±, dated Taisho 14 (1925), published by Watanabe, fine impression, color and condition.

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182. Thread stitching marks.
Nuremberg, Latin edition, 1493 AD
Woodcut on la...

Antique Japanese woodblock print by the artist Hasui Kawase (1883-1957) entitled Chuzenji Lake, Utagahama. Depicting figures, most likely pilgrims, walking near a red torii gate at water's edge. The sun shines on boaters on the lake and tall trees give shade on the shore.
The artist, Hasui Kawase is considered one of the major landscape artists of Japan. He was born the son of a silk merchant and studied both Japanese and Western style painting. He showed at the Tatsumi Exhibition of ...

Large original mid-century woodcut by Davira Fisher (USA, Cincinnati, 1918-1986). This work is signed in pencil by the artist L.R. Dated 1960, titled "Lonely Trees", and numbered 18/100. Framed. Davira Fisher is a well listed African American artist from Cincinnati aptly known for her woodblock prints, often depicting the Mount Adams neighborhood of her city.

Ernest W. Watson Biography Excerpted and adapted by Thomas A. D. Watson from the National Cyclopedia of American Biography Ernest William Watson, artist and author, was born in Conway, Mass., Jan 14, 1884, the son of Daniel and Lucinda (Moody) Watson, who came to this country from England. His father was a weaver. Ernest W. Watson completed his preliminary education at the Monson (Mass.) Academy, was graduated in 1906 at the Massachusetts Normal Art School (now Massachusetts College of Art)...

Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right. Black only printed a few examples, and did not complete an edition in his lif...

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Paul Jacoulet 1896-1960 French This is one of the finest color block prints by French artist Paul Jacoulet. The title: Retour De La Jungle, Tondano: Celebes, This image was created and printed in 1948, Pencil signed, with the Sparrow seal. This image measures 15 3/4X12 inches. The artist used a fine coral powder to give dimension to the compositional colors. He also experimented with Gofun, an egg white derivative that produced a rich opaque effect. This image appears in the Jacoulet cat...

Woodcut entitled ‘Vates Sibyllinae’, showing three naked prophetesses next to a tree. This may be an early representation of the ‘Three Graces’ so fashionable in Renaissance art.
The print is taken from a Latin edition of Münster's Cosmography one of the most influential geographical works of the 16th century.
Sebastian Münster (1488-1552) was a cosmographer and professor of Hebrew who taught at Tübingen, Heidelberg, and Basel. He settled in the latter in 1529 and died t...