Village scene, possibly Nara, issued ca. 1950s, non-limited edition.
Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.
Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.
Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978
Signed and titled in pencil on lower margin, very good color and condition
Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.
Sake Shop, undated, purchased from a Kyoto gallery in 1978
Signed and titled in pencil on lower margin, very good color and condition
Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.
Farm scene, issued ca. 1960s
Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.
Overall size: 9 x 12 in.
Album leaf with sleeve illustration for kimono, produced ca. 1930
Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape
Overall size: 10 x 14 in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear
Oban tate-e: 10 x 14 ¾ in.
Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926
Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play, published 1922-1926
Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition
Oban tate-e: 10 x 14 ¾ in.
A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s
Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.
Overall size: 11 3/8 x 14 in.
Original intaglio by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell (Wendell Black never issued an edition of this work in his lifetime). This print is in excellent original unframed condition. It is titled and marked A/P l.l. and signed and dated l.r (Elaine Black, Wendell Black's wife, signed this edition). 11 1/2" by 18 1/2", image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre...
Original lithograph by Wendell H. Black (American, 1919-1972) in excellent original unframed condition. Artist proof, printed and signed by the artist l.r. Also titled l.l. An extremely rare impression by a master printmaker. Provenance on request. One of a number of works by this artist currently offered. Please inquire.
Original intaglio by Wendell H. Black (American, 1919-1972), in excellent original unframed condition. This work is titled l.l. and marked A/P, also signed by the artist's widow and dated l.r. It was posthumously printed by Berkley Chappell, who produced the first edition of the lost prints of Wendell Black. Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre. This work measures 14" by 17 1/2". One of a number of works by this artist currently offered. Please inquire.
Original deep etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), in excellent unframed condition. This first edition print was produced by Berkley Chappell and signed by the artist's widow (Black never produced an edition of this work himself). It is titled and numbered 7/25 as well as signed and dated l.r. For the whole story please cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, where this work is illustrated plate 16. 13 1/2" by 22"...
Original deep etching and etching by Wendell H. Black (American, 1919-1972), first edition, in excellent unframed original condition, titled l.l. and marked A/P, also signed and dated l.r. This work was printed posthumously by Berkley Chappell and signed by the artist's widow Elaine Black. No edition was created during the lifetime of the artist. A second edition was produced by a former student of Berkley Chappell for the sons of the artist. For the whole story cf...
Impressive engraving, aquatint, and etching on copper by Wendell H. Black (American, 1919-1972). First edition (posthumously printed by Berkley Chappell, and signed by Elaine Black). Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, figure 7. This work is in excellent unframed original condition. It measures 14 3/4" by 25". Titled and marked A/P l.l. also signed and dated l.r...
Antique original lithograph of a standing nude by Julius John Pommer (American, 1895-1945). This wonderful nude dates from the thirties. It is dedicated l.l. and pencil signed l.r. Offered framed. Pommer was born in San Francisco and studied at the CSFA under Otis Oldfield. He was active in the Federal Arts Project in the thirties. Well listed (cf. Askart, Edan Hughes "Artists in California", etc.
This is an image of the original W/C which was painted several years back some early summer. The scene is quite different than the one seen in the national news coverage of the Mother's Day flood 2006 extensive and serious flooding of this Methuen MA river dam. Today, the 140+ year old granite structure appears to be holding steady. A funny side note: 2 foot carp were found swimming in the then flooded playing field nearby! PS...
Item - Monotype by Harry Bertoia circa. 1960. Condition - excellent. Professionally framed. Measurements - app.[image] 11 1/2"x 24", framed - 22"x 34 1/2". One of a kind.
